relevant RockEd culture: notes on contemporary Pinoy rakenrol

The noise is overwhelming. SaGuijo isn’t made for long conversations with friends, not even when you’re all outside sitting at the farthest table from the entrance, having drinks and cigarettes. The truth is you’ve been here since dinnertime when it was empty and bright. You almost forgot it was the place of noise and crowds and youth, the one you hadn’t gone to in a while.

It had been a long day and, both emotionally and literally, food was what you needed. You also wanted to get eating out of the way while it was quiet enough to have a meal. The bagoong rice, salpicao and tokwa’t baboy, and ice-cold San Mig Lite seemed about right. Except that it was already noisy in your head, the kind of noise that apparently can’t be erased by a filled stomach. You came from the Maximum Security Compound of Bilibid Prisons in Muntinlupa, and after two years met an old friend—one who’s been there for almost a decade, the one for whom freedom is such a remote possibility, you cannot even see it.

The NGO Rock Ed was reason for that visit to Bilibid. Every Wednesday of every week, a bunch of prisoners expect Gang Badoy to arrive and teach them some creative writing.

the rest is up at pulse.ph!