On an unplanned trip to the Cultural Center of the Philippines that had little to do with art and everything to do with the cultural work of getting cheques so far away, ones that are about a government bureaucracy that does not make things easy for workers—cultural and otherwise—it was a relief to be drawn into “Casa Fuego,” an exhibit by Toym Imao. Because a display of larger-than-life toys renders one necessarily a kid, no matter how critical the stance you take relative to this magnitude.
Size and monuments
The giddiness over the size of these installations does not last long, which is not a bad thing. The size and scale of artworks—how big something is, how detailed, how beautiful!—has become embroiled in the enterprise of art fairs that use these works as centerpieces of commerce. An artwork or two is chosen as showpiece, becoming the cornerstone of every press release and the most instagrammable attraction, which also makes it necessarily “representative” of all the other art that appears in the fair. Imao’s works for Casa Fuego could just as well fall perfectly within that context. (more…)
