this piece went up yesterday on that horrid cover for March that FHM Philippines was set on putting out. which it has pulled out, announced via that official statement posted on their website. that might be a success, but seriously? why is that official statement not a public apology? it needed to be an admission of having made a mistake, full stop. (more…)
was it fun? yes. was it funny? absolutely. but also it banks on layer upon layer of intertextuality. you need to know some Shakespeare to have a sense of how absurd it is that these two actors Leo and Jack are in Amish country performing two-man-excerpts. you need to have a sense of the context that is York, as old and rich and conservative suburban community so you’d know how while Meg is a woman who knows of a bigger world, she stays put and is engaged to be married to the minister. you need to have a sense of how this small cast and its dynamism is premised on 1950s America and its changing cultural landscape, where a family doctor, an aunt Florence who refuses to die, and the most random of bimbos on that stage are but symptoms.
of course without banking on all of these, Repertory Philippines’ Leading Ladies would still be that funny play about cross-dressing British men. but appreciating it as such would be to think this nothing but a 1980s Roderick Paulate movie. (more…)
two sadnesses must be invoked: one that this talented sound | installation artist has been in a coma since the end of 2011, when he fell victim to a hit-and-run incident. the other is that this short review will not do justice to his work, soundless as this is, strange as it seemed to me to have to take videos of work that required i strum my fingers through string and touch balls. yes, it’s as fun and strange as it sounds. (more…)
in mid-2010, i wrote this as introductory piece for what was planned as a column on arts and culture in a publication under the editorship of exie abola. it is perfect that i remember it now in light of National Arts Month, with the National Commission on Culture and the Arts (NCCA) celebrating it via the Philippine Arts Festival 2012. that we are more than halfway through February, and we have yet to feel this celebration at all? that this still applies almost two years since? welcome to the state of the arts and culture in this country. (more…)
It seems like an easy enough case of copyright infringement really. Filipino artist Leeroy New files a case against the producers of the movie “Enteng Ng Ina Mo” for copying his original muscle dress design and using it as the costume of its main villainess Satana. New wants to be paid P10 million pesos in damages; certainly a small amount given the P180 million plus that “Enteng” earned in its eight days of screening. (more…)