Category Archive for: arts and culture

komentaryo

yearenders and firestarters

because 2011 ended with some sadness, and the new year had me on a roll, which is to say it forced me to hit the ground running. one must be thankful.

the yearender for arts and theater and the one on popular culture were up before the end of 2011. though with the Metro Manila Filmfest happening at the end of the year, too, these could only be overshadowed by the notion of ending-with-a-bang and a foreboding of the year to come. the sadder thing might be that this has fueled discussions on Pinoy film from people who admit they haven’t watched it in a while. well what else is new with regards elitism in this country.

which is to segue too into the fact that i did see some of the MMFF films: the Asiong Salonga review and the My Househusband review are up, and i have two more to go. suffice it to say that as far as Asiong is concerned, what we might demand for at this point is a viewing of the director’s cut, if only so we can judge its creative team who were ignored / disrespected / dissed by the movie’s producers as they added removed scenes, changed music and/or sound, and messed with the editing of the film. that’s the work of director Tikoy Aguiluz, editor Miranda Medina, and musical score by Nonong Buencamino that we have yet to judge Asiong Salonga by. show us the director’s cut na!

in the meantime, the wish for 2012, has to be clarity and truthfulness and just our cards on the table. because it seems that between those faked-up magazine covers and press releases about objective journalism, between power-to-the-people rhetoric and the govt strategy of running a government campaign by not doing it themselves, 2012’s begun on very very rough ground.

<…> “good people do horrible things thinking they are doing something great,” Slavoj Zizek says, and yes he was talking about the violence of communism and stalinism, but in third world philippines, he could just be talking to you and me and our lack of a sense of the realities that define us. it could just be you and me refusing to get to the heart of any and all of this nation’s problems: a failure in the system that allows for the poor to get poorer and grow larger, and a minority to get richer. and i daresay, the middle class thinking they can save the world by working — admittedly or not — within the system the State has set up.

“The basic insight I see <with regards the Occupy Movement> is that clearly for the first time, the underlying perception is that there is a flaw in the system as such. It’s not just the question of making the system better.” — yes Zizek, not anymore.

we should all be reminded of this the rest of 2012.

quotes from Zizek via this Harper’s Magazine interview by J. Nicole Jones, November 2011.

kultura

grace in the land of Pinoy film

(in the midst of all this talk about Pinoy films, indie and otherwise, from people who haven’t given it a chance in a long time, and are ready to dismiss it anyway.)

here: listen to this Pinoy indie film director talk about his film Graceland, with quite the interesting plot of a kidnapping layered with class division and struggle, with an unabashed social realism made different by a merging of the film and the docu, of the fictional and the truth, and ultimately just the real. this doesn’t seem to be about the dregs of society, as it is about the underbelly of society — the poor and rich and illegal and corrupt of it — that’s dredged up and revealed for what it is: a victimization of those with less as a matter of course.

and then there’s this beautiful prayer from the trailer:

na kami’y maglakbay sa harap mo / tulad ng aming mga ninuno / ibaling mo sa’min ang iyong paningin / upang kami’y iyong magabayan / mula ngayon hanggang sa aming pagpanaw.

do vote for Graceland as project of the day/week of indieWire (which is a rockin’ project, too, actually), so it gets the support it needs for post-production and we can all watch it in full. we’ve got only until 1AM january 4. that’s two hours. but heck that’s a lot of clicks when you think about it. 

it’s a chance to vote for the Pinoy indie, literally.

and then let’s talk about the Pinoy indie (and commercial) film at length, shall we?

kultura

on Asiong Salonga, from one of the few Tunay na Lalakes i love

while i try and wrap my head around the mere existence of this movie, here’s a male voice i trust and love because it is consistent and self-conscious and always intelligent, even as it is Pinoy male macho.

Ang tunay na lalake ay walang abs (At iba pang komento sa pelikulang Manila Kingpin: The Asiong Salonga Story) ni Yol Jamendang

Eto ang lagay – matagal na, matagal na matagal na akong hindi nakakakita ng trailer ng pelikulang Pilipino na may barilan, may tino-torture, at umuulan pero walang nag-iiyakan. Ang huli kong napanood na Pinoy action film sa sinehan mismo e yung Anak ng Kumander na starring, directed by, co-written by, theme song performed by at produced by Manny Pacquiao. Ang masasabi ko lang ay…magaling, napakagaling na boksingero ni Pacquiao. Yun lang. Di rin ako makarelate sa lalake sa mga recent na pelikulang Pinoy – lalakeng pinag-aagawan nina Christine Reyes at Anne Curtis dahil ang guwapo niya lang, o lalakeng kabisote na nakaengkanto ng babaeng nasa kalahati ng kanyang edad, o kaya lalakeng nagkaka-amnesia sa isang pelikulang pinamagatang My Amnesia Girl.

Idagdag pa na sina Ely Buendia at Gloc9 ang gumawa ng theme song ng Asiong, tapos may awayan portion pa tungkol sa director’s cut at producer’s cut at may A rating mula sa Cinema Ratings Board – e di game, tara, panoorin natin ang Manila Kingpin: The Asiong Salonga Story.

Busy ka ba? Kung oo, sasabihin ko na lang sa yo na panget ang Asiong, pero pangako, magugustuhan mo siya. Kung hindi ka busy, upo ka muna. Ipapaliwanag ko sa yo kung bakit.

Maganda ang timing ng Asiong. Entry siya sa Metro Manila Film Festival, tapos ang mga kasabayan niya e same old same old – UnliShake Rattle and Roll, pelikulang may Kris Aquino at salitang “Mano” sa pamagat, pelikulang may Juday at Ryan Agoncillo, Panday of the Titans, pelikulang may “Enteng” at “Ina Mo” sa pamagat, at kung anu-ano pang shit. Tapos, isipin mo yung mga nagdaang lima, sampung taon. May naaalala ka bang Pinoy action film? May naaalala ka bang pelikulang Pinoy na trailer pa lang e alam mo nang panlalake siya?

Panlalakeng pelikula. Huwag na nating pag-usapan ang pene films nung 70s at ang titilating films gaya ng Talong, Anakan mo Ako at Tag-ulan Noon, Ang Bukid ay Basa. Wag ganun, baka masabihan pa tayong sexist. Isipin mo na lang si Derek Ramsey.

Oo, isipin mo si Derek Ramsey. Nasa tabing dagat siya, tinatanaw si Angelica Panganiban. Tapos tututok kay Derek yung camera, lalapit, malapit na malapit, parang hinihimas ang kanyang balikat, dibdib, abs. Hindi ka sigurado pero parang may nakita kang bumabakat sa suot niyang short.

O isipin mo si Gerald Anderson. Kausap niya si Sarah Geronimo. Sabi ni Sarah, bakit ka ganyan makatingin? Tapos sasabihin ni Gerald, ang ganda mo kasi e. Tapos ngingiti siya, parang biglang nag-slow mo ang camera, tapos tatambling sa kilig si Sarah Geronimo.

Hindi ganyan ang panlalakeng pelikula. Yang mga ganyang pelikula ay yung tipo ng pelikulang napanood mo kasi monthsary niyo ng girlfriend mo at gusto niyang manood ng sine tapos pumayag kang yun na lang ang panoorin kasi mahal mo siya and all that shit. Tapos after a few months, maghihiwalay kayo kasi nagalit siya dahil ayaw mong gamiting profile pic sa Facebook yung picture niyong dalawa na magkayakap nung minsang nagpunta kayo sa Enchanted Kingdom.

Ano na nga bang pinag-uusapan natin?

Sa Asiong, walang Derek Ramsey. Yung mga main characters, malaki ang tiyan. Pati nga si Carla Abellana, malaki ang tiyan dahil buntis. Alam mo na nilagay yung mga artistang yun sa Asiong hindi dahil sa kanilang good looks kundi dahil sa kanilang personality. Dahil dun, pag sinabi mo sa mga kaibigan mo na “Maganda ang Asiong!”, meron kang credibility, di tulad ng mga nagsasabing “Maganda ang Twilight kasi ang guwapo ni Edward Cullen! Like niyo to if you agree!”. Tanginang yan.

Totoo rin yung sinasabi ng ibang reviewers na ang gulo ng kuwento ng Asiong, na parang tumira ng katol yung nag-edit, ganun. Pero okey lang yun. Nagpunta ka sa sinehan para magtext, dumukot sa malalim na lalagyan ng popcorn, lumingon sa magsyotang naghahalikan, magdikit ng bubble gum sa upuan at tumingin sa screen paminsan-minsan kapag lumalakas ang volume kasi may nagbabarilan. Hindi ka nagsine para mabago ang buhay mo. Walang graded recitation pagkatapos ng pelikula. Gusto mo lang maging ikaw at alam mong hindi ikaw si Gerald Anderson at si Coco Martin.

Kaya okey lang kahit sa simula ng pelikula sinuntok ni Roi Vinzon nang 48 times sa mukha si Jorge Ejercito (Asiong) tapos sa susunod na eksena listong-listo na siya at isinama ang tropa para rumesbak. Okey lang na kahit tirador at kutsilyo ang ipinantutok nila bago magsimula ang laban, naratrat ng bala ang mga kalaban nung pumalag sila. Wala tayong problema kahit na nung magkatutukan ng baril, walang hawak na baril yung isang tambay at kamao niya ang ipinantutok niya. Yaan mo na kung bakit hindi pa rin nakakalabas ng Bilibid si Jay Manalo kahit tropa niya lahat ng pulis. Pakelam ba natin kung bakit lumusob sa libing sina Totoy Golem tapos handa sa barilan ang buong pamilya tapos biglang may nakikipagbarilan habang nagbibisekleta.

Magandang panoorin ang Asiong sa sinehan kase maraming nanonood na tunay na lalake. Yun bang nakacargo pants at itim na t-shirt tapos maya’t maya sumisigaw ng “Asioooong!”. Tapos pag may tumunog na cellphone sisigawan nila ng “Pakisagot naman yung telepono o. Busy ako e.” Kapag sinabi ni Asiong na “Simple lang naman ang buhay mo, Fidela e. Alagaan mo ang anak natin, magpaganda ka pa lalo, lagi kang maging malambing…at hintayin mo akong umuwi,” papalakpak sila, tapos papalakpak ka rin, magpapalakpakan kayong lahat, tapos magmamadali kayong umuwi dahil kailangan niyo pang magsaing.

Maraming eksenang beri gud sa Asiong. Kung magaling lang umarte si Jorge at hindi timang yung pagka-edit, pang-first honor yung pelikula e. Halimbawa, ang gandang tingnan ng mga namamatay kapag may aksiyon. Di kagaya ng ibang Pinoy action films na muntanga lang yung mga nababaril (usually nasa mataas na lugar, mangingisay, tapos mahuhulog). Pinakagusto kong namatay yung driver ng kalesa. Bale ang nangyayari, binabaril nina Totoy Golem yung dati nilang tropa na kaaway na nila ngayon. Nakatago siya sa likod nung driver ng kalesa, tapos dahil kontrabida sina Totoy Golem, bumaril pa rin sila kahit may inosenteng matatamaan. E di nasapul yung driver ng kalesa. Tapos ang ganda niyang mamatay. Lumiyad siya nang nakapikit, parang nilalabasan, saka siya humandusay. Tangina, ganun mamatay, mehn. Kung may gagawa ng bagong pelikula tungkol kay Rizal, siya dapat ang kuning artista para maganda yung death scene.

Marami ring magaling umarte. Bilib na bilib ako kay Carla Abellana kasi nahalikan niya nang 48 times si Jorge Ejercito. Kalokohan kapag hindi siya nanalong Best Actress dahil dun. Solid ang supporting cast – as usual magaling si Baron Geisler as himself, mukha talagang kontrabidang masarap pagbabarilin si Jon Regala, at utang na loob naman, gawin niyo nang bida si Ronnie Lazaro. Ang galing-galing nung tao lagi na lang siyang supporting actor sa mga pelikula.

Ang bad news e R13 yung pelikula kaya hindi ka titigasan sa mga love scene. Namputsa naman, mga direktor ng sex scene sa pelikulang Pinoy, andaming nagkalat na sex scandal, panoorin niyo naman para matuto kayo kung paano bumuhay ng hibo ng kalupaan. O kaya hingi kayo ng tips kay Hayden.

Okey na siguro to. Kung di mo pa napapanood, panoorin mo na ang Asiong. “Trak trak na bigas pa ang kakainin” ng Pinoy action film, pero mabuti naman at buhay pa pala siya. Welcome back pare, long time no see.

-lil z

kultura

the question of CareDivas*

Because CareDivas was one of those plays that everyone was raving about, that got TV exposure because celebrities sponsored whole shows, that was celebrated for being an original Pinoy comedy musical. Of course that it dealt with homosexuality must have had much to do with those raves, though as with anything and especially a stage production, there is more to this than just the fact of its subject matter. (more…)

komentaryo

when pop pervades

which is not to say that nothing else is happening in nation, as it is to say that sometimes what happens in popular culture is what pervades our everyday, a measure of how TV and social media bombardment sometimes takes over, and we can barely even catch up, or prepare for it.

the piolo predicament hit a record number of shares for gmanewsonline, but they’ve lost the numbers and it started from scratch again. it hit 90k shares before they lost it, a crazy number really. to even think of that many people reading it and thinking to share it, i don’t even care if they agreed. happy enough that people are reading.

the unravelling of rhian and mo‘s being read too, which is interesting and heartening: in my dream of a world this is the kind of thing we can talk about seriously, without judgments or someone invoking moral high ground, but ah, maybe that remains a dream.

of course the pieces on the Manila Intl Lit Fest 2011, and the Towns and Cities heritage conference were written at around the same time as the two above, and have gotten a low number of shares if we are comparing them at all. but the lit fest one hit over a thousand before the numbers got messed up again, and well, the heritage conference has been at just 200. as my Kuya says: so sad.

and then you know, no one comments on a blog entry on cultural worker and activist Ericson Acosta’s hunger strike.

the breadth and scope of the crisis in arts and culture right here.