arts and culture – Page 5 – Katrina Stuart Santiago

It is clear now, more than ever, that President Duterte is a misogynist and chauvinist. He likes to say he loves women — just yesterday he joked that his “expertise” is women, then proceeded to objectify the GSIS employees in front of him — but it’s all just to cloak the fact of a deep-seated hatred of women that is revealed when he articulates how we do not deserve to be in positions of power, how we are to be used for entertainment, how he offers us as “reward” for soldiers, how he condones rape in a time of war (will even joke about it), how we shouldn’t be too critical and if we are, we will pay for it.

Asking for that kiss from the Filipina migrant in South Korea, on a stage, in front of a cheering crowd, was proof positive of Duterte’s views about women: in that situation he had the woman in the palm of his hand, his position as President assured him that kiss. That we are being told now to forget it, because it was just entertainment, it’s “Filipino culture,” just rubs salt on the wound that is the shameless performance of machismo and kabastusan.

It is clear that women have had enough, even as there are women who will expectedly defend him, because they are indebted to him, keeping them in positions of power, their salaries coming from taxpayers’ money. But while someone like Department of the Interior and Local Government (DILG) Assistant Secretary Marjorie Jalosjos and her words supporting Duterte is expected, I take umbrage at someone like Liza Diño of the Film Development Council of the Philippines’ (FDCP) — a worker of culture as she is, a gender rights advocate too — defending Duterte by turning women’s rights on its head, discrediting the fight of generations of women against the systemic abuse of power that has oppressed us all.

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President Duterte insists that there is no corruption in his government, because (1) just a whiff of corruption and you’re out, (2) there is transparency, and (3) there is an anti-corruption agency — that can even look into his bank accounts if they want (he of course appointed the people in that commission, so really).

But there are many instances in which this has been proven questionable, in fact many instances in which Duterte’s own people discredit the President’s pronouncements, not just because they are not held accountable, but also because they are far from being transparent. We could be talking about Wanda Teo and how she has brushed off even a major complaint against her by DoT employees — officially received and stamped by the Office of the President from June 2017. But it could also be as simple as Liza Diño, chairperson of the Film Development Council of the Philippines (FDCP), who cannot for the life of her respond properly to valid criticism and questions about her leadership and projects. (more…)

Without a doubt, there is power to be had in having social media, through which we can articulate our grievances, question our leaders, call out oppressors, demand accountability. Here is a medium that cradles our voice, and depending on what it is we’re talking about, we find allies in other voices, named and anonymous, supporting what we say, adding onto our narratives. It’s a sense of community, sure. It’s a sense of belonging, absolutely. It is power, undeniably.

This is at the heart of the Twitter thread of Adrienne Onday that wanted to talk about “misogyny, sexism, and predatory / manipulative behavior in the local independent music scene in my experience.” I myself had read the first set of tweets, which was her speaking in broad strokes — nothing specific, no names, and heavily contextualized when she was doing the gig scene regularly enough to become friends with the bands she idolized.

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It was in early August when I was asked to be convenor of the Movement Against Tyranny (MAT), a multi-sectoral gathering of various groups and individuals who are taking a stand against the killings, the state of tyranny, and the return of dictatorship.

Admittedly, I was hesitant about saying yes. I was not part of any organization, and was being invited primarily as independent writer. At this point I had already resigned my column with The Manila Times, which I realized afterwards was a security blanket I didn’t ask for — I was rarely the target of pro-government trolls and propagandists, and I would be told by a highly reliable source that it’s because the paper is considered “kakampi.”

While I was deciding on whether or not to say yes to MAT, Kian delos Santos was killed by policemen, adding to the thousands dead in the war on drugs. The Cultural Workers’ Statement (dated August 20) was written, gained traction, and has since gathered 1,279 signatures (and counting) from cultural workers across advertising, TV, film, theater, music, dance, visual arts, education, journalism, writing, comics, graphic design, social sciences. People I didn’t expect would put their names on that statement, actually did. There was hope, I thought. (more…)

And I mean old school blogging via this blog, which first went up in 2008, a gift from my Kuya who had also pushed the mother to start blogging two years earlier. At the time there was an active blogging scene with intellectuals and pundits writing and discussing issues of the day, bouncing off each other, openly debating.

Trolling was frowned upon, as was namecalling. Anonymity was put into question.

I like to think of that time to have been pre-Joe America and pre-Mocha. It was also pre-social media. People were actually having conversations, threshing out issues, doing research, building credible arguments. Opinion writers in the broadsheets were called out, as was government; people were not simply dismissed based on their ideological leanings; sound arguments were the rule not the exception.

Those days are gone. (more…)

Katrina Stuart Santiago

Katrina Stuart Santiago

Category Archive for: arts and culture

When gender allies are enemies: Liza Diño defends Duterte