Category Archive for: arts and culture

President Duterte insists that there is no corruption in his government, because (1) just a whiff of corruption and you’re out, (2) there is transparency, and (3) there is an anti-corruption agency — that can even look into his bank accounts if they want (he of course appointed the people in that commission, so really).

But there are many instances in which this has been proven questionable, in fact many instances in which Duterte’s own people discredit the President’s pronouncements, not just because they are not held accountable, but also because they are far from being transparent. We could be talking about Wanda Teo and how she has brushed off even a major complaint against her by DoT employees — officially received and stamped by the Office of the President from June 2017. But it could also be as simple as Liza Diño, chairperson of the Film Development Council of the Philippines (FDCP), who cannot for the life of her respond properly to valid criticism and questions about her leadership and projects.  (more…)

Without a doubt, there is power to be had in having social media, through which we can articulate our grievances, question our leaders, call out oppressors, demand accountability. Here is a medium that cradles our voice, and depending on what it is we’re talking about, we find allies in other voices, named and anonymous, supporting what we say, adding onto our narratives. It’s a sense of community, sure. It’s a sense of belonging, absolutely. It is power, undeniably.

This is at the heart of the Twitter thread of Adrienne Onday that wanted to talk about “misogyny, sexism, and predatory / manipulative behavior in the local independent music scene in my experience.” I myself had read the first set of tweets, which was her speaking in broad strokes — nothing specific, no names, and heavily contextualized when she was doing the gig scene regularly enough to become friends with the bands she idolized.

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It was in early August when I was asked to be convenor of the Movement Against Tyranny (MAT), a multi-sectoral gathering of various groups and individuals who are taking a stand against the killings, the state of tyranny, and the return of dictatorship.

Admittedly, I was hesitant about saying yes. I was not part of any organization, and was being invited primarily as independent writer. At this point I had already resigned my column with The Manila Times, which I realized afterwards was a security blanket I didn’t ask for — I was rarely the target of pro-government trolls and propagandists, and I would be told by a highly reliable source that it’s because the paper is considered “kakampi.”

While I was deciding on whether or not to say yes to MAT, Kian delos Santos was killed by policemen, adding to the thousands dead in the war on drugs. The Cultural Workers’ Statement (dated August 20) was written, gained traction, and has since gathered 1,279 signatures (and counting) from cultural workers across advertising, TV, film, theater, music, dance, visual arts, education, journalism, writing, comics, graphic design, social sciences. People I didn’t expect would put their names on that statement, actually did. There was hope, I thought.   (more…)

And I mean old school blogging via this blog, which first went up in 2008, a gift from my Kuya who had also pushed the mother to start blogging two years earlier. At the time there was an active blogging scene with intellectuals and pundits writing and discussing issues of the day, bouncing off each other, openly debating.

Trolling was frowned upon, as was namecalling. Anonymity was put into question.

I like to think of that time to have been pre-Joe America and pre-Mocha. It was also pre-social media. People were actually having conversations, threshing out issues, doing research, building credible arguments. Opinion writers in the broadsheets were called out, as was government; people were not simply dismissed based on their ideological leanings; sound arguments were the rule not the exception.

Those days are gone. (more…)

The question of Bracken

The premise of Dear And Unhappy is a simple question: what of Josephine Bracken? Rizal’s wife and / or lover, depending on who you believe. Or depending on your internalized racism against the Irish woman our National Hero was enamored with — it is after all why Bracken remains marginalized in narratives about Jose Rizal’s life; it also has arguably spawned multiple texts about Bracken — the less we know about someone the more exciting our stories about her. (more…)