Category Archive for: bayan

kultura

On Rappler, Ressa, “independence,” and global attention #MediaCrisis

At the end of 2018, Washington Post’s Regina Cabato and Kristine Phillips sent me questions about Rappler.com and Maria Ressa for a story they were doing. A bit of that long-ish set or responses landed in their profile on Ressa. I asked if I could publish their questions and my answers on my site, and they said yes.

I always welcome the opportunity to flesh out my thoughts, especially at a time when too much is happening, and we can barely keep our heads above water. This is Part 1: On Ressa, Rappler, mode of production, its claims of independence, and global attention.

One of the things you wrote was Rappler “has fashioned itself internationally as the bastion of independent journalism in the country,” and it is “seen by the international community as the only local media company that’s worthy of mention in the time of Duterte.” What makes you say this, and what are other local media companies that you think also deserve the spotlight?

Even before Duterte, and obviously ever since, the real source of independent reporting would be the alternative media of the Left: Pinoy Weekly, Bulatlat, Manila Today, AlterMedia, Kodao. These are media practitioners and writers who have been doing the stories that are not covered by mainstream media, across the different Presidents, and yes, mainstream media includes Rappler. Some of these alternative media sites were already online long before Rappler even went live, and are the true “independents” if we are to use the word at all: they are not funded by a huge capitalist, they are covering the stories of the people, the ones that don’t make it to TV or radio news, and they are on the ground covering stories that no one else is covering. (more…)

komentaryo

Where were the teachers?

My question really is to the teachers of those kids, both bully and bullied: no one noticed the dynamic was different in relation to that bully? No one saw how the other kids would react to being grouped with him for projects, or being told they had to partner with him for anything? No one saw how the other kids would avoid the bully, or would get nervous, or would not look him in the eye? No one saw that kid and thought, hmmmm, he seems to be more yabang than the others, we wonder if that means anything? No teacher, across all the subjects, discussed with the other teachers if they noticed anything in relation to the kid who turned out to be bully?

Halfway through a semester in a college classroom, you tend to already see the dynamic of the collective, you see the students who dominate the activities and discussions, as you see those who decide not to engage, as you see those who try with all their might to participate no matter how scared or insecure they might be. We’re talking seeing kids, twice, three times a week. I cannot imagine teaching in high school, where you see these kids day-in, day-out, and not be able to see the dynamic of power that exists among the students you gather in the classroom. (more…)

kultura

On “Mula Sa Buwan” #theaterPH

My bias against foreign theater works staged in the local has grown through the years. The possibilities for original theater work will never be realized if we don’t take the risk of staging it, more deliberately and consistently. On the upside, there is an untapped resource of a handful of people doing really good adaptations of foreign works, old and new, a productive and critical way of taking something distant and different, and making it familiar and relevant in this context. Done well, with a very clear sense of the value of the original, and how it can speak to a wider audience in the here and now, the adaptation cradles a creative spirit that is not only relevant, but can also be very powerful.
 
This is the inevitable context of Mula Sa Buwan, an independent production, being restaged in 2018, now in the context of a theater scene that struggles to deal with a state of the nation that allows little for leisure expenses, even less for theater. After all, when films remain as cheaper alternative and more accessible option, why would you spend on theater?
 
But maybe the question isn’t why, but when. It is when the theater production is originally Filipino, even as it is twice removed from an original, even when the original text seems so far gone from where we are. Mula Sa Buwan is a musical based on Soc Rodrigo’s translation into Filipino of Edmond Rostand’s Cyrano de Bergerac. What it remains is this: it’s the story of a protagonist who is on the one hand confident in his intellect, but insecure about his looks. Of course this means an unrequited love, as it does mean the ability to love so willingly and humbly, that life and limb don’t matter.
 
It is a love story. And it is no surprise that this is what is sold about this production — it is what will bring audiences in. But what should be said about Mula Sa Buwan is that it is more than that. 
Click here for the rest of this review.

komentaryo

Winning VS Duterte: Stand against #ChaCha

If there’s anything we might all agree on in relation to how the Duterte government operates, it’s that it has taken spin and distractions, smoke and mirrors, to a whole different level. Sometimes it’s like they’re throwing in the kitchen sink for good measure, often enough there’s some sacrificial lamb.

It is of course the President’s big mouth which does the best job of disengaging us from what matters. Take all those instances when we should be talking about something important like the killing of farmers and peasants, the failed drug war, inflation, the excise tax on oil, China’s takeover of our seas, the entry of an unbelievable number of Chinese migrant workers, the militarization of government, and count the number of times instead that the president decides to drop a misogynistic statement here, or an expletive there directed at (a) the Church, (b) activists, (c) the poor, (d) human rights advocates and organizations, (e) “terrorists” (f) critics (g) all of the above.

Which is to say that at a time like this when we have so much on our plate of things to think about given the aforementioned urgent issues, it is also pretty clear that this government, along with its puppet (or puppeteer) Gloria Macapagal-Arroyo, is banking on precisely these overwhelming, exhausting times so they can continue with their ChaCha moves.  (more…)

komentaryo

Populism, the Liberal Party, and a new campaign strategy: Winning VS Duterte

I did not vote for Mar Roxas in 2016, though I did vote for Kiko Pangilinan, Risa Hontiveros, and Leila de Lima, as I did for Bam Aquino in 2013. I didn’t campaign publicly for any of them. In fact the only person I publicly campaigned for in 2016 was Neri Colmenares. Given short memories, it bears repeating that I was heavily critical of the Liberal Party government of Noynoy Aquino. I thought that there was an undercurrent of elitism with which the governance operated, and this revealed itself slowly but surely throughout the six years, in policies, in actions (or lack thereof), and often from the mouth of PNoy himself, sometimes of his Cabinet members. I thought it problematic that they equated social media noise and traction with public opinion; I thought they enabled entities like Rappler to earn from, build upon, false notions of wisdom-of-the-crowd. Information dissemination and transparency were fantastic though, and I miss it terribly now.

It seems like years ago, doesn’t it? An administration like Duterte’s can make us feel this way, with just a little over two years of suffering. This is a governance of chaos-by-design, of disinformation and lies, of destruction and distractions, of literal and figurative violence. It’s exhausting to be critical because nothing is going right, and we are kept in the dark about what exactly is going on. Two years in and there’s still no clear platform for governance, and certainly no clear vision. A constant: Duterte’s rhetoric of violence and vitriol, half the time hyperbole, the other half lies, which we’re told by his men we shouldn’t take seriously. Other constants: incompetence from inflation to traffic to food crises; and Duterte’s threats to leave his post, from letting a military junta take over to declaring a revolutionary government, to railroading charter change and federalism in Congress.

The current state of the nation is enough to build a campaign versus Duterte in the 2019 elections. We know that the more non-Duterte Senators and House Reps there are, the bigger the chances that the people will be represented instead of silenced in Congress, the lesser the chances of any anti-people Duterte law being railroaded. Those of us who might be critical of LP should know it’s time to set those concerns aside for the bigger picture, the more urgent task.    (more…)