Category Archive for: bayan

komentaryo

the death of us all

in conversations with my Pinay friend Sunshine who left for the US five years ago, and who came to visit in the middle of January, tears were necessarily in order. what was surprising was that while these would be shed in the first two hours or so for the distance we had kept and the things we had survived separately, the rest of our time together would be spent crying about nation, if not shaking our heads in dismay.

by the end of it i found that what needed to be articulated, what needed to come from me, what Sunshine needed to hear, was this: Catholicism, as we know it in this country, is the death of us. (more…)

komentaryo

Malacanang’s miscommunications team strikes again!

in September of last year, in a conversation about the PNoy government that was riddled with questions from a British filmmaker newly met, i found myself talking about the disappointment that is Malacanang. the palace with a three-headed communications office that takes pride in being connected to the people, and yet has proven time and again to be releasing either the wrong information, too much information, or just not speaking up when it should.

that conversation led to many things, though an interesting tangent was this: the new-acquaintance-turned-friend tells me that he had sent a proposal to Malacanang in the mid-2011 to do a docu-film on a-day-in-the-life of PNoy, an inside story of the Palace and the President’s life kind of thing, much like those done for and on Obama. the proposal had landed on the lap of employee #1, who works within one of them communications offices, who had seemed interested in the project, and promised to take it up with his superior. my filmmaker friend was optimistic. (more…)

komentaryo

criticism interrogates, questions, shatters

from “on criticism” by eli guieb:

Criticism shatters.  It shatters the shibboleths of our silenced lives, the deep silences about the wrongs of society.  To challenge those silences has often come to mean courting tragedy.  Criticism challenges those silences.  It breaks silence free from its silence.  It proffers breakthroughs that break down debilitating silences, and, in the process, rejoices in the breakdown of unwanted silence.  (more…)

komentaryo

silence

because i’d be lying if i said that Maria Ressa throwing the words libel and malicious my way didn’t render me speechless, literally and figuratively.

but maybe what was worse than throwing that my way was the fact that it was also retracted with a brush-off: filing a case would be too much for too little. i haven’t been patronized like this publicly, have never felt let down by someone i respect since, oh i don’t know, i applied for a job at UP Diliman and got a version of this from an ex-teacher. but this is different from the latter in that i was not applying for a job with Ressa, and there is no — there is no — notion of seniority that should have mattered here. of course randomsalt has so succinctly pointed out that it isn’t what it seems from where Ressa stands. (more…)

kultura

love & clothes & western kawomenan

brought Angela to Love Loss and What I Wore, the local staging of a Nora Ephron and Delia Ephron original. mixed reviews in the US, but an interesting enough text owing to this third world Pinay’s class consciousness. and Bituin Escalante and Menchu Lauchengco-Yulo are equally brilliant in it. go see it, bring your mothers and girlfriends. will only run until Jan 22! :) saw it last year, and did this review. 

Five women in all black outfits, mostly in the same shape save for Bituin Escalante, all the same age bracket save for Jay Valencia-Glorioso, enter the stage and sit on bar stools. The central figure talks of age as Gingy (played by Glorioso) — the one monologue that’s a thread through the others, the one whose life of dresses is intertwined with memories of family and marriage and children, found and lost loves. (more…)