Category Archive for: conversations

komentaryo

Thinking of FVR

In 2016, I met FVR at the book launch of Carmen Pedrosa in Fully Booked BGC.

It was serendipitous in more ways than one.

This was in June, when those of us elsewhere in the political spectrum (i.e., non-Duterte voters) were still adjusting to the idea of Duterte as President. We saw FVR arrive at the launch while Ma’am Carmen was speaking, and as I have been trained to always have a bunch of our independently published books in the car, we scrambled to get a copy of Angela‘s EDSA Uno Dos Tres for FVR.

After the event proper, during which he spoke and paid tribute to Ma’am Carmen, but also poked fun at her seeming fascination with Imelda (haha!), I went up to him to give him a copy of the book, introducing myself as my mother’s daughter. Ma’am Carmen stepped in to introduce me as well, as a young writer who was with a group of old journos on a China trip the year before. FVR’s eyes lit up, and out came jokes you would hear from your grandfather or Tito, that it was easy to laugh-out-loud and roll ones eyes at him.

At some point we sat down, and he asked how Mama was, what she’s been doing—he remembers having sat down for interviews with her in the 90’s for the first EDSA book, and so I said, all of that is in EDSA Uno, plus whatever new information on EDSA that has since come up. He asked what it is I do, what it is Vito does, when I said I was a columnist with The Manila Times, we talked about politics a bit. But it was a very light conversation, the tenor of which was mostly Lolo jokes: “Totoo ba ang glasses mo?” he asked. And when I said yes, he pokes his eye to reveal that his is just a frame with no lenses: “Ito kasi para matalino lang tingnan.” (more…)

radikalchick.lit

What We Know Of Darkness*

Is what we know of the certainty of light. As in the impulse to unite on shared battles, the ones so crucial they survive the passage of time, are embraced across generations, as it was brought to bear on that moment 75 years ago, when the Philippine flag flew highest in the air for the first time.

Is what we know of our capacity to create light. Despite, or because of fear. Spreading photocopied stories on the real state of the nation; supporting a free press that bites incessantly, draws blood unfailingly; living off a lush grapevine of narratives passed surreptitiously at gatherings. Until the voices grew louder to the point of paralysis: a boycott of wants, needs, cravings—all sacrifice, maybe rebellion—aimed squarely at the corrupt and wealthy. We practiced and won on civil disobedience 35 years ago, a citizenry discovering its collective power.

Is what we know of carrying a torch. For revolutions that we fashion ourselves. Bright enough to overthrow a dictator, or unseat a President, or take back our freedoms. (more…)

komentaryo

Defending a rapist? Sobriety and hunos-dili, please!

Hate and lies don’t stop in a time of a pandemic—we are after all under a government that lives off this kind of propaganda. But when it comes from regular people who deserve respect for fighting for the poor and oppressed, the farmers and the peasants and the workers, you can only be taken aback, to say the least. That they would even take the time to fashion you as enemy, throw shade in your direction, especially on social media comment threads where discrediting a person is quick and easy, here and now, well, there is a time of reckoning for that.

This is not that time, but it is the time for some clarification. So let me take precious energy to talk about the accusation that I “defended a rapist” last year. A controversial, sensationalist statement to make, a juicy piece of news to hear about the person who wrote a review of Ang Huling El Bimbo in 2018, and questioned its handling of the rape of the lead character Joy; the same person who likes to see herself as a feminist, who writes about being woman in this country, who builds upon the kawomenan of many others. But of course via people like artist and peasant advocate Donna Miranda, what will surface is nothing at all about what I’ve written, or the play in question. Instead it will be this statement from her: “Gusto ko man basahin ang review na yan nahihirapan ako bilang nagtanggol ng rapist yung manunulat a year after.”

What a way to take down a person: throw a one-liner, attack her, try to ruin her credibility. Who cares if it’s true?

(more…)

kultura

Rappler, tax evasion, Duterte, dissent #MediaCrisis

Here we talk about the tax evasion case versus Rappler, as an off-shoot of its defense versus the SEC order to close it down. Also whether or not the support for Rappler and Ressa have died down, whether or not they are being singled out by the Duterte government, and getting some perspective on the notion (spin?) of dissent that Rappler uses to fashion itself as hero. Part 1 is here.

Do you have any observations or reactions on how other local newsrooms have responded to the tax evasion charges against Rappler and Ressa? Do you think that they’ve lent enough support to them, or otherwise?

I do think the support for Ressa and Rappler has died down compared to early 2018 when the Securities and Exchange Commission (SEC) ordered its closure. I’d imagine this to have been brought on by a number of things. There’s the possibility that mainstream media entities feel they have no choice but to fall silent about freedom of the press issues lest they become Duterte’s next targets. I’d like to think that to some extent many media practitioners can see right through this spin that fashions Rappler and Ressa as heroes, even as so many others are doing the same work they are — if not better work than they are. I’m sure there’s also the part where media entities just make that decision about which issues matter more — after all in the time of Duterte, when impunity, oppression, misogyny, and incompetence are on the rise, what to use our energies on is the first decision we make. (more…)

kultura

On Rappler, Ressa, “independence,” and global attention #MediaCrisis

At the end of 2018, Washington Post’s Regina Cabato and Kristine Phillips sent me questions about Rappler.com and Maria Ressa for a story they were doing. A bit of that long-ish set or responses landed in their profile on Ressa. I asked if I could publish their questions and my answers on my site, and they said yes.

I always welcome the opportunity to flesh out my thoughts, especially at a time when too much is happening, and we can barely keep our heads above water. This is Part 1: On Ressa, Rappler, mode of production, its claims of independence, and global attention.

One of the things you wrote was Rappler “has fashioned itself internationally as the bastion of independent journalism in the country,” and it is “seen by the international community as the only local media company that’s worthy of mention in the time of Duterte.” What makes you say this, and what are other local media companies that you think also deserve the spotlight?

Even before Duterte, and obviously ever since, the real source of independent reporting would be the alternative media of the Left: Pinoy Weekly, Bulatlat, Manila Today, AlterMedia, Kodao. These are media practitioners and writers who have been doing the stories that are not covered by mainstream media, across the different Presidents, and yes, mainstream media includes Rappler. Some of these alternative media sites were already online long before Rappler even went live, and are the true “independents” if we are to use the word at all: they are not funded by a huge capitalist, they are covering the stories of the people, the ones that don’t make it to TV or radio news, and they are on the ground covering stories that no one else is covering. (more…)