One of the reasons I became hopeful about having President Duterte as our country’s leader was the fact that I’ve heard him speak consistently about better treatment for workers via such measures as an end to endo, tax reform and the streamlining of government services, as well as his stance on making oligarchs and capitalists also responsible for treating workers better.
I knew this would redound to the benefit of cultural workers as well. (more…)
The recent events in our arts and culture institutions have made me think about my relationship with these organizations, given how I stand in favor of its independence, and against all these questionable government appointments.
See, the discipline I grew into in the academe was one that was critical of these institutions, looking always at the ways in which these are created to perpetuate the same forms and aesthetics that are primarily (arguably) based on the padrino system – a “mentorship” system that is about who you know, not what your skills are – and has a tendency toward keeping the opportunities (fame? fortune? haha!) within the very small circle that the cultural establishment sustains.
The amount of time I started to spend writing about arts and culture as an independent cultural worker forced me to study these institutions and keep track of what they were doing, seeing that as reference point for the work happening through private efforts, regardless of access to support. (more…)
I take back all instances in which I said I believed in the creation of a cultural department.
Because I disagree. I disagree with Freddie Aguilar, self-proclaimed, unconfirmed political appointee, who says that a culture ministry is what we need to address the needs of the cultural sector.
No. Having been a cultural worker all my adult life, studying the laws that govern our cultural institutions, and now specifically in light of the unilateral decision of President Duterte to appoint Liza Diño into an office that she has no business leading, all calls for a cultural department will only mean State control over our cultural institutions and our freedoms.
The moment that happens, there will be no fighting any decision to turn cultural institutions into state-propaganda machines, all controlled by the Office of the President – or whoever else is pulling the strings on these appointments, real and rumored. (more…)
When they opened the Cinematheque Centre in Manila in December 2015, the Film Development Council of the Philippines (FDCP) headed by Chairperson Briccio Santos, thought it would go the way of the four other Cinematheques they’ve opened in the provinces. That is, it would slowly gain a following as the audience for film screenings gradually grows.
The slow but steady climb was a well-founded expectation. In Iloilo, Davao, Baguio and Zamboanga, the Cinematheques took time to take off, the public’s interest something that needed to be nurtured. (more…)
Tourism Secretary Wanda Tulfo Teo is evading a whole lot of questions when she says that government will not spend a single cent on hosting the Miss Universe pageant in the country.
The mere fact that the Department of Tourism (DOT) is all agog about finding sponsors, about doing press releases on this pageant, is already the Duterte government spending on the Miss Universe. This is a government office that should be putting together a real tourism plan, one that takes into consideration the crisis that tourism is faced with, interwoven as it is with environmental degradation, heritage destruction, and infrastructure underdevelopment.
For a pageant like Miss Universe, the DOT will be spending the rest of the next six months just working on this one thing, using whatever’s left of its P3.61 BILLION-peso budget for 2016. And you know this to be true because what else have we heard from the DOT since Secretary Teo was appointed?
Nothing.