Category Archive for: gobyerno

pinoy rap lives!

(please share, repost, tumblelog, tweet this statement of support)

We, University of the Philippines alumni, academe, artists, writers, students, human rights advocates, friends and colleagues of Ericson Legaspi Acosta, call for his immediate and unconditional release from his current illegal detention.

Ericson is a cultural worker and writer, and a former UP activist. During the ‘90s, he served as editor of the Philippine Collegian, UP’s official student publication. He is a former chair of the student cultural group Alay Sining, a former chair of the campus alliance STAND-UP and member of the UP Amnesty International. (Read article about Acosta’s journey from “troublesome” artist to political detainee here.)

His works as a writer, poet, thespian, singer and songwriter have remained relevant especially to the succeeding generations of UP activists in and out of the university. His bias for the poor and oppressed dates back to his campus days.

Last February 13, soldiers in San Jorge, Samar arrested him on mere suspicion that he is a member of the New People’s Army. Ericson was unarmed and was in the company of a local barangay official when he was arrested without warrant. He was held for three days without charges and was subjected to continuous tactical interrogation by the military. He has been charged with illegal possession of explosives and is detained at the Calbayog sub-provincial jail.

His rights continue to be violated each day he remains incarcerated. The fabricated charges are intended to keep him under government’s control and scrutiny. His frail appearance in the photo released to media by the AFP heightens concerns for his health given the conditions in jail.

The road to genuine and lasting peace cannot be paved with government’s continued iron-fist policy of arresting its perceived enemies on mere suspicion. It behooves the Aquino government to forge favorable conditions in the conduct of its peace efforts by releasing political prisoners.

Ericson has dedicated his life to serving the people. We, his friends, colleagues, family and supporters, call on the Aquino government to effect his immediate release by dropping the trumped-up charges.

FREE ERICSON ACOSTA NOW!
RELEASE ALL POLITICAL PRISONERS!

Support the Ericson Acosta Legal Defense Fund

Dear Friends,

Last February 13, former UP activist, journalist and cultural worker Ericson Acosta was arrested by the military in San Jorge, Samar on the suspicion that he was an NPA rebel. He is currently detained at the Calbayog sub-provincial jail and faces trumped-up charges of illegal possession of explosives. Contrary to the AFP claims, Ericson was unarmed and in the company of a local barangay official at the time of his arrest. He was held for three days without charges and was subjected to continuous tactical interrogation by the military.

Ericson was a former editor of the Philippine Collegian in UP, a former chair of the student cultural group Alay Sining, and a former chair of the campus alliance STAND-UP. He is a writer, journalist, poet, thespian, singer and songwriter. His works remain relevant on and off campus. Since his UP days, Ericson has worked closely with the poor and oppressed.

We his friends, together with his family and human rights groups, are working for his immediate release and for the dropping of all the fabricated charges made against him.

We appeal for your support for the legal defense fund which we have put up for him. The funds raised will go to Ericson’s legal defense and medical needs. There are the inherent difficulties faced by the family who are based in Metro Manila while Ericson is detained in Samar.

Through your help, we can see to it that Ericson will be released and be reunited with his family and the people he serves.

You may donate through the account:

Isaias Acosta
BDO The Block SM City North branch
Savings Account # 0251065464

For international donations:

Isaias Acosta
BDO The Block SM City North branch
Savings Account: 00-0251065464
Routing #: 021000089
Swiftcode: BNORPHMM

The failure happens first on the level of being disallowed to take photos in the Ayala Museum, something that’s even stranger when the exhibit is purportedly about people power, and yet the people aren’t allowed to take photos anywhere in that museum, a reminder really of why I’ve stopped going there.

It took an exhibit like Revolution Revisited (Ayala Museum, Makati City now up at on a mall and campus tour) by photographer Kim Komenich to make me step foot in this museum again; it is also an exhibit that I can barely be happy about. Komenich’s curatorial note attached to the exhibit is a failure in itself, a re-writing of history from an obviously removed perspective, one that has stuck to a narrative of EDSA 1986 that has since become highly questionable, if not proven false.

Two of the more glaring things: many factors informed the people’s march to the streets on February 22 to 25 1986. There was the cheating in the snap elections, the only one that Komenich acknowledges, but also: the civil disobedience campaign that had Cory and the people going up against the oligarchies and capitalists, the military defection of Juan Ponce Enrile and Fidel Ramos even when that was filled with too many silences still, and the truth that since Ninoy’s funeral march the people had gained an amount of courage that just kept on growing, through the Cory campaign, then the snap elections and poll watching, fearlessly ignoring the possibility of being picked up by the ever-watchful Marcos military.

Another glaring historical mistake was the assertion that February 25 1986 was the birth of what Komenich calls “the people power phenomenon.” What of tanks being stopped on February 23? What of people welcoming defiant soldiers who refused to disperse the crowds on February 24? What of artists and celebrities coming out to the streets and providing entertainment through the wee hours of February 23 to February 25?

I cringe at the idea that the 25th was the one day that gave birth to people power. I dare argue that its birth happened when people showed literally the kind of power they hold collectively, not when the dictator and his family began packing their things to leave Malacañang. I daresay that people power was born when people joined Cory’s civil disobedience campaign and literally refused to buy San Miguel and Nestle products, emptied Rustan’s of its shoppers, closed down banks, deemed the economy unstable. These were the same people who thought to, who knew to, stop tanks at EDSA. They proved people power then.

Komenich’s reading of EDSA ‘86 to be about cheating in the snap elections and the Marcos dictatorship ultimately just allowed it to revolve around the Cory-Marcos dichotomy, which wasn’t all that those four days was about. This reading of EDSA ’86 actually set this exhibit up for failure.

Which is not to say that it didn’t try to speak of the people, too; except that the way it did only begged the question: but in what light? The exhibit begins with photos of the every man pre-EDSA ‘86: a farmer with a carabao in the fields, a woman carrying a new born baby surrounded by even more of her children, a malnourished boy looking out onto the world. Then Revolution Revisited goes back and forth, from a photo of Cory Aquino’s proclamation rally and the aforementioned every Pinoy in 1986, to 1983 onwards with photos of Lean Alejandro, Evelio Javier, Ninoy Aquino and the snap elections. What was more surprising to me than the fact that our local photographers have their own versions of these photos, is the fact that of the four days of EDSA, what this exhibit had was only three days — three days! There were no photos of Day 3, February 24 1986, unless my turning around and going back to look for even just one photo was a failure in curation.

Day Three of course was a crucial time of defections and false alarms, people jumping and celebrating, government stations being taken over, as well as the threat of Marines in Camp Aguinaldo poised to shoot at Crame. Its absence in a revisiting of EDSA ’86 just seemed like a huge dark gaping hole.

Meanwhile, the stretch of colored photos at the end of this black and white exhibit  highlighted even more the distance of the power players from the people who made EDSA happen. That these personalities were allowed to speak about EDSA seems like the most redundant of things: we know what presidential daughter, now sister, Pinky Aquino-Abelleda, as well as Fidel Ramos, Juan Ponce Enrile and the rich of this country, would say about EDSA ‘86: they’ve been saying it the past 25 years.

And then there is this: these personalities are already the ones who contribute to a mainstream narrative that speaks of EDSA ’86 on the superficial level of unity and the general notion of change. They are also part of the oligarchies and powers that Cory had set out to fight through the civil disobedience campaign. Pray tell why would I want a businessman and capitalist to talk to me about EDSA ’86?

Ah, but Revolution Revisited also lets the faces of the every Pinoy in the beginning of the exhibit to speak at this point. Their photos are taken within the same contexts as before, reminding us that the farmer is still a farmer, the impoverished mother is still such, except that it’s been 25 years. Yes, nothing has changed for them, and this they also say in so many words. The malnourished boy has since died, and his family is still as poor as they were in ’86.

Thus this exhibit ends with the heaviest of feelings about EDSA ’86, highlighting the idea that it has led to nothing, that it was to a certain extent pointless. To have ended with the impoverished and the constancy of their conditions is to forget that EDSA ‘86 was a promise of possibility. That the poor are still such, that the conditions have stayed the same, is the fault of those big personalities who were in power yet have failed to truly affect change. It is not the failure of EDSA ‘86, or of people power at all.

Revolution Revisited in this form is thus just a reminder of the fact that Komenich’s  perspective is that of someone who might have lived with us in those four days of EDSA, and who might think himself one with us. But ultimately this exhibit is reminder that he is just a foreigner who fails tremendously to see and celebrate EDSA ’86 for what it was then, and what it should be about now: a time when the greatness of a people was proven by their collective ability to be fearless and courageous in the face of possible death.

This exhibit’s revisiting of EDSA 1986 fails the people power revolution; as such it also ultimately fails all of us.

Revolution Revisited ran until March 5 2011 at the Ayala Museum, Makati Avenue corner Dela Rosa St., Makati City, and is now on a mall and campus tour.

 

EDSA 1986 historical facts from reading Chronology of a Revolution by Angela Stuart-Santiago. All of it is up at EDSARevolution.com.

when you’re told point blank by a foreigner, and with all honesty instead of malice, that they don’t know anything about Manila, that when he told his friends he wanted to go there they asked “Why?”, that in fact Manila is at the bottom of his list of cities to see, how do you even respond? it gets worse, too. you’re asked do you enjoy Manila? is it a safe city? the answer to the first question is easy of course.

sometimes my honesty does get the better of me. especially since i know they’d see i’m lying through my teeth otherwise.

Tatsu Nishi (Japan) covers up the iconic Merlion, making it into a hotel room.

the happy giddy context of wine in our bodies and the Merlion all covered up by a red box shall save the day: we talk about art in Manila given the art that’s here, Louie Cordero’s paean to the urban legend of videoke singing of My Way, Mark Salvatus’ interest in empty walls and capturing what’s untraceable in people. we talk about the absurdity of what they’ve seen in Manila: a Virgin Mary portrait that is actually made up of words of the Old Testament that you can only read through a magnifying glass (i want to know where that exactly is), the Socialist Bar in Manila where a naive foreigner could only walk into (no it’s not really socialist eh?).

we talk about their horror stories: of walking through the city itself of Manila, across the stretch of CCP and realizing that lamp posts slowly but surely ceased to be lit. of being told by their family and friends to keep safe by hiding their cellphones and ipods, by not wearing any jewelry at all. both of them were men who’ve gone to Manila on almost adventures. and despite the horrible hotel service at Clark Pampanga both (because now they know me, we say) are thinking of going back there and doing things differently, give it another chance.

and then faced with a man who knows nothing about the Philippines, he says. and who, in the middle of talking about Jollibee and Manny Pacquiao, Apl D Ap and carjacking (yes you fall back on all that), says excitedly: oh the au pairs! that is your contribution to the world. he then goes on to talk about his au pair who played favorites, of friends who had au pair trouble. and i could only but mention nurses and teachers, and thank the heavens for the New Yorker from Japan who had a grade three Filipino homeroom teacher, Ms. Caoili (god bless her), who was just wonderful she says.

but there is no escaping Manila and its stereotypes, especially because i could not for the life of me say they weren’t true. i couldn’t lie and say that walking through the streets of and around CCP was safe, given that still stark media memory of the bus hostage taking. i couldn’t say that if they looked at a map, they could go through the galleries and museums across Makati City, and they’d be fine: the lack of a map is contingent on the lack of order that would otherwise protect pedestrians, local and foreign after all. i couldn’t say just come — COME to Manila! it’s totally different from what you imagine.

Louie Cordero's "My We" at the Singapore Biennale 2011

because what if it’s exactly the same as, or worse than, what they imagine.

that they imagine the worst of Manila is just sad, but also it is not unexplainable. you only walk the streets of one of the safest cities like Singapore and you know that there must be something we can do about our own city. you think of Bangkok or Hanoi or Phnom Penh or New Delhi, and while it might be easy to imagine the dangers of these spaces as well, it still seems a lot safer.

or maybe its vibrant cultural images are just more concrete, more real. it seems that the dangers of a third world city (country) are balance out by a sense of its cultural vibrancy, its ability to speak of itself strongly and concretely to be about something, that something making it worthy of a visit, that something as its best cultural product and production, its best tourist attraction.

you want Manila (and the Philippines) to be a tourist destination? let’s begin by agreeing on how we’re selling it and what we’re going to say about its cultural productions. stop making it seem like the cheapest country in the world: because we know how cheap means two things.

and realize that really, being hospitable doesn’t cut it anymore. nor do our notion(s) of diversity and being free-for-all.

early in the week, on one of those hectic mornings that I keep the TV on to Sapul sa 5 for company, I heard your plans for instituting public kindergarten as part of our educational system, and I could only tweet about it as violently as I could.

though of course in the midst of the violence in Egypt then (now turned into a version of people power eh?), and the fare hike, this was barely carried by the rest of the day’s news.

but I feel it needs to be said: it is stupid. and I say that with all due and possible respect to Bro. Armin Luistro. I imagine many others want to say it too, but will not for fear of the heavens. I have no such fear.

what I fear is that all the money that’s been allocated for education (wow, P207 BILLION PESOS!), something that the Dep Ed is so proud about, will go to nothing but a false sense of what ails the educational system. there are real problems of teaching teachers, changing the curriculum, improving learning attitudes in students, that the plan of the K-12 program fails to problematize.

given that, institutionalizing kindergarten is just unfair if not unjust, and ultimately heartless. just heartless.

it means a 13-year educational cycle yes? it means creating the need for extra classrooms, extra skills, extra money from teachers. and there is no point in saying that it will be free — because public education is free! — when anyone who’s talked to a parent who sends a child to public school will tell you that they spend, more than they can afford. and when that money runs out, when there’s no money other than for putting food on the table, education rightfully becomes a non-priority.

and here lies the problem with institutionalizing kindergarten for our poor: it begins the cycle of spending earlier, it creates a need that isn’t there at all.

because who truly goes to pre-school in this country other than the middle to upper classes? and they do because their families can afford it, because there is a pre-school industry that has burgeoned in the recent past. this is not to look down of pre-schools, but it is to say this: in many ways and many places (like Tiaong Quezon) it is nothing but a way of making money, preying on parents who are made to think their kids need it, that it is imperative to their growth and learning. these are the same spaces that have pre-school teachers with questionable capabilities, the ones who are un-learned in that particular area of expertise that is pre-school education.

In light of this, I want to know who Dep Ed imagines will be teaching public kindergarten. in the real and credible pre-schools, teachers studied to teach on this level, having gone through courses in child psychology and education, and are adept at handling children. what I can imagine is that Dep Ed’s getting existing teachers to teach additional classes for the younger students, forgetting that teaching pre-school is a very particular specialized skill. no one will get me to do it even with my years of teaching and my love for children.

it also seems like 10 steps back in pre-school education. instituting kindergarten in our public schools when it is being questioned, and when the notions of home schooling for the middle and upper classes is becoming more and more viable and logical: it keeps parents responsible for their children’s formative years, and if that means showing poor children how difficult life is in this third world context, then so be it.

meanwhile, Dep Ed’s overactive imagination allows them to piece two and two together –kindergarten and two more years to the education system — and see that it will fix our educational problems. that they even think this is the first step instead of curriculum revision, teacher seminars, wage hike for teachers, extra classrooms, better textbooks is beyond me. that they haven’t even called on volunteers from the industry to help out is proof of its refusal to change its policies, to revise it given other perspectives.

because really. tell me that i can teach in the public school closest to my house, and i will. tell me to teach teachers and i will come up with a plan. tell me to write a textbook and i will. on minimum pay, on practically volunteerism, and i will do it. as so many others will, i tell you. as so many others are willing to.

but you need to include us, you need to include the members of this nation, the ones who have taught for years, the ones who are willing to learn. Dep Ed has fantastic imagination as it is, but maybe what it lacks is creativity. along with some good sense about the educational system of decades past, what ails this, what will truly and really fix it.

creativity would also allow them to create a plan that isn’t about adding more years to the problematic 10 that’s already there, but about fundamentally changing from within, because they know what is wrong from within.

give us a plan Dep Ed, show us a plan that will allow us to help out, and feel like we’re part of the change this administration promises. additional years are stupid. even more so kindergarten. it’s a plan that’s doomed to fail. and one that no intelligent teacher will be for, will want to help out.

and pray tell, how will additional years mean fulfilling the goal of Education For All (EFA)? it will only mean more impoverished families giving up on education, because it takes longer to finish it now, which means it will cost more. and yes, this will only bring us to that vicious cycle of arguments about “but public education is free!” that only the naive would think to say.

EFA is the goal? well, at this point, EFAk naman Dep Ed.