Category Archive for: inuman

which is not to say i don’t enjoy it, these small exhibits that are premised on the creative process of artists, where their artmaking is what’s pushed to the fore, and used as / become the objects of art. in Felix Bacolor’s Leavings one of the smaller West Gallery spaces is turned into an art studio of sorts, with no dirt on the floor or walls, no semblance of work being done, other than well, in the work that’s installed: on the walls, on the floor, against the post in the middle of the room. (more…)

Alwin Reamillo’s Ang Balut Viand exhibit is like balut: it looks like a standard generic egg from the outside, but is an unborn duck on the inside. Which is of course to say that you might not have the stomach for that sisiw literally and figuratively; or find that you actually quite have a taste for it, from sipping that hot balut liquid straight from the shell, to the process of slowly peeling the shell, and downing it whole: the eating of balut isn’t just about eating, as it is of knowing, of identity.

The balut is one claim to fame we’re uncertain about, seeing as it is equated with hissing cockroaches on Fear Factor. Talk about bringing us back to the dark ages of being the exotic and barbaric brown siblings of America.

In Reamillo’s hands though the balut becomes reason for pride, as it is reclaimed in its process of being changed: there are no duck fetuses here, but there is plenty of balut made out of plaster and emulsion.

the rest is here!

my friend D posted this on her FB page:

the tricky thing about plagiarism is that while everyone is in agreement that it is a crime, a violation, the accused is almost never able to exercise his/her right to due process, legal representation, a fair trial, an appeal.

how does one pay for such a crime, really? what does it take?

it seems like there is nothing in the world one can do to gain genuine pardon for an offense such as this. even if the offender publicly acknowledges, properly apologizes, and sufficiently pays for damages, and, say, the aggrieved – the owner of the material – accepts and grants pardon, the offense is never really written off, is it? even when he/she does go through the legal process, and resolution is arrived at between parties, or he/she is able to gain acquittal from and is formally certified as innocent of the crime, the public never really forgives or forgets, does it?

my answer in the form of questions. in the case of the recent proven and admitted plagiarist, are we all in agreement that he committed a crime? is he actually asking for genuine pardon? does he actually feel unforgiven at all here, seeing as there is “a public” that seems to have brushed it off, ignored it, believed Yuson to have valid enough reasons for, uh, plagiarizing?

via Yuson's public FB wall, April 8 2011, accessed April 12 2011
Yuson on Plaridel yahoogroups, April 13 2011, accessed April 13 2011

questions, still: does it matter at all that there is a public who will not forget, when in fact there’s a public –– the one that matters to the admitted plagiarist – that has forgiven? does our refusal to forget matter at all when the attitude of the culprit is such that admitting to plagiarism just means facing brickbats, instead of his credibility down the drain?

does it matter at all that a public is angry about plagiarism, when the admitted plagiarist is allowed to go on as if nothing happened, invoking the same kind(s) of power he holds as if nothing has changed? at least MVP had the grace to resign from ateneo, return honors given him, and lie low for a while.

via the best statement written on the subject matter (and maybe EVER), the one that has the most balls I’ve seen in the literary world in a while:

“It is, at absolute best, a specimen of offensive—and admittedly, eloquent—victimage. Not only does Yuson resort to flippant, melodramatic, and self-deprecating rhetoric that is calculated to minimize his personal accountability and preempt further criticism, but also he insults the intelligence of his readers by flinging a distinctly noxious red herring into their faces: the concept of editor as co-author, which, though not without merit in and of itself, completely and utterly fails in this situation to explain why Yuson did not credit Joble in the magazine article at all. Were Yuson to discover that a protégé had plagiarized his poetry in order to “arrive over and over / again at art” [1], would he accept from that student what he now expects us to swallow hook, line, and sinker? Or does Yuson ultimately rely on his formidable store of cultural capital to save him in the same way that a wealthy criminal depends on his money to keep him out of jail?”

Equally ominous in this regard is the response from Yuson’s peers in pedagogy and literature, without whom he would not have attained his current stature: they have so far refused to publicly and categorically censure an act that they would not tolerate and likely have vociferously condemned had it been committed by their students, mentees, or non-literary figures (business mogul Manuel V. Pangilinan, say, or Supreme Court Associate Justice Mariano C. del Castillo).

the rest of the collective statement on the plagiarism of Krip Yuson is here.

meanwhile, where is the rest of the literary, cultural, and academic world of which the admitted plagiarist is part?

or why that San Mig Light will taste infinitely better now

because in whose mind would it be normal and rational, just and fair, to lay off 2,600 employees favouring one of the richest Filipinos of 2009. really, now. Lucio Tan’s net worth then was at $1.7 billion dollars. that’s P78 BILLION PESOS. This year, he’s second richest in the land, with a net worth of  $2.1 billion dollars, that’s close to P90 BILLION PESOS (89.67 to be exact).

at ayon sa DOLE, kawawa naman ang mayaman ano, kase babagsak na ang business niya, kaya ayan, tanggalin na lang natin ang mga manggagawa niya!

This is also a man whose tax evasion cases were dismissed on a technicality during Erap’s time – Tan was a crony of Erap’s and earlier of Marcos. It explains, doesn’t it, how he got away with evading taxes that amounted to P25 billion pesos in 2005, which in 2000 was estimated to be at P25.27 billion (yes, I refuse to let go of that .27 billion).

i know i digress, here, but i think this digression points to the Department of Labor and Employment’s (DOLE) inability to see Tan as bigger than his current oppression of workers in Philippine Airlines. it points to how DOLE in fact seems to be treating Tan as its very own crony, siding from the beginning with PAL, even having meetings with its officials, as if it is PAL that is aggrieved in this situation.

let’s be clear here: we should feel no pity – at all – for Tan and his PAL management. they are not the oppressed here. and if you think otherwise, you should read up. or maybe try being an employee for once, and then talk to me about oppression.

because oppression is when you’re issued a gag order that disallows you to talk about your salary – not because it’s big mind you, but because it’s lower than most other pilots. in August, 27 pilots resigned because wanted better wages. but this resignation was also about taking a stand against the way they were being treated by Tan and PAL management.

before this, 11 co-pilots had been forced to resign by PAL management because they wanted these pilots to fly planes under Air Philippines and Aero Filipinas – both owned by Tan. the point? these pilots would be hired as contractual employees, which means their wages would be cut in half, low as it already is in PAL.

as bad as this kind of treatment? some pilots aren’t forced to resign, but they are forced to take on flights for Air Philippines on top of the flights they do for PAL. that’s being employee in two companies! correction, that’s forced employment in two companies both owned by he who is called the “most notorious crony capitalist” Tan.

and no, this isn’t just about the pilots. flights have been undermanned, which can only mean overworked flight attendants with the same pay.  female flight attendants are also being force to retire at 40, versus 60 for male employees; a maternity leave also means no pay and no benefits. ground  crew also hear of their impending forced resignations in order to be re-hired on a contractual basis in Tan’s various spin-off companies.

but it can only get worse. Tan and PAL management did want to work on these spin-off companies so they might gain more profit, but this wasn’t in the form of hiring old workers on a contractual basis; it was to outsource employment which makes imperative the termination of 2,600 workers.

this is what’s in the news at this point, the DOLE decision being released as it was on November 1. the irony would be nice were it not tragic, too. and just reason for anger.

you ask why didn’t PAL employees hold a strike earlier? why did they wait for things to be so bad, to come to a head, to pile up like this? a history lesson might be in order:  12 years ago in retaliation against striking workers, the PAL management terminated 600 pilots and almost 2,000 members of the cabin crew. and yes, that case of wrongful termination is still in our courts.

so you see, Lucio Tan has gotten away with murder in this country, in so many ways, and too many times. governments have let him kill, time and again.

it might be good to remind PNoy that his mother, seeing as she is always invoked by him and his sisters, never dealt with Lucio Tan – in fact Cory was seen as hostile towards Tan, thank goodness.

and just in case this isn’t enough to convince PNoy that his delegation of this job has fallen on horrible hands. read the DOLE’s justification of its decision, it’s so naive – or maybe just blind – to the workings of a capitalist empire like the one Lucio Tan’s creating for himself. DOLE believed PAL when the latter said it has been suffering financially the past two years, though a look at PAL’s own milestones shows that it has done nothing in the past two years but to acquire and to expand. it sure doesn’t look like a business that’s suffering. Cebu Pacific might have beaten it already, but that doesn’t mean it’s in the red.

oh and just so you know, in 1998 PAL also used as excuse financial difficulties to defend its downsizing of operations and termination of employees. but too, maybe all it takes is to imagine how far Lucio Tan’s money – the one that’s declared in and everything else extraneous to those richest man in the Philippines numbers – could go into spending on PAL employees’ wages or just making lives better all around.

but too, there’s an even easier question to ask: if Lucio Tan is second richest man in this country, howthef*#@! can the same man have a business that’s going under?

ULOL.