Category Archive for: kawomenan

Claudine’s cojones

Oh yes, it’s as macho as it sounds. And that’s also what informs the anti-Claudine rhetoric that’s on the interwebs, i.e., Twitter and Facebook. So in a fistfight that began between two men, the backlash has been on the one woman in the story; and while it’s been fascinating watching Raymart and Mon Tulfo going at it on television, the backlash has been more strongly against the woman. (more…)

rage


via Gabriela Women's Party
via Gabriela Women's Party

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Dear Pinay,

March is International Women’s Month and March 8 is Women’s Day.

It’s the perfect time to kick-off The Be Cause. This is a tiny project that I’ve been wanting to launch as a way of dealing with contemporary women’s issues, central to which can only be the images of womanhood that we’re bombarded with everyday. It isn’t just that these images are false – if not impossible – for a majority of us; it’s also that this has normalized superficiality in discussions about being Pinay in this day and age. (more…)

WTF FHM!

this piece went up yesterday on that horrid cover for March that FHM Philippines was set on putting out. which it has pulled out, announced via that official statement posted on their website. that might be a success, but seriously? why is that official statement not a public apology? it needed to be an admission of having made a mistake, full stop. (more…)

brought Angela to Love Loss and What I Wore, the local staging of a Nora Ephron and Delia Ephron original. mixed reviews in the US, but an interesting enough text owing to this third world Pinay’s class consciousness. and Bituin Escalante and Menchu Lauchengco-Yulo are equally brilliant in it. go see it, bring your mothers and girlfriends. will only run until Jan 22! :) saw it last year, and did this review. 

Five women in all black outfits, mostly in the same shape save for Bituin Escalante, all the same age bracket save for Jay Valencia-Glorioso, enter the stage and sit on bar stools. The central figure talks of age as Gingy (played by Glorioso) — the one monologue that’s a thread through the others, the one whose life of dresses is intertwined with memories of family and marriage and children, found and lost loves. (more…)