Category Archive for: kawomenan

hindi ko mapigilang magkomento sa ilang mga naging pahayag hinggil sa note na ito.

una, sa pamantayan ng ‘preferable’ o hindi, totoo namang mas maganda sana kung hindi “umatras” si nicole at ang kanyang pamilya. kung hindi sana sila napagod at nagtuloy-tuloy na lang sa laban. sa anumang punto de bista — bilang kapwa babae, bilang kapwa Pilipino, o kahit pa bilang biktima — walang puwedeng magkaila na mas maganda at kaayaaya sa mata ng publiko kung hindi inexecute ni nicole yung huli niyang affidavit.

pero sa punto ng tama o mali — iyang moralistikong pagwawasiwas na iyan ng kaugnay ng pamantayang duwag ba o matapang, makasarili ba o selfless, kahiya-hiya ba o marangal — hindi dapat diyan hilahin ang usaping ito.

simple lang ang dahilan: hindi tayo si nicole, hindi tayo ang babaeng kailangang humarap sa alimura o ambivalence ng publiko, hindi tayo ang biktimang pinay na kinakalaban ang isang rapist na protektado kapwa ng gobyerno ng US at ng pilipinas.

pangalawa, kung sumuko man ngayon si nicole, ibig bang sabihin hindi na siya ni-rape? kung uuriratin ang bagong affidavit niya, wala siyang sinabing hindi siya ni-rape. ang sinabi niya ay hindi siya sigurado kung may rape na nangyari. sabi niya baka raw kasalanan niya, baka raw may ginawa o sinabi siya na naging dahilan para maging “intimate” sila ni smith.

wala ni isa man dun sa recent niyang affidavit ang nagsasaad na binabawi niya ang mga sirkumstansya ng rape sa subic noong nov 1, 2005 : binuhat palabas ni smith ang isang halos unconscious na si nicole mula sa neptune bar na parang baboy; ni-rape habang nasa loob ng umaandar na starex van; pagkatapos ay itinapon sa gilid ng daan sa may alava pier na nakababa pa ang pantalon at may nakadikit na gamit na condom. walang bumabawi sa ganitong mga paglalarawan at pagpapatotoong may nangyaring rape. ni-rape si nicole noong 2005 sa subic. at si daniel smith ang nang-rape sa kanya.

malinaw ang sinasabi ng batas at ang desisyon ng makati regional trial court sa verdict nito kay smith: sinamantala ni smith ang ganung state ni nicole. pinatunayan ng physical at circumstancial evidences na ni-rape ni smith si nicole.

o baka naman pati ito kinalimutan na ng ilan para lang sumakto sa iskema ng pagkastigo kay nicole?

huling punto na lang: para maunawaan si nicole at ang naging desisyon niya nitong huli, kailangang unawain kung ano ang rape at ano ang nangyayari sa mga babaeng biktima ng rape, lalo na iyong mga katulad ni nicole na ang nanggahasa ay sundalo ng pinakamakapangyarihang imperyalistang bansa sa daigdig na hawak sa leeg ang pinakatutang gobyerno sa asya.

mas mainam na gawin ito, kaysa magwasiwas ng kung anu-anong moralistikong retorika para manisi ng isang biktima ng rape.

KC as guilty pleasure*

There aresongs that become your guilty pleasure, the kind that you don’t admit you like, just because they’re too pop, or are downright cheesy. Many albums get hidden in the back of your closet, a little secret you keep to yourself, even when you’ve memorized it inside and out.

This is exactly what A.K.A Cassandra, KC Concepcion’s debut CD is. Because truth to tell, there is really nothing spectacular about it. It’s an album that subsists on plenty of remakes of mostly foreign songs (save for “Haring Ibon” by Joey Ayala), and originals that are everything and cheesy (“An Updated Version of Me” comes to mind). Many of the songs remain about love, if not about the universal notions of happiness and going with the flow and relaxing. All of them are pop, in the sense that they are easy to listen to. (more…)

It is such a strange time for Philippine TV – and I’m not talking about reality television taking over our lives and creating many talentless stars in the process; nor about the fantaserye reminding us of how much we need to escape from the realities of rising oil prices and NFA rice lines. Both of these aren’t so much strange as they are sad.

What is strange is the rise of the Filipinized Korean-novela – a unique entity in a country where the Mexican telenovela Marimar was only Filipinized a decade after the original became a TV hit. This remake was something we actually had coming, given the too familiar plot of a poor simpleton turned rich powerful woman, ready to seek revenge, but is softened by her true love. It’s the stuff every other Pinoy soap opera is made of. (more…)

questioning the usual

an essay by Ninotchka Rosca, aptly titled The Usual Can Be Criminal, on the ways in which our notions of womanhood and the roles we play, allow for us all to be victims.

such an enlightening read, even when we can only truly imagine what our domestic helpers are going through as they sacrifice their own families for a life of discrimination elsewhere. my favorite quotes:

“Household work has been historically women’s slave shackles, rendering her a service unit in the family power structure, stunting her growth and development, erasing her sense of self.”

“<…> having a household servant impacts even the employer who slides into this semi-feudal role of patriarch and patron. I hope others will seriously develop a political economy of housework. A serious one.”

Beyond ABS-CBN

It is therefore no surprise that gone are the days when any actor or actress could just gather enough gumption to hold a microphone and instantly become TV host. So much more is at stake now, given the fact that many of these reality shows are expensive franchises. And it is that one host who needs to keep audiences from changing channels at any given time. (more…)