Category Archive for: kawomenan

Bad romance

Probably the only thing worse than the fact that one is silenced in many ways by nation is the truth that in place of that silence is a male voice that says: we love you, we care for you, we will cherish you. That this voice also carries us through any romance we might have with men is foregone conclusion. That we might believe this voice is not surprising.

There’s that thin line drawn between romantic and romanticized after all, that thin line between a romance with you as person and a romanticized idea of you as woman. The former has you as point complete with intelligent conversation, sweet walks in the park, thoughtfulness and laughter and music (yes, my ideal right there); the latter has nothing to do with you. The former is based on a man looking you in the eye because he’s interested in you; the latter is based on keeping you quietly standing in a corner. (more…)

First, an aside. I steered clear of writing about Miss Universe, any more than I already had long before the pageant even started its activities in this country.

I stood and still stand squarely against holding the pageant here, especially at a time when we face the crises of poverty and need, of climate change and intermittent floods, when the dead are being collected off our streets, when the promise of change has yet to even be felt in fundamental, important ways.

There is little reason to believe that our government did not spend a single cent on this pageant as they had promised. When so many government agencies and offices were in charge of ensuring the safety and comfort of international guests, it is ridiculous that they even expect us to believe that public funds were not spent on Miss Universe in Manila. (more…)

Given all that has been happening, half borne of the discourse of confusion and noise, the other half just the utter lack of information, I almost missed what might be one of the best New Year’s presents we could get from President Duterte: his Executive Order 12.

Here, the President essentially orders all relevant government offices “to intensify and accelerate the implementation of critical actions necessary to attain and sustain “zero unmet need for modern family planning” for all poor households by 2018, and all of Filipinos thereafter, within the context of the RPRH Law and its implementing rules.”

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Social class before beauty

The first time I heard about the tax on cosmetics, it had already been framed against the hashtag #DontTaxMyBeauty. But as with many things that happen via hashtags, there was little fleshing out of what this so-called Vanity Tax was going to be about.

A day after the hashtag happened, the three-page House Bill No. 4723 was uploaded online, but many remained disinterested in what it contained: it is easier to jump on the bandwagon of calling something anti-woman, than to actually sit down and read about it after all. Media fed the frenzy – the better to get hits with; days after, there is still little critical discussion about this proposal and the backlash against it, even as politicians weigh in using big words like “sexist.”

This, in a country that has allowed the Miss Universe to happen at such a large scale, using government resources and the face of Chavit Singson. One can only wonder what we actually mean by sexist – or feminist – these days. (more…)

At the onset, having a light romance / romantic-comedy as part of the Metro Manila Film Festival’s self-proclaimed “change” and “revolution” was a good thing: it tells us that they weren’t deciding against certain genres just because these are considered “pop” and “therefore shallow” — it is after all easy to presume that all love stories are about the happy endings, and one can spot the formula from a mile away.

But even formula has allowed for an amount of creativity in the rom-com through the years (1) and it is with this sense of how the genre has evolved that one was hopeful about Vince And Kath And James (directed by Theodore Boborol, written by Daisy G. Cayanan, Kim R. Noromor, Anjanette M. Haw), because there is so much more to the rom-com now than just lead stars with chemistry: there is good writing and well-threshed out situations, the specificity of social class and gender politics. (more…)