Category Archive for: kultura

There is no looking at Ronald Ventura’s work without having in the back of my head that $1.1M dollar record-breaking sale at the 2011 Sotheby’s auction. In 2012 it seems he’s also had a good run at art auctions such as the Christie’s auction in Hong Kong last last year, which shouldn’t be a surprise really. Between the interest in Southeast Asian art and 2011’s record-breaking sale, it would seem strange if Ventura were not to ride that wave.

It is a wave of course that might not go in the direction of home, at least as far as putting together an exhibit is concerned, and this might have been why “Watching the Watchmen” (at the Vargas Museum in December) ultimately interested me: why would you exhibit at home at this point? What for? Underappreciated as the arts are, no matter how critically and globally acclaimed, why care at all to engage with this nation on the level of one’s artmaking? In the same breath, what would nation get out of something it refuses to acknowledge as important?

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15 from 2015: kultura

I wasn’t very good at doing arts and culture in the country the past year. But here’s a list of the strange, the good, the surprising in culture for 2015, not at all a best or worst list because … see the first sentence.

First a critical aside: having worked as dramaturg for Kleptomaniacs and a bit with Tanghalang Pilipino in 2014 meant keeping the theater reviews to a minimum in 2015. I needed that time to let go of the little inside stories that I know, if not to forget the petty tsismis. Distance is a good thing, and one is glad when it is given.

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Cultural crisis #APEC2015

On November 18, Malacañang issued a non-apology to the public who had been inconvenienced during APEC 2015.

A non-apology worded as a thank you “for your patience and understanding over the inconvenience brought about by our enhanced security measures.” And then it spun the difficulty of the commute to work, the fact of absences and tardiness that will mean less wages, and said: “You have shown to the 10,000 delegates what Filipino hospitality means.”

If it’s to sacrifice our time, energy, earnings the past week – well, we were forced into that kind of hospitality. If it’s Manila streets emptied of people and vehicles, shops closed, turned into ghost towns – that does not speak of the Manila we know at all.

If it’s the display of culture as revealed by the final APEC Dinner Performance for Leaders – then please lang. Not in our name.

Because that was a monstrous failure, an ill-conceptualized variety show, that was far from displaying “the best” of Philippine culture. (more…)

On election season, it is clear when we’re hearing nothing but pa-cute and pa-media mileage, not just because we must be critical of everything we hear, but because usually it is in these instances that candidates slip up, revealing precisely how little they know of the subjects they speak of, and how they presume — they imagine! — that we will believe anything at all that they say. (more…)

It has been confusing to say the least. But also it has been quite fascinating, this whole case of Ducky Paredes versus the broadsheet Malaya.

Because it’s such a public display of what goes through the mind of a man who has been accused of plagiarism, and the kind of defensive stance he’s decided to take. How the decision to turn this story around — in fact get ahead of the story — and claim that one had been oppressed and un-paid, therefore that would explain whatever actions he was to be accused of.

To be accused of. Because in fact we heard about how things went down between Paredes and Malaya only at the point when the paper found the need to defend itself against Paredes’s accusations as posted on Facebook.

That’s the thing: we found out about the story when it was deemed over by Paredes — he was moving on to the next thing. So the loudest voice we’re hearing is his, not at all acknowleding the serious allegation and crime that is plagiarism. (more…)