Category Archive for: kultura

kultura

slow and disjointed: on August Osage County

I have come to the conclusion that accents are good. It is what I expect of most every Repertory Philippines play, given the texts that they choose to stage, and the truth that it is crucial to the insistence on staging plays set in places far away, if not within a historical period that is alien to a local audience.

It is Rep that has taught me that. And with August: Osage County I felt like I was being taught to un-learn it. I was forced to contend with the distance between audience and stage. No one took my hand and brought me into this world strange and different, but also absolutely familiar.

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kultura

not everyone can make a rom-com: a realization from watching Starting Over Again

There is standard that Star Cinema has set when it comes to the romantic-comedy as a genre, and it’s a standard that has since re-set the formula for the effective rom-com, where effectivity is proven by both a movie’s creation of it’s own cult following and box office success. (more…)

kultura

space for troubled youth: on Toilet The Musical

It was funny that before I could find where exactly Toilet The Musical was being staged in the Ateneo campus, I first had to happen upon the Rizal Mini Theater where Antigone The Musical was being staged. It made me want to try and get into the latter — for how fun that sounded after all! — but then again, Toilet was making a promise difficult to refuse: it’s an all-original Filipino musical. That it had Ejay Yatco at the helm might be exactly what kept me walking towards Toilet even as Antigone was calling. Yatco after all was musical director of the underrated success that was Sa Wakas (2013).

In Toilet, Yatco does not disappoint. Neither do writers Bym Buhain and Miyo Sta. Maria. Neither does the rest of Blue Rep.

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kultura

the anxiety of rain: on Rak Of Aegis

It was difficult to imagine a musical that could use Aegis’s diverse discography, one that spans 15 years of the band’s existence, and seven albums. From posters and press releases it was clear that PETA’s Rak Of Aegis was using the song “Basang-basa sa Ulan” as center, with the obvious premise of … uh … rain to tell what would be a painfully contemporary story for nation.

It was difficult to be optimistic, but it sure was easy to get excited. I was sitting after all on the balcony, right side, and from where I was I could clearly see the members of Aegis below, sitting on the second row. Not even an ill-behaved little girl who should not have been brought into the theater, could ruin that image of the Sunot sisters singing and laughing along to the musical that lives off their music.

via rakofaegis.com.

That’s getting ahead of the story. (more…)

kultura

some waiting required: on “Wait Until Dark”

the thing with expectation is that it can be your undoing. for watching theater, i refuse to listen to the soundtrack of a musicale, or to read the script (when available) of a play, lest i start singing (or saying those lines) out loud while sitting as audience. sometimes though, the poster, the press release, is all one needs to build excitement.

that is true for Repertory Philippines’ Wait After Dark. sold as a suspense thriller, one could also only be excited by a cast that was thrilling in itself: Joel Trinidad, Jamie Wilson, Liesl Batucan … how could anyone go wrong? but as the curtains closed on Act 1, i wondered: where does the fear lie? (more…)