Category Archive for: kultura

The question of supporting Original Pilipino Music (OPM) is one that isn’t simple anymore, not in these times when cultural systems are so intricately intertwined, and television networks and cultural empires are kings. In this series I look at contemporary Pinoy music’s production(s) and unpack the contradictions and discriminations inherent in, and the context(s) crucial to, the fight for OPM as we know it.

It is often said: Original Pilipino Music (OPM) needs more support because it is suffering in the face of piracy, good songs don’t get radio airplay, great CDs don’t sell well in record bars. We talk about globalization and the cheaper foreign CDs it brings, we talk about colonial mentality and the preference for what isn’t local it continues to wreak.

Except that when we say OPM has no chance of winning against the big bad foreign artists, that isn’t really true. Since Sarah Geronimo’s recent CD came out, it’s been in the Top 10 Best Selling Albums list in most local record bars, battling it out with Lady Gaga, Bruno Mars, and J Lo, recently even topping those lists.  (more…)

The question of supporting Original Pilipino Music (OPM) is one that isn’t simple anymore, not in these times when cultural systems are so intricately intertwined, and television networks and cultural empires are kings. In this series I look at contemporary Pinoy music’s production(s) and unpack the contradictions and discriminations inherent in, and the context(s) crucial to, the fight for OPM as we know it.

We say it often, and truth to tell in these shores it is true: many of our less talented singers have albums, and many of our more talented musicians are without jobs. But what of the non-singer, someone who doesn’t sing at all, gathering a strong enough following for her CDs that she’s now on her fifth (count that!) solo album – and yes, that’s not counting the one she did with her son, and another about the rosary. (more…)

The question of supporting Original Pilipino Music (OPM) is one that isn’t simple anymore, not in these times when cultural systems are so intricately intertwined, and television networks and cultural empires are kings. In this series I look at contemporary Pinoy music’s production(s) and unpack the contradictions and discriminations inherent in, and the context(s) crucial to, the fight for OPM as we know it.

The reality show seems far off from a discussion on Original Pilipino Music (OPM), but anyone who watches local television would know that these shows are the birthplace of celebrity. Current televition has created stars with no great measure of talent: Kim Chiu and Sam Milby were Pinoy Big Brother housemates before they became stars. Both of them sang inside the Big Brother house, and stepped out of there to recording contract deals among other prices of fame. (more…)

one of the blurbs for this first book asked: what took you so long, ina?

and in truth, i’d like to think i took exactly the amount of time i needed. much of what’s in Of Love and Other Lemons is about refusing to write the way i’m expected to, or at least the way i did when i wrote mirrors. i read too much of the personal essay as it’s written and published in these shores, but also i read poetry in english by our contemporary women poets. i read works in English and Filipino. but more than the reading, i’d like to think i took my time at living: through teaching, some broken hearts, losses large and larger, a career in writing, writing, writing. (more…)

which is to say there are many reasons for Cynthia Alexander’s leaving for Seattle. none of them is about the lack of support for her music in these shores. this short essay responds mostly to the Francis Brew piece, which painted a narrative that actually made it seem like Cynthia was upping and leaving, complaining and whining, about nation. all untrue. (more…)