Category Archive for: kultura

KC as guilty pleasure*

There aresongs that become your guilty pleasure, the kind that you don’t admit you like, just because they’re too pop, or are downright cheesy. Many albums get hidden in the back of your closet, a little secret you keep to yourself, even when you’ve memorized it inside and out.

This is exactly what A.K.A Cassandra, KC Concepcion’s debut CD is. Because truth to tell, there is really nothing spectacular about it. It’s an album that subsists on plenty of remakes of mostly foreign songs (save for “Haring Ibon” by Joey Ayala), and originals that are everything and cheesy (“An Updated Version of Me” comes to mind). Many of the songs remain about love, if not about the universal notions of happiness and going with the flow and relaxing. All of them are pop, in the sense that they are easy to listen to. (more…)

on Sugarfree Live*

The collaboration between a rock band and an orchestra isn’t new. But an OPM band that does it well, a collaboration that reinvents the band’s songs, and a band that survives through a live concert with a full-piece orchestra? That’s something else in these shores. In Sugarfree Live! Sugarfree and the Manila Symphony Orchestra as conducted by Chino David proves all of these as possible, and becomes a testament to how concerts and CDs like these can be done well. (more…)

The Nostalgia of the Eheads

Many things were said about the Eraserheads Reunion concert, not one of them critical, every one hopeful for a repeat or continuation. Which is understandable for those of us who are fans. To us, a reunion has always seemed impossible, even if – or maybe because – all we knew about the breakup was that it was a bad one. Too, loyal fans who have followed the individual careers and lives of Ely, Raimund, Buddy and Marcus must rightfully feel ambivalent: insisting on a reunion is, to a certain extent, an affront to the lives they’ve lived beyond the Eraserheads. To demand a reunion concert seemed selfish. (more…)

now truly on pregnant pause, but elsewhere, more relevant discussions/blog entries are happening. this is sir edel garcellano on eugene gloria’s use of a real-life gelacio guillermo as subject of his poetry. and when taken to task about what it is he does create of guillermo, gloria invokes the “fictionality” of poetry. kumusta naman, e buhay na taong may malinaw na pulitika at kasaysayan ang pinaguusapan. another man’s fiction as a real man’s life? gamitan kung gamitan?

Gloria must be running around with a writerly hood given to pursuit of radical chic & grants that would spark their prodigious explosion in the American market.

 

Gloria had probably in mind his fellow workshoppers who would spike their texts with ethnic Filipino exoticism & filiation that would allow minority discourse researchers to put them under their radar, so to speak.

 

Is this the imperative of Fil-Am writing? Making use of tribal ethos & valorizing the drift toward the counterrevolutionary? Identification & skin color are not enough for one to speak on behalf of a country that simply serves as reference point.

such a great assessment of the whole enterprise of fil-am writing, given how it is celebrated as the best thing that’s happening in/to philippine lit.

The Reality of the Disappeared

The premise of the disappeared is their silence. In Desaparesidos, Lualhati Baustista’s latest novel, what one is treated to is an articulation of these silences that the disappeared bear, over and above the lives that they live as names on a list of people who have been captured and jailed, raped and tortured, and killed. And while you might say Bautista has done this before, or that this story about the Marcos dictatorship is old hat, Desaparesidos is anything but a mere repetition. It is not a sequel of any sort to Dekada ’70, but is a re-telling of that time in history and how we are clearly and inextricably linked to it, even when we’d rather imagine otherwise. And it’s precisely because of this that it’s an important read for the times. (more…)