Category Archive for: magasin

Let it be said that Superstar Nora Aunor’s comeback is by all counts a success, if we are to measure it not by media mileage or product endorsements, not by tell-all interviews in every darn showbiz talk show or by grand statements about home being where the heart is.

Ate Guy’s return has been about none of this and that is precisely a measure of this comeback’s success. Because would she be the unbeatable popular culture icon that she is, the film actress par excellence, the Superstar in the real sense of the word, if she came back and fell into the trap of showbiz as created by the Kris Aquinos of this world?

Not at all. Ate Guy is everything that contemporary showbiz is not. And that was true long before she left, that was real to anyone who saw her films and respected her daring, this was always true for those of us who couldn’t help but be astounded on the one hand, and then be downright impressed on the other, by the life choices she was making, given the little that we actually knew of her. She was rebel long before it became fashionable to be one, she was rakenrol like no other, and in the midst of that she was inadvertently pointing out that she was – should be – nothing but actress, but singer, but star.

Ate Guy might be the only icon on these shores who can say to her public: here’s who I am, deal with it.

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If there’s anything that’s true about Marian Rivera, it’s that she doesn’t care what we all think: she presents to us what she is, which is probably the closest to a private self we’ve been treated to within the public space that is local popular TV and movie culture.

And when I speak of Marian’s private self, I mean the one that we don’t usually see of our celebrities, I mean that which is usually deemed unworthy of being made public. But Marian doesn’t seem to care that she doesn’t sound as classy or doesn’t move with as much finesse as the usual female star.

But maybe this is telling as well: Marian ain’t the usual run-of-the-mill female star that we see on local TV, and while she isn’t what we expect, I daresay that she’s exactly what we’ve needed all this time. And no, this is not the case of a diamond in the rough – that would mean having to smoothen it out and make it more acceptable. Marian, in fact, for all the negative publicity about her, need not change anything because she’s already the image that’s important for our times, and especially for women who consume popular culture.

the rest is here!

This turned out to be a different creature altogether from what I imagined I would write about being invited to a Playboy launch party. Not surprisingly, talking about feminism and womanhood in the face of other Pinays just turned everything personal.

i did say i was aching to write about Rogue Magazine‘s independence day issue, but was overtaken by the NHI’s accusations, Joey Mead’s naked body, and Argee Guevarra’s defense.

suffice it to say that it was as i expected of a high-end P180-peso english “literary lifestyle” magazine, and their notion of the “State of the Nation” — the title of the month’s issue. save for Lourd de Veyra’s literary piece on an imagined exchange between two friends, one in Dubai and another in the Philippines, there is no mention AT ALL of the crises that beset this country. (more…)

making bastos the flag

i was aching to write about the independence month issue of Rogue Magazine, for reasons farthest from what has made it controversial the past two days. the National Historical Institute’s historians have pointed a finger at the cover and called it “bastos”. and while i’m a flag-loving Pinay – I bought everything that had a philippine flag on it during the centennial celebrations, never mind that it had Ramos’ “Philippines 2000” as well – i didn’t think anything of that cover. in fact it was the reason why I even picked up the magazine and thought it was worth buying. (more…)