Category Archive for: pelikula

Dear President Duterte,

The details are scant, but there is an agenda to be presented to you based on a National Development Meeting for the Arts Summit that happened on September 5.

Sadly, if those kinds of exclusive, by-invitation only meetings continue, then this agenda cannot even begin to represent the arts and culture sectors it promises to speak for.

As a private endeavor by Njel De Mesa, there’s no way to insist that he open up the summit to all cultural workers; he was financially limited to inviting arts and culture organizations and trusted that reps from these groups actually speak for a majority of us in the sectors.

That of course is not true. There is no one organization that can claim to represent a majority of writers or dancers, theater workers or visual artists, musicians or heritage workers, across generations, different media, and various areas of expertise. In fact, the more I think about it, the more I realize that the formality of organizations goes against precisely the freedoms that artistry, creativity, innovation are premised on and which these demand. (more…)

Let me call it now.

With 12 members of the staff terminated in the first week of her leadership, Liza Diño has put the Film Development Council of the Philippines (FDCP) under a version of Martial Law.

And because Martial Law is about silencing critics, too, I hear that the search is on for who exactly my sources are. This, instead of Diño actually replying to these allegations — I would gladly be disproved after all. But what I’m looking at are not just 12 employees given pink slips by Diño. I’m also looking at five other staff members who have tendered resignations given how Diño’s running the FDCP .

And lest you think we’re talking about consultants with huge paycheques ala Joel Rocamora’s NAPC, what I’m seeing is a list that includes drivers and cinematheque projectionists. I’m looking at staff of the National Film Archive of the Philippines (NFAP) and the Cinematheque.  (more…)

It could be the lack of a real functional communications team, or maybe just the general disinterest in what happens to the cultural sector, but none of President Duterte’s moves so far has been about doing right by culture.

While we might think the downward spiral started with the self-proclamation of Freddie Aguilar as head of the non-existent department of culture, which according to him meant being offered the position of National Commission for Culture and the Arts (NCCA) head instead, I tend to see the downward spiral to have begun with the appointment of Liza Diño into the Film Development Council of the Philippines (FDCP).

All that I have said about that appointment stands: the mandate and functions of that office are clear, the requirements for an appointee, too. Diño has none of those credentials, and by agreeing to this appointment pretty much pisses on the law that created this office to begin with. (more…)

When they opened the Cinematheque Centre in Manila in December 2015, the Film Development Council of the Philippines (FDCP) headed by Chairperson Briccio Santos, thought it would go the way of the four other Cinematheques they’ve opened in the provinces. That is, it would slowly gain a following as the audience for film screenings gradually grows.

The slow but steady climb was a well-founded expectation. In Iloilo, Davao, Baguio and Zamboanga, the Cinematheques took time to take off, the public’s interest something that needed to be nurtured. (more…)

the trailer of the movie “Ang Taba Ko Kasi,” a trailer that has been online since February 1, a good month and half ago, has been deemed by the Movie Television Review and Classification Board (MTRCB) as unfit for public exhibition. lead actress Cai Cortez posted the MTRCB decision on her instagram, obviously and understandably exasperated by the decision.

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