Category Archive for: pelikula

Dolphy, national artist*

It’s difficult to imagine childhood without Dolphy, even when all he was to me was the image of a father on television, even as who I identified with was Maricel Soriano or Claudine Barretto playing his daughters in two different sitcoms, across two different generations. At some point this father image became interwoven with that of Enteng Kabisote, father to Aiza.

The images are real to me, the characterization of fatherhood that was protective but had difficulty providing, that was faced with the rich mother-in-law who disapproved, that struggled financially but had a posse who depended on him, underground as the economy was that they all created and fueled. (more…)

kim chews their heads off

in truth i was so happy for Kim Chiu, showing us all how she is human — a smart one at that — who knows what she owes showbiz reporters and what she doesn’t. it’s the same joy i had about Anne Curtis going crazy in a club, where her sense of self is revealed for all the world to see, and oh yes! there is bite in the sweetie-pie image after all!

the latter is why i think these moments are utter and absolute successes for the women who watch local popular culture. these are limited successes yes, but successes nevertheless. because in this age of manufactured perfection for our celebrities, these moments reveal to us how they are in fact human. they are not the dolls that local showbiz makes them to be; they are not stupid girls who know not what they are doing. this is not a simple case of a management company investing in them and controlling them: they are individuals who know exactly what they are doing, and what they are in the limelight for. they know what aspects of their persons are not captured by that camera at all.   (more…)

I agree with some of what Lourd de Vera says (or asks) Vic Sotto in his open letter. I agree that Bossing Vic should aim to do better than a movie filled with product placements. I agree that he should do better than a film where he’s not stuck with a non-kiddie-actor Yap and his mother Kris Aquino.

I disagree that this was all Bossing’s doing. (more…)

The truth is that while we celebrate local films, especially independently-produced ones, it seems important to point out that many other things come into play at this point as far as declaring any movie a critical success. That is, there is the social media bandwagon, where “public perception” is deemed powerful, and no one is allowed to think differently about a movie lest one is pounced on like some enemy.

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on “Ang Kwento ni Mabuti”

That not much happens in “Ang Kwento ni Mabuti,” is precisely its power. And while its premise is poverty as crisis and its context is the distance and removal that the poorer among us live with, not once did the film seem like poverty porn. Neither was it full of itself.

It would of course be easy to hate this film for not doing more, not being more, when it could’ve been less restrained. Yet, there is the fact that it didn’t need to be more than what it was, because what this movie has to drive this story is what most other films don’t have.

That is of course Nora Aunor. (more…)