Category Archive for: pulitika

Tito Jorge

Tito Jorge would’ve laughed out loud, would’ve teased that this 35-year old was bawling like his widow under the watchful eye of Mother Teresa and an oven called Serenity. The 68-year old man had taught humor well. Irony, too. It seems it took him long enough.

In 1994, Tito Jorge was working at the UP Film Center and on the last day for submission of UPCAT applications, arrived in the rain carrying with him – rolled up under his shirt – an application for this 17-year old. It needed to be filled up within the amount of time it would take him and Angela to catch up on projects ongoing. This would be less than an afternoon, and more like an hour, during which this teenage girl could only be overwhelmed by possibility. (more…)

yearenders and firestarters

because 2011 ended with some sadness, and the new year had me on a roll, which is to say it forced me to hit the ground running. one must be thankful.

the yearender for arts and theater and the one on popular culture were up before the end of 2011. though with the Metro Manila Filmfest happening at the end of the year, too, these could only be overshadowed by the notion of ending-with-a-bang and a foreboding of the year to come. the sadder thing might be that this has fueled discussions on Pinoy film from people who admit they haven’t watched it in a while. well what else is new with regards elitism in this country.

which is to segue too into the fact that i did see some of the MMFF films: the Asiong Salonga review and the My Househusband review are up, and i have two more to go. suffice it to say that as far as Asiong is concerned, what we might demand for at this point is a viewing of the director’s cut, if only so we can judge its creative team who were ignored / disrespected / dissed by the movie’s producers as they added removed scenes, changed music and/or sound, and messed with the editing of the film. that’s the work of director Tikoy Aguiluz, editor Miranda Medina, and musical score by Nonong Buencamino that we have yet to judge Asiong Salonga by. show us the director’s cut na!

in the meantime, the wish for 2012, has to be clarity and truthfulness and just our cards on the table. because it seems that between those faked-up magazine covers and press releases about objective journalism, between power-to-the-people rhetoric and the govt strategy of running a government campaign by not doing it themselves, 2012’s begun on very very rough ground.

<…> “good people do horrible things thinking they are doing something great,” Slavoj Zizek says, and yes he was talking about the violence of communism and stalinism, but in third world philippines, he could just be talking to you and me and our lack of a sense of the realities that define us. it could just be you and me refusing to get to the heart of any and all of this nation’s problems: a failure in the system that allows for the poor to get poorer and grow larger, and a minority to get richer. and i daresay, the middle class thinking they can save the world by working — admittedly or not — within the system the State has set up.

“The basic insight I see <with regards the Occupy Movement> is that clearly for the first time, the underlying perception is that there is a flaw in the system as such. It’s not just the question of making the system better.” — yes Zizek, not anymore.

we should all be reminded of this the rest of 2012.

quotes from Zizek via this Harper’s Magazine interview by J. Nicole Jones, November 2011.

truth to tell i didn’t care much about this “expose” of Marites Danguilan Vitug because it was a non-Corona non-issue to me. non-Corona, because exposing the lack of a dissertation, the number of years he took to finish the phd, his ineligibility for the honors he was given, point to the fact that this was always a UST issue. the basic question being: why make corona an exemption to university rules?

and i didn’t care for that question because i knew without a doubt that Corona’s phd could easily fall under the purvey of academic freedom and autonomy (as the UST statement has said) — within which of course patronage politics and favoritism and everything horrid you can imagine actually exist. that this was UST’s prerogative is truth. this doesn’t make this an easier truth to swallow.

but maybe we should swallow our egos and admit that as with every other institution in this country, the academe is not one that we must comfortably equate with “academic rigor” or “quality and calibre.” if you are realistic about the academe here, and truthful even to yourself if you’re a member of it, then you’d know that patronage and politics are the invisible hands that put and keep people in power there, and in fact this can get you everything from the good raket outside of the academe to the positions of power within it, or just an easier time at an MA and/or a PhD. what we should be looking at in fact, is output: how many of our degree holders are actually relevant to nation? how many of those dissertations will hold up to scrutiny?

and what did the UST faculty and panel think of corona’s scholarly treatise in place of the dissertation? baka naman brilliant at hindi lang natin alam. for all we know he deserved that phd, because too, UST touches on something crucial to the discourse of the university in this country. UST says that they

can grant academic degrees to individuals “whose relevant work experiences, professional achievements and stature, as well as high-level, nonformal and informal training are deemed equivalent to the academic requirements for such degrees.”

i haven’t heard of this kind of freedom from and within the two universities i’ve been part of as student and teacher. ang galing that UST can award Naty Crame Rogers a doctorate degree because certainly she and many other literary and cultural stalwarts deserve it. not that they need a phd to be productive, but truth to tell Corona didn’t need this either: a phd is not even a requirement for becoming supreme court justice. go figure.  

but Vitug insists questions are still unanswered:

“What UST is saying is that they can flout their own rules because they’re an ‘autonomous’ institution,” says Vitug. 

well, yes. wouldn’t any independent private institution defend itself based on those grounds?

“There is no quarrel with academic freedom. UST should be clear with its rules and state in what instances do they give exemptions. In the case of cj [Chief Justice Renato Corona], a lecture was enough (instead of a dissertation) and the 5-year residency requirement, to qualify for honors, was disregarded,” Vitug also says.

well, yes. and i say, if you demand that UST be clear about the rules it bends, then i demand it of all universities in the country. accountability for all (count the number of faculty members who will be given tenure if we were to be transparent about these rules!). which is still to say this: even the bending of rules based on whether a person deserves something, is totally within the university’s prerogative. again, non-corona, non-issue.

if i were the one who had blogged about this, i would’ve already backtracked and told my readers i had barked up the wrong corona tree, and missed the university prerogative point. but that’s me. and i’m no journalist.

which is really what this has become about, yes? beyond corona, it has become about that UST statement which raises questions about credibility and online journalism, ones that on Twitter and Facebook it seems people would rather dismiss as the questions of the ignorant. ah, but Shakespeare always said ignorance is bliss.

and it is with bliss that UST in fact dismisses Vitug as journalist, because they ask:

“Does <sic> anyone claiming to be an online journalist given the same attention as one coming from the mainstream press?” the statement said. “We understand that while Miss Vitug used to be a print journalist, she’s part of an online magazine, Newsbreak, which has reportedly been subsumed into ‘www.rappler.com.’ What’s that?

i’m sorry, but this was funny to me both on the level of UST’s dismissal but also on the level of  its utter refusal to acknowledge Vitug as a credible figure, period. because for UST where she writes is of utmost importance as they go on to ask:

“Is that a legitimate news organization? What individuals and entities fund Newsbreak and Rappler? Do these outfits have editors? Who challenged Miss Vitug’s article before it went online so as to establish its accuracy, objectivity and fairness? Why was there no prior disclosure made? What gate-keeping measures does online journalism practice?”

these are valid questions to ask, aren’t they? and certainly those behind Rappler cannot claim credibility — or demand we give them that — on the basis of who’s behind it and their years of experience. because if there’s anything we know about writing online, it’s that no matter your history of writing (Angela’s got a CV that will put into question countless credibilities online and beyond, excuse me), you’re only as good as that last piece, your mistakes are for the world to see, your ability at humility and apology crucial.

in this sense it is important that Rappler respond to these questions properly and accordingly, and not brush it off by invoking Vitug’s years as journalist or by saying that they are ” journalists <who> have worked for global news organizations and top Filipino news groups.” certainly if they take pride in being “online journalists” who “promise uncompromised journalism that inspires smart conversations and ignites a thirst for change” they must begin by answering questions on legitimacy and credibility, banking as they do on the names that are on their roster.

of course this will mean drawing lines between online journalism and non-journalism, news reporting and opinion, blogging and tumblelogging and tweeting, but this is a discussion worth having, now better than later, if only because that UST statement is a challenge to make those definitions clear.

if only because given such unquestioning love for the Vitugs and Ressas of this world, we now see revealed the bubble of friendship and camaraderie and mutual-admiration that uncritically exists online.

maybe we all only hate UST for daring to pop that bubble and reveal us for what we are: no better than the mainstream.

the question of CareDivas*

Because CareDivas was one of those plays that everyone was raving about, that got TV exposure because celebrities sponsored whole shows, that was celebrated for being an original Pinoy comedy musical. Of course that it dealt with homosexuality must have had much to do with those raves, though as with anything and especially a stage production, there is more to this than just the fact of its subject matter. (more…)

why free Ericson Acosta

Ninoy Aquino and Ericson Acosta might seem light years away from each other, and yet i’d like to think that more than what makes them different, what carries weight here is what makes them the same.

illegal detention, trumped up charges, a military blinded by getting some “big fish” and not getting enough of the red scare, being forced to face your accusers everyday, being removed from and having limited access to the outside world, being treated like some dangerous criminal, in the process making you feel less and less like yourself.

look at the timeline of Ninoy’s detention here and here, and the timeline of Ericson’s detention here.

now the hunger strike.

in April 1975, Ninoy went on a hunger strike, and in a letter addressed to Cory, his mother, his children, his sisters and supporters, explained why. Ninoy’s said:

<…> “when the Military Commission suddenly made a complete turn-about and forced me, against my will, to be present in proceedings which are not only clearly illegal but unjust, I said I shall have no other alternative but to go on a hunger strike in protest against a procedure that is intended to humiliate and dehumanize me, considering that all they wanted was for me to be identified as a common criminal, and not only for myself but on behalf of the many other victims of today’s oppression and injustices.”

on December 3 2011, Ericson began his hunger strike. detained artist since February 13 2011, Ericson was arrested without a warrant by the military in San Jorge Samar, at 10AM. he has been kept in the Calbayog Jail since then, on the false charge of illegal possession of explosive – a hand grenade which was planted on him and which the military says he attempted to take out of his pocket (in broad daylight?!?) during his arrest.

From February 13 to February 16, Ericson was not allowed to contact his family or his lawyers, and in those four days, he was not only illegally detained, he was also moved from military detachment to PNP headquarters to the hospital to the Calbayog Hall of Justice. for four days no one knew what was going on with Ericson.

for the past 10 months he’s been in jail. Ericson says:

<…> “it is utterly baseless to undergo a full-blown trial for this trumped-up charge <…> instead, i should have the right to charge the state elements responsible for violating my human rights.”

his hunger strike is also a demand for the

<…> “pull out of the highly irregular if not illegal presence of a squad of military men near Ericson’s place of detention. A platoon of soldiers from the 87th IB were first deployed in the nearby barrio in July on the pretext of military operations, but it has become apparent that the soldiers are there to “guard” Acosta.”

it goes without saying that Ericson’s hunger strike is also his demand for immediate release.

and lest you think I am dreaming here, what PNoy said last year resonates for Ericson’s case:

“We recognize that their right to due process was denied them. As a government that is committed to the rule of law and the rights of man, this cannot stand. Therefore, I have ordered the DOJ to withdraw the informations filed before the court.”

his then Executive Secretary Paquito “Jojo” Ochoa Jr. also said “questions raised on the legality of their arrest justify their release.”

PNoy was talking about the Morong 43. also illegally detained, also with trumped up charges of illegal possession of firearms and explosives, also denied due process. last year, PNoy ordered all of them released in time for Christmas. he also said:

“Let this be a concrete example of how our administration is working in the broad light of day to build a country where the law protects us equally. The culture of silence, injustice and impunity that once reigned is now a thing of the past.”

and lest this isn’t enough to justify the release of Ericson, the voice of Ninoy might help. he was after all also political detainee, turned gaunt and sick by a hunger strike that was not just a demand for his release, but the release of so many others like him, as it was about shining a light on the system of warrantless arrests and impunity.

“But peace and order without freedom is nothing more than slavery. Discipline without justice is merely another name for oppression. I believe we can have lasting peace and prosperity only if we build a social order based on freedom and justice.” – Ninoy’s letter to the military commission, August 1975, in Ninoy Letters.

“I believe that freedom of the individual is all-important and ranks above everything else.” – Ninoy, “A Christian Democratic Vision” in Testament from a Prison Cell.

i cannot claim to be friends with Ericson, but i can claim to be a fan: in my undergrad years in U.P., his was a voice that was always loud and clear, but also very human and grounded, intelligent and creative. i never thought about his freedom because i presumed he would always have it. when he lost it, i found that his illegal detention meant a palpable silence to me, no matter that he’s been blogging and singing (here and here), no matter that i had lost touch anyway with the work he was doing after U.P.

now on his hunger strike, Ericson’s struggle as cultural worker turned political prisoner shines a light on the fact that all this time, since his detention, what was always on the line was not just his life. it’s also always been our freedoms — as writers and journalists, as cultural worker of any kind.

it seems to me really, that we owe it to freedom to demand for Ericson’s release.