Category Archive for: pulitika

kultura

in defense of (art) criticism!

via thepoc.net’s Metakritiko section.

I don’t know Angelo Suarez, Gelo, personally, but I appreciate his (virtual) presence in the way that I tend to love every other person who has the gall/temerity/balls man/woman/gay to speak his mind even when it’s unpopular. The thing is, there was nothing unpopular about Gelo’s review of Pablo Gallery’s Chabet, Tan, Ilarde exhibit.In fact, knowing the kind of consciousness Gelo brings to art, this was a pretty good review – good, being, he liked the exhibit – like, being, he didn’t dismiss the exhibit – didn’t dismiss, being, he actually wrote about it.

Which in these shores is something we should be thankful for, right? Here, where the conversations on art – any art – are praised when they are praise releases, where the critical bent is, i.e., the good review that speaks of the bad in art, is always deemed unproductive and useless. The goal kasi is to sell art.

This goal is what Gelo hits at with http://thepoc.net/metakritiko/metakritiko-features/4794-conceptualism-fellatio-a-the-admission-of-the-futility-of-resistance-as-a-form-of-resistance.html Conceptualism,fellatio, and the admission of futility of resistance as a form of resistance. On that level, the question for the spectator should become: do I agree with Gelo? My answer, as a spectator, is no. I agree with Antares, from whom the more intelligent comments on the Gelo’s article came (and who should really be writing art reviews, please please?). In light of capital, resistance isn’t necessarily futile, and to insiston futility is to place one’s critique very clearly on the side of capital and its contingent oppressions. Parang, ay walang nang resistance, so ‘wag na lang?

But what has become more obvious in the aftermath of Gelo’s article is that this isn’t even the question that’s being asked, and there is a refusal to even begin a discussion on the crucial things about contemporary Philippine art that Gelo raises.

the rest here!

komentaryo

Anong problema sa walang harapan?

Full of themselves, is what ABS-CBN seems to be, after the presidential and vice-presidential candidates cancelled on their tandem debates for Harapan 2010. In truth, if I were these candidates, I would’ve backed out too, in favor of a miting de avance or campaign sortie in a far-flung province or city. The point is simple: who watches TV, a debate of all things, and who will go out and listen to the music, watch the fireworks, see artistas on a stage?

What this points to, quite simplistically, are markets, is access, is social divisiveness.And the middle class illusion that everyone has equal access to technology.

After all, ABS-CBN’s disappointments is borne mostly of its celebration of its use of new technology that has people actively responding to the debates they have been able to mount so far.

But where I work, teachers who lost their television sets to Ondoy have yet to buy new ones – it is in fact, far down in their list of appliances to buy. Where I work, we also don’t have easy access to the internet. Where I work, a debate is the last thing that will spell the different between voting for Noynoy and voting for Gibo and voting for Villar. Where I work, what spells a difference in presence and promises.

And this is my basis for thinking that ABS-CBN is all hot air here – it cannot, will not, should not speak as if this is the loss of the greater public. There is nothing extraordinary about the debates they have come up with. It does generate interest, yes, and we do watch and make candidates’ mistakes and fab answers our status updates. But that doesn’t mean it does a lot. In fact it fails horribly at asking the right questions, or even talking at length about the more important issue that might actually solve poverty.

Instead, half the time, it’s all punchlines and laughter and sensational statements, the status quos that we live with. Harapan 2010 will not go in depth about globalization or imperialism, America’s presence or foreign ownership of land, agrarian reform or workers’ rights, because that would point a finger at the industry that it is part of, the company it is created within, ABS-CBN as cultural empire, the Lopezes as oligarchy.

If anything, Harapan 2010, while informative, yes, and interesting and fun for the social classes ready to laugh at and praise our candidates, is also about television ratings, and the social and corporate responsibility of a media organization such as ABS-CBN. That in itself is replete with meanings, and cannot be dismissed as simply about being in the service of the Filipino. Utang na loob.

kultura

Reconsidering Identity in the Aquilizan retrospective

a version of this was published in the Philippine Daily Inquirer, Arts and Books Section, March 15 2010.

I almost balked at the sight of the U.P. Vargas Museum from afar. I was there for the retrospective exhibit of Alfredo Juan and Isabel Aquilizan, but was unprepared for the fanfare of a book launch and a grand re-opening. Once inside the museum though, I realized I would’ve regretted not seeing this retrospective in the context of precisely this moment: when the University of the Philippines administration (with no less than the President and Chancellor present) celebrates the presence of, and a book on, a politician’s contributions to the University. In the midst of the heat (closed windows, bright lights, no air conditioning), and talks of how much the politician donated for the museum’s renovation, the Aquilizans’ works seemed to be in the most perfect space, my spectatorship in the most perfect moment.

Here, in the midst of a celebration obviously spent on, within state education that has come to disenfranchised poor students, the Aquilizans’ retrospective exhibit Stock became more powerful. The opening night of the whole museum, its anti-thesis; the exhibit, a response to the party itself.

Identity and the State U

Because while the Aquilizans’ installations talk about the usual migrant concerns of keeping memory and wanting to remember, finding identity and redefining it, these works also question precisely the materialism(s) of the world, our own found need to accumulate and consume in order to find our identities, and how we limit people to identities they might not want.

This dynamic between the material and the human, the things we hold in our hands and the identities we create, is what makes this exhibit more interesting in the context of the museum. The U.P. Vargas Museum is the University’s pride, and that night it was up for show: look at us, here is the art we have, we are the best there is, we are fine.

But as the Aquilizans’ works prove, we are farthest from being fine. There is nothing stable about the identities we keep, because it can only be forced into constantly changing, redefined by our loyalties and betrayals, and what it is we disregard. It’s everything and violent, everything and sad. (more…)

kultura

kawayan takes a walk on the blindside

It seems too easy, really. On one July 4, Kawayan de Guia found himself in America, and felt removed from what was a major celebration in the land of milk and honey. On this day, he decides to take a 30-kilometer walk on non-descript Route 66, which may be part of his personal history of walking, yes, but to a spectator who needs no personal history, could really be about so many other things.

Which is really what works for Bored on the 4th of July (Ateneo Art Gallery, Ateneo de Manila University) an exhibit borne of de Guia’s New York Art Residency Grant. An installation of photos that de Guia took on this walk of purported boredom, what was striking to begin with about this exhibit was the fact that it really is just a bunch of photos. The current propensity for capturing images of moments and keeping memories, with social networking sites and the internet’s enterprise of sharing and developing relationships through these swiftly changing images, this is exciting as it is possibly boring. For really, when I can put an album online of my own walk through an unfamiliar street in an alien city, wouldn’t my own captured images necessarily be as important, if not more so, than someone else’s? (more…)

komentaryo

election primer of sorts

this is something that Female Network asked me to write, an election primer of sorts, for its Pinay market. www.femalenetwork.com is the umbrella website for Summit Media’s pinay-targetted magazines: Cosmopolitan, Women’s Health, Good Housekeeping, Smart Parenting, Candy and Preview.

but of course this is for every voting Pinoy, in 2010 and beyond, regardless of gender and sexuality, and whatever other demographic or category or label we may imagine we fall under. my personal top 10 issues in relation to the 2010 elections, in no particular order, after negotiations and discussions with the nanay of course.

1. the environment
2. the VFA
3. foreign debt
4. human rights
5. charter change
6. education
7. migration
8. employment
9. SSS and GSIS
10.the Reproductive Health Bill

do click on that link!