Category Archive for: tugtugan

Without a doubt, there is power to be had in having social media, through which we can articulate our grievances, question our leaders, call out oppressors, demand accountability. Here is a medium that cradles our voice, and depending on what it is we’re talking about, we find allies in other voices, named and anonymous, supporting what we say, adding onto our narratives. It’s a sense of community, sure. It’s a sense of belonging, absolutely. It is power, undeniably.

This is at the heart of the Twitter thread of Adrienne Onday that wanted to talk about “misogyny, sexism, and predatory / manipulative behavior in the local independent music scene in my experience.” I myself had read the first set of tweets, which was her speaking in broad strokes — nothing specific, no names, and heavily contextualized when she was doing the gig scene regularly enough to become friends with the bands she idolized.

(more…)

The shameless conservatism in Nick Lizaso’s press release about his plans and vision for the Cultural Center of the Philippines (CCP), is ironic when one considers that we have a President who questions Catholicism and dogmatism time and again, and who insists on his freedom of speech – if not his freedom to offend – over and over.

President Duterte unilaterally installed Lizaso as CCP head. But even the President himself would not pass the rules and regulations that Lizaso is set to make for culture, given how he considers this “mission to be almost Pentecostal for it is all about Apostolate for Art and Culture.”

Yes, to the cultish feels of Lizaso’s statements. And yes, he will go so far as to push for censorship, because he has done it before. As member of the CCP Board in 2011, Lizaso stood for the closure of the exhibit Kulo at the CCP Gallery because of Mideo Cruz’s work “Poleteismo,” a critique of conservative ideologies such as Catholicism, which mainstream media had spun into a controversy. Conservatives filed a case against Cruz and the CCP Board – except for Lizaso, because he had stood for the closure of the exhibit. (more…)

President Duterte’s installation of Nick Lizaso as head of the Cultural Center of the Philippines (CCP) is painfully ironic – if not dangerously so.

On the one hand, it is clear that this President doesn’t care much about culture, so one wonders why he would appoint any of his men to these cultural leadership positions. On the other, one can see this as a statement in itself about what Duterte thinks about culture: anyone can lead it, never mind that he is incredible, never mind that he is unproductive, never mind that he speaks about art like it’s the 1940s, and likens the work he must now do to  building a Church.

“This mission is almost Pentecostal for it is all about Apostolate for Art and Culture. I enjoin every Filipino citizen to help me in this Apostolate – spreading the good news of art to all the corners of this archipelago. For it is art that will save us as a nation, as a people, as one humanity.”

That comes from Lizaso, Duterte-installed CCP Head. Apparently out to build a religious cult while he’s at it. (more…)

It could be the lack of a real functional communications team, or maybe just the general disinterest in what happens to the cultural sector, but none of President Duterte’s moves so far has been about doing right by culture.

While we might think the downward spiral started with the self-proclamation of Freddie Aguilar as head of the non-existent department of culture, which according to him meant being offered the position of National Commission for Culture and the Arts (NCCA) head instead, I tend to see the downward spiral to have begun with the appointment of Liza Diño into the Film Development Council of the Philippines (FDCP).

All that I have said about that appointment stands: the mandate and functions of that office are clear, the requirements for an appointee, too. Diño has none of those credentials, and by agreeing to this appointment pretty much pisses on the law that created this office to begin with. (more…)

15 from 2015: kultura

I wasn’t very good at doing arts and culture in the country the past year. But here’s a list of the strange, the good, the surprising in culture for 2015, not at all a best or worst list because … see the first sentence.

First a critical aside: having worked as dramaturg for Kleptomaniacs and a bit with Tanghalang Pilipino in 2014 meant keeping the theater reviews to a minimum in 2015. I needed that time to let go of the little inside stories that I know, if not to forget the petty tsismis. Distance is a good thing, and one is glad when it is given.

(more…)