Category Archive for: tugtugan

fete dela musique, elsewhere

You were dancing to music you couldn’t understand at all, but isn’t that what music should be able to do? You were there with a boy you barely knew now, but whose life seemed intertwined with yours. He says this is the real fete de la musique, and you smile. Here? In this park? It’s practically empty.

Cue memory number 1: crowds at El Pueblo in Ortigas, to the sound of music overlapping with each other, sweat sweat sweat the name of the game, knowing who’s with the band the rule not the exception. This may be free you think, but there sure ain’t a lot of freedom here.

Bastions Park, in Geneve, Switzerland, seemed to be all about freedom. It wasn’t cordoned off in any way, and without streamers announcing the event or tarpaulins with sponsors and advertisements, it was farthest from your sense of what a commercial event should look like. Make thatcommercialized event. Because as it turns out, elsewhere in the world, closer to France where the fete de la musique began, freedoms are about the lack of capitalist intent.

read up at the music + culture spanking site of Pulse.ph!

Granted, I had paid for really good tickets, treating my mom to what I thought she would find enjoyable, as a matter of friendship (with Tita Mitch), as a matter of wit and humor, the kind that we both know is few and far between as far as contemporary Pinoy comedy is concerned. So on that tiny stage of Music Museum, on their Manila run (they’ve been touring the country, apparently), the Juicy Cat Dolls strutted their stuff. And there was a lot of good that was expected, some bad that was unexpected, plenty of laughter in between, all in all good enough. This ain’t a rave, but it’s still hopeful.

After all Mitch Valdes, Nanette Inventor and Pilita Corrales go onstage ready to make us laugh. They begin with an original song about being a Juicy Cat Doll, competing with the youngerand sexier women of this world, and putting their foot down: we are more intelligent, and that has to count for something. And boy, do they show us how!

the rest is here, via GMA News online.

si kuya at kanta

this is up at Metakritiko where i’ve been alive in times that this blog isn’t. trying to link ’em all together obviously.

medyo hirap lang sa dating sariling namamayagpag sa blog na ito, na sa kasalukuyan (at dapat pala) ay (parating!) rine-revise. so in the meantime, eto ang isang sariling enjoy sa pagsusulat tungkol sa kulturang popular, lahat pinapatulan, lahat may posibilidad ng subersyon/pag-aklas/pagbabago, gaano man kaliit.

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Mix Tape 1: Ode to Sibling-hood

When I was a kid, my liking for the local was judged as baduy by my Kuya who took to liking everything not Pinoy. We fought over the remote control on Sundays when I couldn’t get enough of GMA Supershow, and he wanted the rerun of any other foreign show or movie on Channel 9. I watched That’s Entertainment, day in day out, to Kuya’s raised eyebrows. Yes, the talentless lived there, and they were “watermelon singing!” Kuya said, exasperated. That is, they didn’t know the words to the songs they pre-recorded and so they just keet repeating the word “watermelon.”

And here, the songs that I love(d) from the height of baduy Origina Pilipino Music (OPM) in the mid-80s to early 90s, all of which I’ve got memorized like a know how to ride a bike, to Kuya’s distress/disgust/despair, of course.

Side A: The Baduy Collection

  1. I Love You Boy, Timmy Cruz
  2. Points of View, Pops Fernandez and Joey Albert
  3. I Remember the Boy, Joey Albert
  4. Mr. Kupido, Rachel Alejandro
  5. Kapag Tumibok ang Puso, Donna Cruz
  6. Mr. Dreamboy Sheryl Cruz
  7. I Like You, Geneva Cruz

Ituloy ang pagbabasa todits.

As with all year-ender lists, this is necessarily full of itself, and can be accused of having a false sense of power, imagining itself to be comprehensive and truthful and correct. Unlike many of those Best of 2009! lists though, this is conscious of itself and its limitations, and is willing to be shot in the foot for missing the point entirely. Too, this isn’t really a Best Of list (haha!); this is really just a list of my top 10/11/12? spectacular (-ly negative, positive, happy, disappointing) things that did happen in our shores as far as popular, alternative, online, indie culture was concerned, as distinct from what have been termed notables of the year in books, theater, art and music. All these terms of course are highly arguable, but then again, culture is highly arguable, and is in process, as with everything that is lived. So maybe this is really just a way of reckoning with the past year, looking at what we did, where we are, what else is there to do, given the good the bad, the sad the happy, the almost-there-but-not-quite, that happened for and to culture in 2009. The hope is that we will continue to argue in the year 2010, over and above – and more importantly because of – the relationships we hold dear, the interests we treasure, and well, where we clearly stand about real and relevant change.

1. Uniting Against the Book Blockade. In the summer of 2009, poet and teacher Chingbee Cruz blogged about being taxed at the Post Office for books that she had ordered online. This would begin the fight against the taxation of imported books which, according to U.P. Law School Dean Marvic Leonen is against the law: books are tax-exempt, no ifs and buts about it. And yes, the last we heard, we are going to court on this one. (more…)

N.O.A.H. survives the flood

a version of this was published in the Philippine Daily Inquirer, in the Arts and Books Section, September 21 2009.

There is nothing like a Christian musical for kids that can get any adult-with-a-heart clapping with glee and stomping her foot to the beat. Trumpets’ N.O.A.H., No Ordinary Aquatic Habitat surprisingly did just this. I had braced myself for a born-again musical, i.e., one with a lot of preaching and conventional praise songs. Yet, despite some of these, Trumpets still managed to surprise me, what with its wit and humor, and even more so with some political consciousness – in a Christian musical? God forbid!

In N.O.A.H., while God might have been everywhere and anywhere, speaking to Noah from the heavens, he was also quite political. Case in point: when the flood finally cleans up the world, the narrator (Sam Concepcion) doesn’t just talk about the literal trash and decadence that was washed away, he also mentions corruption and politicking. Add to this the fact that one of the antagonists who first appears onstage looks like GMA, complete with the hairdo and the mole, as well as a placard that screams “Vote Me!” and you’ve got a whole lotta politics going on here. (more…)