composition

it must have a lot to do with the conversations. there’s the limits of a text message, like a finish line i refuse to cross, so i stop right before it, and begin again. you call it eloquence. i edit myself. you call out to me through the tiny box that you complain is too small a space, appearing just above your right hand as we chat. the tiny box ain’t so bad i argue, and isn’t it above your left hand? it’s limitless, these silly conversations we have, where we make mountains out of molehills i say, where we know some molehills are actually mountains you say, where we must know that some of the latter aren’t really such. we pare down mountains with words. we cut the world in thirds: here’s what you think, here’s what i think, here’s where nothing can be said. as you put food on my plate before you put some on yours, with no romance for that mountain of your leaving in the backdrop, no love for the facts we do not speak of. for two people who get off on words, we hold impending conversations, a paragraph in your head, a sentence that trails off in mine. you look at me in the middle of a crowded noisy restaurant for the leaving and left behind, to say: we know that what matters is what we don’t say, yes? yes. here, take this box and watch mountains become molehills become nothing but ellipses. here, have a box and fill it words.