It is this rendering of the visceral as questionable that happens on the level of spectatorship with the series entitled the “Battle of Love” made up of etchings all entitled “Violación” (“Rape”). Here it is the Picasso’s hand that falls heavier or lighter as it renders the act of sex, presumed to be at its most violent, across a set of five images that look the same. But are different. (more…)
what is being brought to light too, i find, is that while Lito Zulueta’s biases are questioned precisely because of the place he occupies in the Philippine Daily Inquirer vis a vis UST, his engagement with this issue has not happened in the broadsheet he works for. whereas Luis Teodoro’s attacks on him have happened in a regular Business World column.
the discussion, thankfully, continues. (more…)
Tito Jorge would’ve laughed out loud, would’ve teased that this 35-year old was bawling like his widow under the watchful eye of Mother Teresa and an oven called Serenity. The 68-year old man had taught humor well. Irony, too. It seems it took him long enough.
In 1994, Tito Jorge was working at the UP Film Center and on the last day for submission of UPCAT applications, arrived in the rain carrying with him – rolled up under his shirt – an application for this 17-year old. It needed to be filled up within the amount of time it would take him and Angela to catch up on projects ongoing. This would be less than an afternoon, and more like an hour, during which this teenage girl could only be overwhelmed by possibility. (more…)
two weeks since the discussion that had most everyone ganging up on UST and Lito Zulueta and siding with Marites Danguilan Vitug ang rappler.com, where is the discourse on media (online and otherwise) at this point? rappler has quietly revealed itself to be about helping out government instead of being a critical voice that at the very least asks: how much was paid BBDO for this campaign and is it worth it? i guess no questions like that for “uncompromised journalism” now tagging itself as “citizen journalism.”
and i guess it’s not surprising. if there’s anything the lynch mob that was the middle class / educated online world revealed then, it was that a love affair exists among those who are holding the fort of “new media” | “online media” — self-proclaimed and otherwise. if anything i am reminded that in media, as with the literary world, and maybe every aspect of this Pinoy culture, what keeps the status quo are friendships: ones that run deep, ones that are unquestioned from within. the question for Ressa and Teodoro really is whether or not they could have at any point disagreed with Vitug on this and any story? the question for all of us who blindly want to be invited into the bubble of middle class media and sort-of-NGO work is how many questions will we then fail to ask?
congratulations are in order: the DOT after all has triggered a meme of itsmorefuninthephilippines and its campaign has functioned exactly the way they imagined (with the help of a media enterprise now admitting its bias, yehey!) it is not without its critics, myself included, but i don’t mind letting it have a life all its own, commentary included about as much as unthinking celebration: if we can trip on the DPWHere, how can we not trip on this one?
which is not to agree that we should be blinded by all this fun. which is to hope that we all know — we all agree — that tourism in itself, as an industry is a sharp and double-edged sword. one only needs to look at Boracay and Tagaytay and find that foreign investment has meant congestion and pollution and the slow but sure killing off of local industry.
Poor entrepreneurs have generated their own capital over time, by starting small and reinvesting profits over several years. However, they may be squeezed out if outside investors drive rapid growth in the industry – as occurred at Boracay Island in the Philippines (Shah, 2000).
one only needs to walk through Makati Avenue on any evening, or Greenbelt 3 on a weekend to find that here are forms of tourism like we don’t want to talk about. go off to Angeles and find the industry of girlie bars that have been brought back to life by the middle-aged Caucasian man who has decided to disappear quietly in the Philippines upon retiring from wherever in the world he comes.
“The Department of Tourism is treading on dangerous waters. Marketing the Philippines as a destination for divorcees is practically synonymous to marketing the Philippines as a destination for sex tourists” (gabriela website, 2011)
The Philippines is one of the favored destinations of paedophile sex tourists from Europe and the United States. (“Global law to punish sex tourists sought by Britain and EU,” The Indian Express, 21 November 1997)
The tourism program of the government which aims to project the Philippines as a major tourist destination has increased the number of prostituted women. As more and more areas of the country are targeted for tourism, more and more women are driven to prostitution in desperation to ensure their family’s survival. (“Women Evaluate the State of the Nation,” GABRIELA, 24 July 1997)
these statements might be decades old, yes. that these resonate in the present? it is everything and telling of what any tourism program has to care about. it’s also to point to this fact: the reality has got to get better for the majority in this nation, so that they might know of those fun images, too. the goal has to be about making those witty taglines real for all of us.
because let us not even talk about tourism and this campaign, as if it is something that will save us from anything at all. know that this campaign in particular is replete with the limitations brought on by social class: more than who would even say “it’s more fun…” here, who exactly can afford to think about fun in this way? who has the wherewithal to be putting together memes, to have photographs of nation that are deemed worthy for being tagged “fun”?
know too that in the narratives of tourism across the world, it is the poor that suffers for it. they are the ones who lose access to their own resources, because they are not equipped to negotiate with the programs of tourism that exist.
there are many other examples where a few private entrepreneurs exclude local people in order to gain key assets, often through unauthorised land-grabbing. For example, Sabang is the gateway town for St Paul’s National Park in the Philippines, and 20–30 years ago contained much public land, almost all of which has now been privately exploited. The local authority lacks effective power to prevent breaches of planning regulations (Ashley, Boyd, Goodwin 2000).
know that “Tourism development has not <…> incorporated poverty elimination objectives. It remains driven by economic, environmental and/or cultural perspectives at national and international levels” (Ashely etal., 2000).
and in the philippines it is driven now by the notion of fun: which is always and only fleeting. which is only true for a few of us.