komentaryo

Is this still a whiff? Bato and Diño, FDCP and tax rebates

It was bad enough that Bato dela Rosa had the gall to have a film made about his life — after all, it was under his leadership at the PNP that we saw THOUSANDS of Filipinos killed in a bloody drug war that he insisted was necessary because his god … este, his President believed it to be so. Of course a film that is blatantly propaganda via hagiography is nothing new. Neither is the admission that this film is about getting him a Senate seat. Let’s not even get into whether or not he has the credibility and credentials for it (and no, Jimmy Bondoc, insisting Bato’s loyalty to the President is enough is just idiotic, also: anti-nation).

Let’s just talk about the fact that he is already an administration candidate, which means that he already has the benefit of using government resources for his campaign. And then he makes a film about his life, which he need not declare as a campaign expense, even when he himself admits it’s supposed to help him win the elections. Imagine? It’s like getting campaign ads aired without having to declare it as part of your campaign. It’s getting away with spending millions on your campaign without having to declare any of it. 

But it gets worse. Enter Liza Diño’s Film Development Council of the Philippines.  (more…)

kultura

Rappler, tax evasion, Duterte, dissent #MediaCrisis

Here we talk about the tax evasion case versus Rappler, as an off-shoot of its defense versus the SEC order to close it down. Also whether or not the support for Rappler and Ressa have died down, whether or not they are being singled out by the Duterte government, and getting some perspective on the notion (spin?) of dissent that Rappler uses to fashion itself as hero. Part 1 is here.

Do you have any observations or reactions on how other local newsrooms have responded to the tax evasion charges against Rappler and Ressa? Do you think that they’ve lent enough support to them, or otherwise?

I do think the support for Ressa and Rappler has died down compared to early 2018 when the Securities and Exchange Commission (SEC) ordered its closure. I’d imagine this to have been brought on by a number of things. There’s the possibility that mainstream media entities feel they have no choice but to fall silent about freedom of the press issues lest they become Duterte’s next targets. I’d like to think that to some extent many media practitioners can see right through this spin that fashions Rappler and Ressa as heroes, even as so many others are doing the same work they are — if not better work than they are. I’m sure there’s also the part where media entities just make that decision about which issues matter more — after all in the time of Duterte, when impunity, oppression, misogyny, and incompetence are on the rise, what to use our energies on is the first decision we make. (more…)

kultura

On Rappler, Ressa, “independence,” and global attention #MediaCrisis

At the end of 2018, Washington Post’s Regina Cabato and Kristine Phillips sent me questions about Rappler.com and Maria Ressa for a story they were doing. A bit of that long-ish set or responses landed in their profile on Ressa. I asked if I could publish their questions and my answers on my site, and they said yes.

I always welcome the opportunity to flesh out my thoughts, especially at a time when too much is happening, and we can barely keep our heads above water. This is Part 1: On Ressa, Rappler, mode of production, its claims of independence, and global attention.

One of the things you wrote was Rappler “has fashioned itself internationally as the bastion of independent journalism in the country,” and it is “seen by the international community as the only local media company that’s worthy of mention in the time of Duterte.” What makes you say this, and what are other local media companies that you think also deserve the spotlight?

Even before Duterte, and obviously ever since, the real source of independent reporting would be the alternative media of the Left: Pinoy Weekly, Bulatlat, Manila Today, AlterMedia, Kodao. These are media practitioners and writers who have been doing the stories that are not covered by mainstream media, across the different Presidents, and yes, mainstream media includes Rappler. Some of these alternative media sites were already online long before Rappler even went live, and are the true “independents” if we are to use the word at all: they are not funded by a huge capitalist, they are covering the stories of the people, the ones that don’t make it to TV or radio news, and they are on the ground covering stories that no one else is covering. (more…)

komentaryo

Auctions and Arrogance, History and Historians

The context is clear: it’s a state of affairs where historical facts are questioned, this time and place where unless an original document is surfaced what we all know to be truth is deemed untrustworthy or invalid, or both. We are exasperated and exhausted. In the face of false news and alterative facts being repeated until it becomes true, one holds on to the hope that in the final analysis, what will hold water are documents, data, statistics.

And so it is the worst time to have to deal with one Leon Gallery selling historical artifacts and documents from its consignors, with no apologies and no shame — and worse, with pride at what they’re doing. Don’t forget the marketing blitz before the auction, and the token historian(s) who will justify the fact that this auction house is putting up history for sale.

And we’re not talking art as history. We’re talking historical documents, written artifacts about historical moments from which we continue to build our identity as a people, from which we gain understanding of who we are, what has happened, and where we might be going.

There is a difference between the auction of art and the auction of historical documents and artifacts. The former is the sale of collectibles, a matter of taste, heirlooms to hand down to the next generation, or symbols of an embarrassment of riches for the Imeldific elite.

The latter carries with it the weight of a nation’s making and unraveling, our collective sense of who we are as a people. These are documents that belong to the nation, that were kept in family vaults and handed down from one generation to the next by our forebears, not with the intent of profiting from these, but of contributing to national discourse at some point. (more…)

komentaryo

Where were the teachers?

My question really is to the teachers of those kids, both bully and bullied: no one noticed the dynamic was different in relation to that bully? No one saw how the other kids would react to being grouped with him for projects, or being told they had to partner with him for anything? No one saw how the other kids would avoid the bully, or would get nervous, or would not look him in the eye? No one saw that kid and thought, hmmmm, he seems to be more yabang than the others, we wonder if that means anything? No teacher, across all the subjects, discussed with the other teachers if they noticed anything in relation to the kid who turned out to be bully?

Halfway through a semester in a college classroom, you tend to already see the dynamic of the collective, you see the students who dominate the activities and discussions, as you see those who decide not to engage, as you see those who try with all their might to participate no matter how scared or insecure they might be. We’re talking seeing kids, twice, three times a week. I cannot imagine teaching in high school, where you see these kids day-in, day-out, and not be able to see the dynamic of power that exists among the students you gather in the classroom. (more…)