President Duterte has made a big deal about how his government is transparent and incorruptible. We have proven the former false. Given a toothless Freedom of Information (FOI), the threats and attacks on media and critics, and the all-around culture and rhetoric of violence and propagation of fear – we all now know that transparency is nothing but a soundbite.

The latter? Well, as with the previous government, we are seeing how sometimes, it’s not even corruption that is the problem as it is selfish interests that serve no one but the elite in government and the oligarchs they protect. Case in point: an anti-people tax reform policy and PUV modernization, an infrastructure program that will bring us “hell” (according to Sec. Ben Diokno) and fatten up our foreign debt, the militarization of Lumad communities, the protection of military and police officials – including those that do wrong.

Ah, but as with Daang Matuwid, President Duterte insists that corruption is one of our biggest problems, and as such, he has said often that just a “whiff of corruption” and a government official would be fired.

One wonders when he’s going to smell the stench of what’s allegedly going on at the Department of Tourism (DoT). (more…)

The question of Bracken

The premise of Dear And Unhappy is a simple question: what of Josephine Bracken? Rizal’s wife and / or lover, depending on who you believe. Or depending on your internalized racism against the Irish woman our National Hero was enamored with — it is after all why Bracken remains marginalized in narratives about Jose Rizal’s life; it also has arguably spawned multiple texts about Bracken — the less we know about someone the more exciting our stories about her. (more…)

Boses ng Masa is deceptively simple and painfully familiar, which is what’s both good and bad about it: the discussion is worth having, but you can see that ending from a mile away.

It’s not that you’ve seen this before, as it is that you have lived it.

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The Metro Manila Film Festival (MMFF) is all of six months away, and here we are already talking with such passion about what the film industry needs and what the audiences deserve, quality versus commercial, small film producers versus big production companies, new versus old, change change change.

There is very little that we know so far, probably owing to what recently resigned MMFF Execom Member Roland Tolentino has said is a “confidentiality clause” on their work with MMFF.

What we do know is this. Four films have already ensured their spots in the MMFF 2017 roster, three of which hark back to the tried and tested blockbuster films of old. Three members of the MMFF Execom have resigned because the current committee is moving in the direction of “putting too much emphasis on commerce over art” (Statement, July 5). Those who benefited from last year’s “changes” are raising a ruckus. Film Development Council of the Philippines (FDCP) Chair Liza Diño is being questioned for deciding to stay as part of the Execom.   

We are being told that this is a waste of last year’s gains. Yet no one wants to talk about what those gains were exactly.  (more…)

Welcome to hell

If there’s anything we’ve lost the past year, it’s a sense of propriety and order, of just common sense about what the role is of government and our officials when it comes to speaking to the populace. Sure Daang Matuwid had its own share of communications foibles, and yes they were elitist through and through.

And yet the same might be said of the Duterte government, especially his men, who speak with utter carelessness, and then demand us all to see that they were merely being “taken out of context.” See here likes the problem with these times: we have allowed government officials to get away with insisting that everything’s a matter of opinion, never mind right and wrong.

Case in point: Budget Secretary Ben Diokno has promised “hell” given the government’s infrastructure program. (more…)