First, an aside. I steered clear of writing about Miss Universe, any more than I already had long before the pageant even started its activities in this country.

I stood and still stand squarely against holding the pageant here, especially at a time when we face the crises of poverty and need, of climate change and intermittent floods, when the dead are being collected off our streets, when the promise of change has yet to even be felt in fundamental, important ways.

There is little reason to believe that our government did not spend a single cent on this pageant as they had promised. When so many government agencies and offices were in charge of ensuring the safety and comfort of international guests, it is ridiculous that they even expect us to believe that public funds were not spent on Miss Universe in Manila. (more…)

The jeepney strike that kicked-off this week drove home the point that needed to be made about the Department of Transportation’s (DOTr) proposed jeepney modernization program.

First, that in fact jeepneys are not the main cause of our traffic crisis, because despite the fact that there were barely any jeeps on the roads, traffic was still terrible.

Second, that in fact this proposed modernization program will not only disenfranchise jeepney drivers and operators, it will also ultimately affect the commuting public. On the day of the strike, commuters were stranded no matter the number of organizations that did not join the strike, and no matter the transport LGUs and government agencies provided.

Makes you wonder: if this shift to new jeeps happens, will there be no lull in operations? Does this mean that there is actually one huge business already making these jeeps, ready to receive its millions from government subsidies, bank loans, and jeepney operators who can afford the P7 million pesos required to get a new modern jeepney franchise?

Whose business is this, and how did it get such a great deal with the DOTr?

We’re talking 400,000 jeeps to be bought at the price of at least P1-million-pesos each.

Imagine earning that much out of one huge government deal. It boggles the mind. (more…)

The rhetoric was one of change and optimism in the beginning, of a revitalized PTV4, of a Presidential Communications that did not engage in the spin that we had gotten used to for six years. The promise was information delivered promptly and with transparency, never mind the task of propaganda.

After all, when you’ve got a President who is doing right by nation, enough Cabinet members doing good work, and the Left, Right, Center on your side – not to mention millions in votes – there is no reason to be defensive, no reason to do propaganda.

You are Martin Andanar: media personality, Presidential appointee, with public funds and media resources now at your disposal. You would be the change President Duterte promised. (more…)

One of the more critical battles that any cultural institution should be waging at this point is the one against the unjust taxation of freelance cultural workers.

This was one of Daang Matuwid’s most unkind tax policies, which was put into effect by former tax chief Kim Henares, for whom it didn’t matter how much a person earned, what mattered was that government could collect taxes on those earnings.

I had hoped President Duterte’s men would take a look at this tax policy, and realize that freelancers and cultural workers are in a category of employment that is unlike “self-employed professionals” (doctors and engineers and lawyers), and unlike workers who suffer through contractualization.

At the very least, I wished they would declare a tax amnesty, just to bring back freelancers and cultural workers into the tax system, no questions asked, no penalties to be paid for honest but foolish mistakes. It’s just the kinder thing to do. (more…)

Ever since President Duterte came into power, the only time(s) we’ve ever had a sense of what he thinks of arts and culture is when he appoints people to cultural institutions.

And then there are those instances when we just hear people speaking as supporters of the President.

Say, Freddie Aguilar saying he had been promised a Department of Culture and in place of that, the chairmanship of the National Commission for Culture and the Arts (NCCA). Or that time last year when we were told about an arts and culture agenda being built through the funds of someone who had campaigned for the President. This was an arts and culture agenda based solely on cultural organizations, none of which could stand for the collective needs of cultural workers. There was no transparency as far as building that arts and culture agenda was concerned, and even as we were told that the documents would be released, it’s been months and we’ve seen absolutely nothing. (more…)