It could’ve been the fact that it was election year, but there was little reprieve from noise generated by social media all of 2016. It was like we turned a corner and didn’t know how to turn back.

Probably most distressing is that so many have fallen into the trap of celebrating Facebook likes and shares, equating this with relevant engagement, and insisting that this is “critical mass” and “public opinion.” Fake news sites are built on this premise, asserting relevance by producing un-sourced and un-bylined articles about issues that pro-government Facebook pages, personal and otherwise, are talking about.

These sites are of course shared with abandon, sold as a statement against the biases of mainstream media, and yet so obviously skewed to serve only the President and the government, like they can do no wrong. The push back of mainstream media and its supporters is just as noisy, asserting a moral high ground and insisting on policing the public, invoking protection from “hate” and “lies.” (more…)

At the onset, having a light romance / romantic-comedy as part of the Metro Manila Film Festival’s self-proclaimed “change” and “revolution” was a good thing: it tells us that they weren’t deciding against certain genres just because these are considered “pop” and “therefore shallow” — it is after all easy to presume that all love stories are about the happy endings, and one can spot the formula from a mile away.

But even formula has allowed for an amount of creativity in the rom-com through the years (1) and it is with this sense of how the genre has evolved that one was hopeful about Vince And Kath And James (directed by Theodore Boborol, written by Daisy G. Cayanan, Kim R. Noromor, Anjanette M. Haw), because there is so much more to the rom-com now than just lead stars with chemistry: there is good writing and well-threshed out situations, the specificity of social class and gender politics. (more…)

The septic tank as critique

Ang Babae Sa Septic Tank 2 #ForeverIsNotEnough is probably the most fun I’ve had in a local film since … well, the first Ang Babae Sa Septic Tank.

It’s not that I do not find commercialized comedies funny — the ones that fall back on formula, the hilarious banter of every Vice Ganda movie character, even Sosy Problems from so many MMFFs agoBut there is a layer of intelligence that ABSST demands of itself, an ability at self-reflexivity that it demands of its audience, but also a sense of the archetypes and stereotypes that we inevitably create in the course of unthinkingly insisting on what is “new” and “different.” (more…)

Film, art in a time of change

AFTER a good seven years of doing the arts and culture beat, writing reviews, doing cultural assessments, I have surprised even myself that my interest seems to have dwindled.

It’s not that nothing’s going on, as it all just seems secondary to the state of the nation, the urgencies of which cannot be overstated at this point in time. When you don’t have a government that delivers credible information, and no opposition that provides an alternative ideological viewpoint, and all you have is social/media caught up in troll discourse, trends, and hashtags, there is little energy left for arts and culture.

Until you realize that it is exactly the chaotic, confusing, out-of-control state of the nation that highlights as well the state of the arts–its crises of patronage politics and parochialism included. (more…)

The aftermath of Vice President Leni Robredo’s resignation from President Duterte’s cabinet has proven to me – yet again! – that the strategy at this point of those in power, and I mean government and its Dutertrolls who believe the President is infallible, as well as the Liberal Party and its Daang Matuwid fanatics who believe the Vice President is santa-incarnate, is really only to make fools of the public.

The power struggle is real. And because none of those who are part of the struggle are in the least bit transparent, what is being revealed in all the confusion is the fact that there is little concern about what’s happening on the ground, and no sense at all of the bigger picture.

Basta sila mag-aaway, bahala na ang bayan sumalo ng kaguluhan. (more…)