The question of supporting Original Pilipino Music (OPM) is one that isn’t simple anymore, not in these times when cultural systems are so intricately intertwined, and television networks and cultural empires are kings. In this series I look at contemporary Pinoy music’s production(s) and unpack the contradictions and discriminations inherent in, and the context(s) crucial to, the fight for OPM as we know it.
We say it often, and truth to tell in these shores it is true: many of our less talented singers have albums, and many of our more talented musicians are without jobs. But what of the non-singer, someone who doesn’t sing at all, gathering a strong enough following for her CDs that she’s now on her fifth (count that!) solo album – and yes, that’s not counting the one she did with her son, and another about the rosary. (more…)