Tag Archives: ABS-CBN

komentaryo

The propaganda war: Lessons from the ABS-CBN closure

It’s been a year since the ABS-CBN leadership decided to sign off. This was probably it’s only power move throughout the four years that Duterte had vilified them every chance he got, even when he had Gina Lopez as DENR Secretary, and even when ABS had paid up whatever it owed in taxes, and returned the cash the President insisted they owed him for an advertisement that didn’t air during the 2016 presidential campaign. And yes, this was an important power move, considering that all of us were witness to how its main commentators tried their hardest to bite their tongues on live free radio, and how news coverage was less about delivering the news as it was also about making sure not to step on too many toes.

To be fair, this wasn’t just the state of ABS-CBN news and public affairs under Duterte, as it is the state of mainstream media that has the widest coverage across social classes. In a country where a majority are not reading anything written in English, and a majority of those online are on free data, it should be pretty clear by now that for all the hashtags we can get to trend, and all the “unities” we think we’re doing here, we are in an echo chamber like no other. And no, we’re not winning anything in these echo chambers.

Just like we couldn’t win the battle to keep ABS-CBN on air.

(more…)

kultura

too much Torre 3: on 100 days to heaven

in fact it was a surprise that a television critic would ask for, of all things, a kontrabida. but this is what Nestor Torre asks of ABS-CBN‘s 100 Days to Heaven. he says:

Another unfolding element of the show that needs to be remedied is the general weakness of its kontrabida quotient. Thus far, all we have is a cupidacious relative who wants to take over Anna’s thriving business empire.

yet this lack of a kontrabida actually works for this soap, seeing as it’s the story of business executive Anna Manalastas being sent back to earth by St. Peter so that she may undo all the mean she did while she was alive. Anna was the kontrabida in this story; she returned to earth as a skewed version of herself.

that is to say she returns to earth in the body of little girl Anna, her skills and intelligence and craftiness intact but not easy to utilize on her own. it’s easy to fall for this dynamic of childlike innocence and adult shrewdness all in one kid. this is why it’s also expected that the young Anna played by Xyriel Manabat gets more camera time: Coney Reyes as the adult Anna’s characterization was fixed from the start and would in fact fall into the trap of being kontrabida, period.

via abs-cbn.com
via abs-cbn.com

meanwhile, Xriel’s greatness here is her ability to be both the adult Anna, and a little girl who doesn’t mind playing with other kids. but Torre is unhappy:

On point of stellar coverage, however, Coney ended up with the short end of the stick (so far) in terms of active projection, so the imbalance clearly has to be addressed and remedied.

Fact is, there are dramatic devices and conceits that can be employed to mitigate the situation, and give Coney her due. We trust that the show can utilize those alternate options soon, so the production isn’t deprived of the mature actress’ proven acumen and energy.

in fact Coney does quite well, thank you very much, even proving that there is no short end of the stick, not when that stick is all about brilliance. the little girl Anna is the only person alive for those within the soap; the adult Anna appears for the viewers’ benefit, and is where Coney proves that the reckoning of a woman at the end of her life is one that’s quiet and restrained, one that’s about realizations that do not concede to the standard and stereotypical, that isn’t about regret as it is about an acceptance of faults if not a rationalization of it.

Coney’s appearances while fleeting, are well-thought out, enough to propel the story without weighing it down with long monologues and explanations. once Xyriel appears, the more difficult emotions have been dealt with, and the smarts and taray of little Anna becomes relief, light and comic in the hands of this little girl.

in this sense, it’s perfect that there’s no kontrabida here: for this little girl is not one who’s easy to oppress, and even the latter is already an archetype isn’t it. instead little girl Anna is given a counterpoint in the character of Sophia, con artist and survivor, smart but without viable opportunities at a better life.* other than of course becoming a team with little girl Anna towards changing both their fates, blurry as that still looks.

the uncertainty works here because it’s what’s truthful and real for lives such as Sophia’s, and even more so for someone like Anna. and it’s here that the storytelling of 100 Days to Heaven just works at keeping you hooked to the kindnesses and possibilities at change that it can deliver given the multiple stories it will deal with. this is also why it doesn’t make sense when Torre says:

Finally, the show’s storytelling has yet to dynamically detail how she <Anna> can turn her former victims’ lives around. A general “reformed” feeling of better intentions simply won’t cut it in terms of convincing and thematically affecting storytelling, so more work is needed here, as well.

in the same way that kontrabidas need not exist for life to be difficult or miserable, in the more real complex stories of our lives, it is never clear how things will develop or pan out. and for a soap to finally be this truthful, we should all want to thank the heavens.

* played by Jodi Sta. Maria the complexity with which she deals with Sophia is no surprise; she must surely be the peg for a comeback that’s about acting borne of maturity and skill, you almost forget she was George in Tabing Ilog.

komentaryo

the Boy of the arts: not even a patron

ambassador. — noun. 1. a diplomatic official of the highest rank, sent by one sovereign state to another as its resident representative. (via dictionary.com)

granted that diplomacy is what Boy Abunda has plenty of and “his ability to communicate ideas” is the soundbite that’s suppose to explain why he’s been appointed as Arts Ambassador.  of course there are so many other people who do this just as well if not better: i can give you 10 names off the top of my head across culture and the academe. but most of them are not on TV, aren’t almost-sisters with Kris Aquino, and most of them will most probably be critical of government. and right there you have the REAL reasons why Boy has become Arts Ambassador.

it’s not that he’s extraordinarily skilled, or even skilled at this job at all. it’s that he’s the right friend at the right time. and you know what’s clear about PNoy: he is paying his debts. because this ability to speak that they say is Boy’s specialty? he’s a PR guy turned showbiz talkshow host, who can spin, if not wrap you around his little finger: this is every marketing person’s specialty. and this is not to look down on people who do PR; this is to be truthful about PR. it’s about selling, about making something look good, regardless of how bad it truly is. they should just put Boy in PR for the whole government: right there is where they need image boosting and fakery.

but for government to pay its debt to Boy in this way? it’s one that the arts and cultures sector of this country will pay dearly for.

owned by ABS-CBN. not just the photo really.

this is not at all to question Boy’s abilities as talk show host, or as talent manager, or as PR person. this is to point out that Boy’s Arts Ambassador appointment  is just depressing to those of us who are part of the creative sphere and know that it’s in the throes of suffering, of disregard, of neglect. this is to point out that there are countless people more deserving, more experienced, who have for years been at the forefront of and living and suffering within the arts and cultures sphere.

some life advice in a CD for someone who doesn't sing

this sphere that has suffered long enough, because government just doesn’t seem to care about it. Boy is part only of TV and no other cultural production, unless you count his CD of life advice and advertising given his endorsements. this appointment is so telling of what this government thinks about arts and culture, how they imagine that someone who hosts on TV must be the best choice. it’s like saying that anyone who travels can be a travel writer, anyone who eats food a food critic.

which i understand, this uh, horrid dismaying presumptions about what is art and culture; after all Cory’s presidency didn’t just kill the local movie industry, it also put Kris on TV. but surrounded as PNoy is with advisers and writers who make him look good, surrounded as he is with people from the arts and academe, i thought we’d at least have a bunch of better choices for Art Ambassador.

now i’m the last person who will say that popular productions aren’t culture; but i’m also the first person who will tell you that TV is but a drop in the large river of art and culture that we create. the ability to interview people is an even smaller smidgen — katiting lang ‘yan ng kakayahan ng napakaraming manggagawang kultural na kumakayod sa Pilipinas araw-araw.

kayod. Boy did not have to work for this, and hasn’t really worked for culture all this time. i don’t know why the NCCA even believes that he is an “advocate for arts and culture” when in the years that i have heard Boy on TV with the equally noisy presidential sister, they have not once struck me as supporters of the local arts other than when one of Boy’s talents are part of a movie or show or photo exhibit, other than when it’s an ABS-CBN / Lopez cultural empire product.

they will talk about a Cory exhibit, but really talk about Cory and not the art; they will mention art and photography, but only when ABS-CBN talents are its subjects; they will mention a book, but not once have I heard them talking about Philippine literature; they will give you a list of the books they love but it is rare if at all that this includes a local author; they will talk about movies and it’s always just Star Cinema films, or Regal Films depending on whether or not Kris stars in it, and then the rest of the time it’s Hollywood; they will talk about foreign designer clothes in the midst of a sea of local designers; Boy will endorse a foreign book, one that talks about God, which of course already limits the realm of arts and culture that he can even begin to wrap his head around.

and this realm, IS HUGE, just in case it isn’t being realized at all. arts and culture in this country is a diverse dynamic world of crisis and contradiction, and in the ideal world an Arts Ambassador would include all of that — all of us — in his vision.

this is not about reading Maya Angelou (who Boy always quotes, goodness gracious). this isn’t about watching Oprah all the time and copying her interviewing style. this is not about supporting one or two or three Pinoy designers for one’s clothes. this is not at all about watching Pinoy TV and film and being a fan of it. this is not about studying for a post, which he promised he’d do when he said no, not yet, to a government post.

this is about having read our Filipino writers all this time,  and having a sense of what ails the publishing industry. this is about keeping track of what’s going on in the academe, in the arts and culture it churns out, and seeing what ails our intellectual production. this is about watching plays and going to art exhibits, watching all of TV and not just ABS-CBN, going to the movies mainstream and indie, and seeing how much more — how so much more — can be done to spread that wealth around. this is about knowing the regions and seeing particular pockets of arts and cultures in languages as diverse as there are islands. this is about not being indebted to anyone — anyone at all — and being responsible for the kind of cultural products you yourself produce.

boy blind tastes a corned beef brand on nationwide television

because as Arts Ambassador, Boy’s own productions come into play. as Arts Ambassador it is respect and credibility that are difficult to earn, locally and internationally, given the diversity and division, given the lack of a clear Pinoy identity and agenda.

but here you have an Arts Ambassador indebted to the greatest cultural empire this side of the earth, which disallows unions and illegally dismisses its workers. he sells — is endorser of —  a mobile service provider, detergent, corned beef, pineapple juice, a beauty center, writer for a particular newspaper and magazine, and is in TV shows only on ABS-CBN 2. this in itself is replete with bias, and a limited view of what else is there about culture, about the arts.

ambassador for the arts sells beauty and surgical center. that's him with a trench coat in the middle of the photo.

and i won’t even go into becoming laughingstock of the bigger international world of arts and culture. not just because of the fact that our arts and culture ambassador is a, uh, product endorser but more than that because when and if they Google him what they’ll see is this:

via http://leviuqse.blogspot.com

and a photo for what is a hypothetical show that regardless, appears on Google:

via http://chuvaness.livejournal.com/557621

ladies and gentlemen, our Arts Ambassador, the guy who will face guests, art practitioners, cultural ambassadors all over the world at the up and coming Philippine International Arts Festival!

you can tell i’m excited.

komentaryo

one month of P-Noy: notes of a Pinay

the irony should not be lost on any of them, really. after all they’re the newly-created, seemingly hi-tech, and youthful (!) aspect of the Noy government, and as the communications group, they should know of the contradictions inherent in their mere existence.

they who are tasked with “communications” different and separate and new(?) from what we’ve seen as the office of the press secretary all these years. but save for putting up twitter and facebook accounts, and a website, we have yet to hear and see why this is important at all. ironically, they speak of this as if it’s a new and fancy creature that’s all about the Noy government’s notions of change. but really.

you do not need a whole office to create websites and accounts, nor do you need a whole bunch of new people who are purportedly adept at communicating. look at Gang Badoy’s Dear Noynoy. and really Manolo Quezon III’s (now member for the communications group) websites. it seems that all it would take is to hire techies for these sites, and then have Noynoy do the good things that are worth writing about.

but talk about this communications group inevitably leads to how we, the people, are this government’s new boss, and in which case, that this is one way to connect with the citizenry. true true. but really, you will respond to each and every citizen’s complaint? that Quezon and Ricky Carandang believe they can do this is the strangest of things; that they joined government for something that has yet to be defined and constructed and proven necessary (at this point!) is even stranger.

the truth is, you don’t need a whole office of three people to do this. you need a whole fluggin’ call center. I can complain to you easily about 40 horrid things that government in this country has done to me. I bet my parents will have double that, my brother maybe 30 because he’s been gone a while. add my one barkada of 4 people  x 40 complaints, another barkada of 4 x 40 complaints, and easily that makes 550 complaints.

and I tell you that these are the valid complaints, nothing on Kris (because they deem that irrelevant don’t they), and just one each on Hacienda Luisita (lest we be called the noisy minority that is the Left when the question should be: why aren’t your activists noisy to begin with?). I can tell you that mine will range from horrible facilities in the public schools I’ve studied in to corruption in education, from the convicted Aquino-Galman boys who have been suffering in jail for far too long, for something that they insist they didn’t do, to the hazy crazy fraternity wars that are all encompassing but which we don’t know a lot about. mine will come from my experiences as a teacher across the different universities, and as an activist teacher who spoke to real live public school teachers about their impoverished lives. mine will come from the violence I’ve experience at rallies, the violence inflicted on activists, and this continued violence: P-Noy refuses to put his foot down and Free the Political Prisoners!

the one thing I wish he would take from his mother, the one thing he doesn’t seem to want to do.

where does this communications group even begin to imagine the possibility of (1) responding to these complaints, (2) justly choosing which ones are “valid”, and (3) that we, the complainants, are the bosses here?

Quezon though points out a more complex job, and this one is infinitely interesting:

“My specific functions will focus on strategic planning in terms of messaging (including market research and polling), as well as editorial aspects of official communications, which in turn ranges from editorial guidelines and policies in general, to the Official Gazette in particular (bringing it from the 20th to the 21st century), to corporate identity and institutional memory.”

if messaging is the task, then please begin with taking down those billboards and tarpaulins with Noynoy saying “Mabuhay ang Mabuting Pilipino!” it’s uncomfortable to be told by my president longlive the good Pinoy, when it’s entirely possible that i will not be considered as such given his standards. same goes for those tarpaulins with Noy and Binay saying “Kayo ang Boss Namin.” as if naman. to have these slogans on the streets makes it seem like hard sell, and really, like it is a lesson being ingrained in our heads. is it suppose to make us feel good about this government? i’d feel good about a government that wasn’t spending on billboards and tarpaulins, to tell you the truth.

too, given advertising on our streets alongside the remnants of Bayani Fernando: pink and blue fences, footbridges, toilets! they must realize that sometimes it’s a reminder of what’s just so wrong on our streets, the cleaning of which should’ve been the first thing done by government. with “Bawal Tumawid, Nakamamatay!”  or a Kris Aquino billboard selling appliances within sight, the Noy-Bi tarps and the Noy billboards just seem like advertisements too, that just might be as dangerous as crossing the streets of EDSA.

but maybe this isn’t the point? because there’s also the editorial aspect of it, speechwriting (ooh, how they celebrated after the SONA ‘no?), and the creation of identity. which seems ironic really, as we all know what kind of identity this presidency wants to establish: that of being less than liable for the state of the nation. after all they just began by pointing a finger at who’s responsible for this mess, and throwing the ball on our court: Noy can’t do this alone, we must begin with ourselves.

which is all true, but haven’t we all been helping this country all this time? i pay my taxes, follow the law, involve myself in issues in many ways all this time, and yet. it takes two years for me to get my SSS benefit, i had to put out more than an old business was earning just to renew my permits, have dealt with too many a corrupt public official. i’ve suffered in the face of the civil service code, have been oppressed by both the public and private school system, have lived with very little and delayed pay, and almost no benefits. i have suffered because of the lack of a reproductive health bill that protects the mother, that makes medical institutions more respectful of women’s rights to decide on their and their baby’s lives.

having lived through this, as many others have lived longer with it, there’s nothing in the messages that this government has sent that relieves me, or makes me hopeful. the small solutions – catch a tax evader here, a tax evader there – aren’t what will make me proud. it’s the bigger ones. revise the system, revise the aspects of it that fail to work. talk about education and what it is that two private school officials (Fr. Luistro for Dep Ed and Licuanan for CHED) would know of the public school system that is in the throes of corruption, literally and figuratively. and really, the Aquino sisters giving away school supplies doesn’t solve a thing. not one thing.

or maybe all the communications group needs to begin with is this: try and be more credible. because saying that Ricky Carandang was to begin with on Noynoy’s side, even when he was working as a journalist in ABS-CBN, has debunked altogether the whole network’s press releases about being unbiased throughout the campaign and in the present. of course that has always been hard to believe about ABS-CBN, but the Carandang question adds another layer to this judgment of the Lopez-owned media empire, and its relationship with the Aquinos. sayang talaga the credibility that Maria Ressa had tried so hard to work on for the news and public affairs division.

oh well, but that’s their loss. of credibility, i mean. and of relevance. and of being seen as objective and critical actors in the newly staged performance that is the Noynoy presidency.

a badly-directed variety show circa 1990s for the inauguration? check!

interviews with image consultants and couturiers for Noy’s outfits? check!

writing the script for this show that seems to be on technical rehearsals within its 100 days? check!

a disbelieving citizen that wants to be surprised, has no institution to answer to, and is as independent as people come: check check check.

komentaryo

anti-activism, anti-freedom of assembly: who survives?

Ces Drilon is who. And the policeman she featured on I Survived on May 13 (early morning May 14, 1t’s 12:56 am on my clock). It is also GMA who survives in this, even the next president, or every other person who says that rallies are mob rules and should be dispersed or else, forgetting that the freedom of assembly IS A RIGHT.

In the end it is all just lazy research and documentation, and irresponsible journalism.

So in the course of the show, you are made to find out that this policeman was victimized by the crowd during EDSA Tres. You find out that he was injured and all that, that he risked life and limb to fulfil his duty as policeman. Sige na nga.

But. This doesn’t excuse the fact that anti-riot policemen are alwaysthe ones on the offensive. They’re the ones with truncheons and shields. They’re the ones who are pasugod at any given point. Even this policeman Ces was interviewing and who survived said that he was victimized by the tear gas that they threw into the crowd because the wind went in the policemen’s direction. He also said that in the end, what was used against him were the things that he and his team had used against the rallyists. What does that really say about who is oppressed in a rally situation?

Obviously Ces hasn’t been part of a rally in a long time, the kind that’s about rallyists riskinglife and limb to fight for their rights? Obviously she hasn’t been on the receiving end of the police’s/military’s unjust anger.

Obviously Ces and whoever her writers are for this show, were so intent on showing the violence of EDSA Tres that they just decided to interweave videos with no dates, no indication of when and where things happened.  In fact, footage of the police’s preparations for EDSA Dos and EDSA Tres were exactly the same. Footage of rallyists were messed up. When Ces and the policeman were talking about EDSA Dos and EDSA Tres, footage showed the PMP (partido ng masang pilipino) flags that went to EDSA after Erap was impeached, yes, but this was interwoven with an organized rally that had flags of legal and valid leftist groups that are now partylist organizations, including Anakpawis and Bayan Muna.

So these leftist partylist organizations are now considered part of the mob rule, Ces Drilon? You actually are saying that these organizations, which were in fact in EDSA Dos, even on stage in those days, are a mere minority, the kind that was out to kill policemen?

How horrible this portrayal to begin with of rallies and rallyists across the board. How horrid that given the kind of military and police power that GMA has used against the people during her term, here’s a show that says, these policemen/military officers are oppressed by the people, too.  AS IF the dynamics of power between the military/police and the people, rallyists and otherwise, have ever changed.

I wonder if they realize that in the process of featuring this policeman injured during EDSA Tres, and showing undated/unverified footage that cuts across rallies by both valid leftist groups and the political organizations like PMP, that it LOOKS VERY PRO-PRES-ELECT-NOYNOY (and Kris, I dare say given the money she brings into the network). How can ABS-CBN 2’s news and public affairs even begin to say they are responsible and not for any candidate? Come on, this episode of I Survived in fact reeked of the whole Aquino discourse of the left as a noisy minority. So lump them together with the mass mob rule of EDSA Tres, and tadah! you prepare the nation for no rallies, no assemblies, don’t do that because kawawa naman ang pulis.

WTF Ces Drilon. WTF ABS-CBN’s news and public affairs. for people who insist on responsibility and being worthy of our attention, talaga naman, sometimes you just failus. In this case, you fail the freedom(s) you should be fighting for. The freedom(s) in fact upon which you stand. Ang galing. Congratulations.