Tag Archives: capitalism

komentaryo

Duterte, Lapanday

It was quite the show of unity, President Duterte’s visit to the farmers camped out in Mendiola, members of the Madaum Agrarian Reform Beneficiaries Association Inc. (MARBAI) who have been fighting to get back their land from the Lorenzos of Lapanday Foods for the past six years.

Was it a surprise? Not quite. Duterte has always had it in him to perform tasks like this one, showing his support when needed, delivering the best soundbites that are still a surprise to hear given a history of Philippine presidents who wouldn’t even touch real issues of oppression and violence, inequality and social injustice with a ten-foot pole. But the President is one to have his heart in the right place for particular kinds of oppression, and one to raise his fist in front of farmers who most need to see it. (more…)

komentaryo

Lucio Tan wins again? (DOLE naman!)

or why that San Mig Light will taste infinitely better now

because in whose mind would it be normal and rational, just and fair, to lay off 2,600 employees favouring one of the richest Filipinos of 2009. really, now. Lucio Tan’s net worth then was at $1.7 billion dollars. that’s P78 BILLION PESOS. This year, he’s second richest in the land, with a net worth of  $2.1 billion dollars, that’s close to P90 BILLION PESOS (89.67 to be exact).

at ayon sa DOLE, kawawa naman ang mayaman ano, kase babagsak na ang business niya, kaya ayan, tanggalin na lang natin ang mga manggagawa niya!

This is also a man whose tax evasion cases were dismissed on a technicality during Erap’s time – Tan was a crony of Erap’s and earlier of Marcos. It explains, doesn’t it, how he got away with evading taxes that amounted to P25 billion pesos in 2005, which in 2000 was estimated to be at P25.27 billion (yes, I refuse to let go of that .27 billion).

i know i digress, here, but i think this digression points to the Department of Labor and Employment’s (DOLE) inability to see Tan as bigger than his current oppression of workers in Philippine Airlines. it points to how DOLE in fact seems to be treating Tan as its very own crony, siding from the beginning with PAL, even having meetings with its officials, as if it is PAL that is aggrieved in this situation.

let’s be clear here: we should feel no pity – at all – for Tan and his PAL management. they are not the oppressed here. and if you think otherwise, you should read up. or maybe try being an employee for once, and then talk to me about oppression.

because oppression is when you’re issued a gag order that disallows you to talk about your salary – not because it’s big mind you, but because it’s lower than most other pilots. in August, 27 pilots resigned because wanted better wages. but this resignation was also about taking a stand against the way they were being treated by Tan and PAL management.

before this, 11 co-pilots had been forced to resign by PAL management because they wanted these pilots to fly planes under Air Philippines and Aero Filipinas – both owned by Tan. the point? these pilots would be hired as contractual employees, which means their wages would be cut in half, low as it already is in PAL.

as bad as this kind of treatment? some pilots aren’t forced to resign, but they are forced to take on flights for Air Philippines on top of the flights they do for PAL. that’s being employee in two companies! correction, that’s forced employment in two companies both owned by he who is called the “most notorious crony capitalist” Tan.

and no, this isn’t just about the pilots. flights have been undermanned, which can only mean overworked flight attendants with the same pay.  female flight attendants are also being force to retire at 40, versus 60 for male employees; a maternity leave also means no pay and no benefits. ground  crew also hear of their impending forced resignations in order to be re-hired on a contractual basis in Tan’s various spin-off companies.

but it can only get worse. Tan and PAL management did want to work on these spin-off companies so they might gain more profit, but this wasn’t in the form of hiring old workers on a contractual basis; it was to outsource employment which makes imperative the termination of 2,600 workers.

this is what’s in the news at this point, the DOLE decision being released as it was on November 1. the irony would be nice were it not tragic, too. and just reason for anger.

you ask why didn’t PAL employees hold a strike earlier? why did they wait for things to be so bad, to come to a head, to pile up like this? a history lesson might be in order:  12 years ago in retaliation against striking workers, the PAL management terminated 600 pilots and almost 2,000 members of the cabin crew. and yes, that case of wrongful termination is still in our courts.

so you see, Lucio Tan has gotten away with murder in this country, in so many ways, and too many times. governments have let him kill, time and again.

it might be good to remind PNoy that his mother, seeing as she is always invoked by him and his sisters, never dealt with Lucio Tan – in fact Cory was seen as hostile towards Tan, thank goodness.

and just in case this isn’t enough to convince PNoy that his delegation of this job has fallen on horrible hands. read the DOLE’s justification of its decision, it’s so naive – or maybe just blind – to the workings of a capitalist empire like the one Lucio Tan’s creating for himself. DOLE believed PAL when the latter said it has been suffering financially the past two years, though a look at PAL’s own milestones shows that it has done nothing in the past two years but to acquire and to expand. it sure doesn’t look like a business that’s suffering. Cebu Pacific might have beaten it already, but that doesn’t mean it’s in the red.

oh and just so you know, in 1998 PAL also used as excuse financial difficulties to defend its downsizing of operations and termination of employees. but too, maybe all it takes is to imagine how far Lucio Tan’s money – the one that’s declared in and everything else extraneous to those richest man in the Philippines numbers – could go into spending on PAL employees’ wages or just making lives better all around.

but too, there’s an even easier question to ask: if Lucio Tan is second richest man in this country, howthef*#@! can the same man have a business that’s going under?

ULOL.

komentaryo

a resigned Ressa, a resigned us

why ABS-CBN? why would any network, in fact, let Maria Ressa go? it barely makes sense, if we know of her and her news and current affairs management and the ways she’s changed the news as we see it. and no, I don’t buy that whole refusal-to-renew-the-contract story, because really you can beg/ plead/ grovel to keep someone on your side,  especially when they’ve done so well, have outdone too many, in fact.

and this Maria has done for ABSCBN, allowing for ANC on Channel 27 to be the one and only reason we are still on Lopez-owned HomeCable even when they continue to provide horrible service especially since they forced subscribers to shift to the digiboxes. her management has single-handedly raised the bar for current affairs shows allowing for something as creative as Storyline to be on air, and bringing back the talk show that ain’t showbiz. of course all these have been on ANC, a cable news channel, but  at least for those of us who can afford cable, there’s a better alternative to news that happens so late in the evening because of the stretch of soap operas (beginning at 7PM and ending at 11:30PM).

and if you don’t agree with any of these, or just don’t have ANC (good for you for refusing the cultural empire of the Lopezes), then at least under Maria’s leadership, local channels have again started to do live broadcasts of senate hearings and such, because ANC was doing it.

this is not to agree with Maria’s management decisions all the time, nor is it to absolve ABSCBN (or any other network for that matter) from responsibility in the Manila hostage tragedy. in fact, I didn’t like that her Wall Street Journal article appeared so soon after the tragedy, adding salt to the wound, if not cutting deeper into it.

BUT I appreciate Maria’s chutzpah, her daring, even when faced with the probability of a collective disgust, or just a critical reader. I remember on Twitter soon after the hostage tragedy, her timeline was riddled with angry followers asking her in so many words what was she thinking!?! I thought Maria handled it with much grace and control, responding when she needed to, when it was a new question that she had yet to answer, and ignoring the redundant and the rhetorically angry.

this also isn’t to say that this was all good, or that we agreed all the time with the way the news was delivered/chosen/spun by ABS-CBN under Maria’s watch. this is to say that in truth there were such real and palpable and concrete changes in news and current affairs, and in which case, there were also better conversations about politics, and more creative documentaries about this country.

of course there’s still i-witness on GMA 7 which is still the best local docu-show I continue to see, and there still is Cheche Lazaro Presents on ABSCBN, whose Vizconde Massacre feature last night was just wonderfully done. but really, where else would Storyline see the light of day, or Strictly Politics, or Media in Focus? this doesn’t mean that we don’t complain about these shows, or that they are always without fault, or are always intelligently done. but this is to say that these are wonderful testaments to what can still happen for local news and current affairs, that we need not be stuck on CNN and BBC for better versions of the local.

in fact, under Maria’s watch, I remembered how I grew up with Randy David and Louie Beltran having their regular political and public affairs shows. yes, this was the time of public affairs versus current affairs, the time when relevance was still most important, versus just being news worthy. but that would be stuff for another blog entry.

here and now the question remains: but why? why let Maria Ressa go, what’s the real score here? though maybe we should be happy enough with, uh, tsismis being infinitely more interesting, even when – or maybe precisely because – it’s in relation to news and current affairs.

and as far as ABSCBN’s concerned?  I don’t think they fool anyone anymore given that the network’s the flagship of a Lopez empire. If anything, it has also become obvious that while they demand that politicians and government be transparent, they can only be farthest from being so themselves. now, in light of their maltreatment of workers finally becoming newsworthy, well, it’s easy to see how Maria’s notions of fairness and justice might not have worked in her favor after all.

so maybe she didn’t resign as damage control would like to point out, but this does feel like resignation, in the i-concede-my-hands-are-up kind of way. and Maria may deny it, but the rest of us can’t: the times when someone like her decides that it’s time to let go, it’s those times that we are forced to concede to the way things are or will inevitably become.

and for some reason, i have a sinking feeling that Maria’s leaving will mean having Kris Aquino back on TV, in what i imagine will be that past-publicized current affairs show. sana ‘wag na lang.

radikalchick.lit

cory and (lost) memory

the only thing that links me to Cory Aquino is really memory. because while yes, it has been about these images of yellow my grandfather and mother carried, as her death sinks in it’s also about many other images in my head.

of Butz Aquino and ATOM, and an uncle who was part of it. of Kuya at 13 asking that he be allowed to go with our older cousins to EDSA because, as he told my mother, what if there are 999,999 people there? he would make it one million! of a lola who scolded my lolo waving a huge foam laban sign at helicopters hovering over their house: friend! baka mabaril ka!

of being 10 years old, and not knowing much, really. except that three years earlier, Mama was so depressed that Ninoy Aquino was murdered. of finally seeing Cory, his widow, and of watching her campaign with Doy Laurel, and of the yellow and green fighting it out with the red and blue. of crazy elections, and walking with my father to Sto. Domingo Church to see who was winning in our district.

but too, i remember how at a certain point, there were no bottles of San Miguel Beer at our reunions. and the blue tubs of Magnolia Ice Cream were conspicuously absent, too. i imagine now that the adults must have had some Gold Eagle Beer, because what the kids had were Selecta Ice Cream, the less famous, therefore we presumed, less tasty choice.

but it must have tasted the same. after all ice cream is just ice cream to a kid.

what was different, i realize now, was how that unfamiliar tub of ube ice cream was a symbol of a nation coming together. of supporting this woman battling it out with the masculine dictatorship. of believing that it was possible to change things by choosing a different ice cream — or beer — brand. i realize now that this belief in Cory’s call for a civil disobedience campaign, did bank on innocence. a naivete about how capitalism works, and how a boycott rarely does.

that it was successful is also so telling of why our collective memory as articulated by the media has yet to remember this aspect of Cory’s rise as the widow who beat a dictatorship. maybe we have become afraid of remembering that it is possible to hold capitalism by the balls. maybe we have also ceased to appreciate our capacity at believing in one person enough, to change our lifestyles around her cause. maybe we have lost all innocence.

and with Cory dying, in the midst of another dictatorship, maybe even all hope.

kultura

the enterprise of the impossible

their first movie, A Very Special Love was anything but believable. Laida, Sarah Geronimo‘s character, was too giddy, too pa-cute, too over the top, for comfort. And Miggy, John Lloyd Cruz’s character, was so confusingly inconsistent: one moment he was a scary boss, the next he was someone who would go to an employee’s birthday party; one moment he was singing videoke, the next he was downright mean.

the love story was also such a stretch, given the fact that Laida was a new employee in the office where Miggy was boss, and she does look younger (no matter the clothes and make-up) than him. given Miggy’s general attitude towards his employees, it was unbelievable that he would even be remotely interested in this girl who obviously had the hots for him.

it is in this sense that You Changed My Life was an interesting sequel, because it had to have more than just the kilig factor and John Lloyd’s laglag-panty looks — both of which are on overdrive here. while Laida’s character had evolved and matured, Geronimo’s take on her was still on “I love you John Lloyd!” mode. it was clear that Laida here had very little sense that love doesn’t equal dependence, and that she couldn’t save this man from messing up his new job as head of one of his family’s businesses, even with more love for him. even more interesting is the fact that Laida, even when in her head she could always help save Miggy from self-destruction and shame, had no idea what kind of help Miggy actually needed.

he, who wanted to revive the business by taking on the challenge of an account that would require more than the company’s standard quota. he, who decided that the only thing he could do was overwork his employees, hire more contractuals, and remove all incentives so that he could have more money to go around. he, who screamed at the workers, without realizing the kind of work they were doing.

it was clear here that what Miggy needed was a change in ideology — not just Laida saving his ass by, well, becoming his employee (which was what she wanted to do). when the movie dared allow for the workers to stage a rally and stand by their refusal to work, i couldn’t help but be hopeful that there would be a spiel on workers’ rights. instead, all the movie did was talk about the value of the worker in the context of this particular family enterprise. instead, all they talked about was the universal liberal notion of “our company is our people” and we must “care for them” — without realizing that this sounded more about charity than about valuing the worker.

without Laida’s help, Miggy is forced to take responsibility for the company and its people. meanwhile, Laida was kept in the dark about how horrible this man she had fallen in love with was, a tragedy in itself given that she comes from a working class family and is in fact an employee of Miggy’s family.

which does make it almost impossible that this rich, super guwapo, yummy young man — an eligible bachelor as he is wont to be created by the movie — would fall in love with this spit of a girl, who barely knows herself and is obviously of a different social class. in reality, someone like Laida would dream of a man like Miggy, but never get him. in reality, Laida’s social class would dictate a particular ideology, the kind that would allow her to take stock and realize that she is an employee and he is the boss, and nothing else.

but this is a Pinoy love story after all. the kind that wants us to believe that the impossible is possible, that we can all be Laida and have someone like John Lloyd take us on a helicopter ride, pick us up at work everyday, do the sundance with us, and will want our powerhug. and yes, when I shift from Geronimo’s Laida character to the real John Lloyd, i mean to say this: that like the images of real and true workers’ empowerment, in the context of capitalism, this remains as fiction. and it is almost entirely impossible.

p.s.: Rayver Cruz‘s acting here was priceless as Macoy. as the third member of a love triangle that never happens, his longing looks should be put in a bottle for the enterprise of the forlorn. this kid will give many of those hunks on ABS-CBN a run for their money — and i’m not even talking about his dancing.