The recent events in our arts and culture institutions have made me think about my relationship with these organizations, given how I stand in favor of its independence, and against all these questionable government appointments.

See, the discipline I grew into in the academe was one that was critical of these institutions, looking always at the ways in which these are created to perpetuate the same forms and aesthetics that are primarily (arguably) based on the padrino system – a “mentorship” system that is about who you know, not what your skills are – and has a tendency toward keeping the opportunities (fame? fortune? haha!) within the very small circle that the cultural establishment sustains.

The amount of time I started to spend writing about arts and culture as an independent cultural worker forced me to study these institutions and keep track of what they were doing, seeing that as reference point for the work happening through private efforts, regardless of access to support. (more…)