Tag Archives: gender and sexuality

As with all year-ender lists, this is necessarily full of itself, and can be accused of having a false sense of power, imagining itself to be comprehensive and truthful and correct. Unlike many of those Best of 2009! lists though, this is conscious of itself and its limitations, and is willing to be shot in the foot for missing the point entirely. Too, this isn’t really a Best Of list (haha!); this is really just a list of my top 10/11/12? spectacular (-ly negative, positive, happy, disappointing) things that did happen in our shores as far as popular, alternative, online, indie culture was concerned, as distinct from what have been termed notables of the year in books, theater, art and music. All these terms of course are highly arguable, but then again, culture is highly arguable, and is in process, as with everything that is lived. So maybe this is really just a way of reckoning with the past year, looking at what we did, where we are, what else is there to do, given the good the bad, the sad the happy, the almost-there-but-not-quite, that happened for and to culture in 2009. The hope is that we will continue to argue in the year 2010, over and above – and more importantly because of – the relationships we hold dear, the interests we treasure, and well, where we clearly stand about real and relevant change.

1. Uniting Against the Book Blockade. In the summer of 2009, poet and teacher Chingbee Cruz blogged about being taxed at the Post Office for books that she had ordered online. This would begin the fight against the taxation of imported books which, according to U.P. Law School Dean Marvic Leonen is against the law: books are tax-exempt, no ifs and buts about it. And yes, the last we heard, we are going to court on this one. (more…)

Or when Derek Ramsey just ain’t enough.

There are many good things about I Love You Goodbye really, including of course the fact that Derek Ramsey exists in it at all. It did want to talk about the travails of a May-December affair, as it did try to highlight the problematique of class when it comes to love, as it did use as premise the necessity of migration in the creation of a young Filipino couple’s dreams. With all of these issues integral to its plot, this movie could’ve undoubtedly gone beyond the usual commercial movie formula — something I always have high hopes for.

But this movie, more than anything, is proof of how a badly written story, is really just a badly written story, despite all efforts at making it more substantial – and even when the only meat you get is some of Derek’s bare naked back.

A well-written story after all, requires a complexity in its characters that this movie doesn’t have. You prove this through the fact that it was most difficult to suspend disbelief about someone Gabby Concepcion’s age (what, in his 40s?) falling for someone Angelica Panganiban’s age (in her 20s), alongside the fact that Angelica was a waitress and he a doctor; or that someone Derek Ramsey’s age would even imagine using someone who looks sixteen (Kim Chiu, yes despite the thick make-up and more mature clothes) to get to Angelica, who was the love he left behind. Even the whole Kim-Chiu-is-now-an-adult was a stretch here. (more…)