Tag Archives: impunity

It was a little over a year ago, in July 2016, when President Duterte first talked about pardoning policemen in the name of the drug war. He had been turning defensive because of constant criticism about the human rights violations of his war on drugs and its contingent, growing body count.

In a speech in front of San Beda batches 1971 and 1972, Duterte spoke of how he is the President and therefore is not required to respect due process. And instead of addressing questions about human rights violations, he talked about how the police could point a finger at him for whatever crime they commit in the name of the drug war, and as long as they did not lie to him about what they’ve done, he would pardon them.  (more…)

COMMUNICATIONS Secretary Martin Andanar, that’s who.

It’s still unclear to me what he thinks his office should be doing, but it sure continues to do very little towards actually providing the public with correct, proper, and urgent information.

Instead it’s been revealed that Andanar is doing this: listening to the pro-Duterte noise on social media, printing out “information,” and making it an urgent and important concern because OMG! it has gone viral.

And what is it exactly? Well, screencaps of YahooGroup messages, with email addresses and names of anti-Duterte personalities, but also some messages that seem to have come from the staff of Vice President Leni Robredo. Reading through these messages, all of it seems harmless enough, and honestly, any destabilization plot that happens on a yahoogroup—one that is so easy to hack—should not be taken seriously by government.

Ah, but of course Andanar takes it so seriously! (more…)

The family drama is … ahem … a Metro Manila Film Festival (MMFF) tradition, one that’s produced some interesting enough versions from the Tanging Ina series to Mano Po. And so it was no surprise that the purported / sold / imagined “change” via MMFF 2016 would deem it necessary to have a “family drama.”

It was “Kabisera.” And while it did fulfill all the requirements for a family drama, i.e., there was a family, and there was a crisis, and the family pulled together — sitting through the convoluted loop-holed narrative made one think it was particularly chosen not because of artistic merit but because of elements that might have rendered it relevant … or at least “more relevant” than the family movies of MMFFs past.

Apparently all it takes these days is to throw in some corrupt politics, play around with images of impunity, and then engage in a discussion about these as superficially as possible. Have I mentioned the caricature of a human rights Chief that was obviously a jab at De Lima? Yup, one that didn’t work at all.

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