At the onset, having a light romance / romantic-comedy as part of the Metro Manila Film Festival’s self-proclaimed “change” and “revolution” was a good thing: it tells us that they weren’t deciding against certain genres just because these are considered “pop” and “therefore shallow” — it is after all easy to presume that all love stories are about the happy endings, and one can spot the formula from a mile away.

But even formula has allowed for an amount of creativity in the rom-com through the years (1) and it is with this sense of how the genre has evolved that one was hopeful about Vince And Kath And James (directed by Theodore Boborol, written by Daisy G. Cayanan, Kim R. Noromor, Anjanette M. Haw), because there is so much more to the rom-com now than just lead stars with chemistry: there is good writing and well-threshed out situations, the specificity of social class and gender politics. (more…)