Tag Archives: Manila Art 2009

kultura

hits and misses in ManilArt2010

note: a version of this was published in the Philippine Daily Inquirer, Arts and Books section, 20 September 2010.

After last year it was difficult not to look forward to ManilArt 2010. Last year meant drinks and music, a whole lot of camaraderie, a certain high to having such a huge event for Philippine art happen. This year, while the art was there in fantastic display, there seemed to be an amount of distance between art and people. Maybe there just wasn’t a lot of rock ‘n’ roll.

The distance of Manila Art

This year Manila Art was celebrated at the Mall of Asia, making it literally inaccessible. This year too, it went all out in creating a fancy opening night, which meant making it an ultra-formal affair, a nice dress and heels not good enough. The set-up of a red carpet and a ManilArt backdrop by the entrance of the conference hall is telling of who it is that Manila Art wanted to cater to. Obviously this is reason enough for many other people to stay away.

As there were many reasons to leave earlier than expected. One of which was the fact that food and drinks ran out (and yes, plates and utensils did too!), a far cry from last year’s Chef Laudico. And even if they didn’t run out, there weren’t a lot of trays going around, and staying within the gallery booths meant not getting any food at all. The food was fantastic mind you, but very few of us got to much of it. Oh and the heat! Between hunger and the failure of air conditioning, it was enough reason to leave. (more…)

kultura

when art and music collide

a version of this was published in the Philippine Daily Inquirer, September 14 2009.

It was on two seemingly disparate occasions that the interweaving of art and music came to life for this writer. The first one involved the unfinished and unfulfilled CD project of the arts organization CANVAS and Ambient Media, where local musicians collaborate with visual artists on the theme of Filipino identity. The second was what seemed to be a run-of-the-mill album launch of Grace Nono, in a genre all her own, singing her versions of various Visayan-Cebuano love songs.

In the end, both experiences meant a letting go of the ways in which I view art in itself, or listen to music by itself, as both collide into an intertexuality that’s both of the moment, but is entirely universal as well. (more…)

komentaryo

the rich ba kamo?

nakita ko silang lahat.

all under one NBC tent, last thursday, stormy weather notwithstanding. apparently, art can bring all of  our alta sociadad together, given too that this was a first-of-its-kind art event: the Manila Art 2009. with most of  manila’s galleries bringing the paintings, sculptures and mixed-media works under their roofs, this was a free-for-all, really. a one-stop shop for anyone who’s interested in art in the philippines.

this apparently, is what the rich of this country have in common other than their money: art.

but of course being my middle class self, recently becoming familiar with the kind of market that continues to exist for art in this country, i had come in the fanciest of my public-school-teacher attires, flowy skirt, wedge heels, the most make-up i can bear. i failed to take into consideration the rich coming in black coats and barongs, long gowns and cocktail dresses.

my happy flowy beige-and-orange dress could only float above the din of black.

naisip ko: para silang nagluluksa.

but this was no sorrowful night. in fact, for the artists and the galleries, it seemed like the one affair they were thankful to be in. for art critics — and the wannabes like me — it was a rare chance to be in the company of all these artworks. for the rich, well, this was a time to hobnob, have pictures taken, smoke cigarettes outside because you know, it’s not allowed inside.

and it was there that i realized how justice exists in this world.

woman 1: you know, i love this event because we get to buy all this art! i think this is what will keep art alive in this country.

woman 2: yeah, the art world shouldn’t depend on governement, they should depend on the rich for support. that’s the only way.

woman 1: oh, look at that car, he’s in the way, nagta-traffic tuloy. filipinos talaga.

man (pointing at the traffic): now THAT, is art.

if the pinoy artist can depend on this rich to be their clients, and this rich can barely get themselves off of their perch, enough to really and truly understand what ails the filipino — artist and otherwise — then the art worldwill survive as a matter of course. it may remain inaccessible to the majority of filipinos, and it may be used against them by the rich, ah, but it will just fluggin’ exist.

in a tent with the tessa prietos and tim yaps of this world, buying art like there’s no tomorrow, i am reminded not just of how the rich can survive these times of crisis. they can afford to be alive and well, and spend money that can feed a poor family for a full half-year, for one piece of artwork.

such is the social crisis of our time.