Tag Archives: OPM

a version of this was published in The Philippine Daily Inquirer on 13 April 2009.

Over lunch, the foursome more famous as the AngFourgettables talks about their nickname, Charice Pempengco, Arnel Pineda, the all-OPM concert month, and everything else in between.

They haven’t disbanded, if that’s what you’re thinking. In fact they insist on two things here: one, that all they’ve done is lie low as a group which allowed their individual careers to flourish, and two, that they’d really rather be called Ang4. Please drop the “gettables” and use the number four, if only to make them sound younger. (more…)

KC as guilty pleasure*

There aresongs that become your guilty pleasure, the kind that you don’t admit you like, just because they’re too pop, or are downright cheesy. Many albums get hidden in the back of your closet, a little secret you keep to yourself, even when you’ve memorized it inside and out.

This is exactly what A.K.A Cassandra, KC Concepcion’s debut CD is. Because truth to tell, there is really nothing spectacular about it. It’s an album that subsists on plenty of remakes of mostly foreign songs (save for “Haring Ibon” by Joey Ayala), and originals that are everything and cheesy (“An Updated Version of Me” comes to mind). Many of the songs remain about love, if not about the universal notions of happiness and going with the flow and relaxing. All of them are pop, in the sense that they are easy to listen to. (more…)

on Sugarfree Live*

The collaboration between a rock band and an orchestra isn’t new. But an OPM band that does it well, a collaboration that reinvents the band’s songs, and a band that survives through a live concert with a full-piece orchestra? That’s something else in these shores. In Sugarfree Live! Sugarfree and the Manila Symphony Orchestra as conducted by Chino David proves all of these as possible, and becomes a testament to how concerts and CDs like these can be done well. (more…)

ano kenyo?

What’s in a name? In choosing to buy the album Radiosurfing by Kenyo, it meant nothing. Because seeing the face of Mcoy Fundales, old frontman of Orange and Lemons, was enough reason to get the album, never mind that his new band’s name did not, in any way, strike a cord, nor did it seem to work with wit or humor. Without thinking, and with memories of his creativity as part of Orange and Lemons and as housemate on last season’s Pinoy Big Brother Celebrity Edition, the album was bought. (more…)