Pinoy social media – Katrina Stuart Santiago

Hate and lies don’t stop in a time of a pandemic—we are after all under a government that lives off this kind of propaganda. But when it comes from regular people who deserve respect for fighting for the poor and oppressed, the farmers and the peasants and the workers, you can only be taken aback, to say the least. That they would even take the time to fashion you as enemy, throw shade in your direction, especially on social media comment threads where discrediting a person is quick and easy, here and now, well, there is a time of reckoning for that.

This is not that time, but it is the time for some clarification. So let me take precious energy to talk about the accusation that I “defended a rapist” last year. A controversial, sensationalist statement to make, a juicy piece of news to hear about the person who wrote a review of Ang Huling El Bimbo in 2018, and questioned its handling of the rape of the lead character Joy; the same person who likes to see herself as a feminist, who writes about being woman in this country, who builds upon the kawomenan of many others. But of course via people like artist and peasant advocate Donna Miranda, what will surface is nothing at all about what I’ve written, or the play in question. Instead it will be this statement from her: “Gusto ko man basahin ang review na yan nahihirapan ako bilang nagtanggol ng rapist yung manunulat a year after.”

What a way to take down a person: throw a one-liner, attack her, try to ruin her credibility. Who cares if it’s true?

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In the five years that I’ve been doing this column, and the nine years of writing independently full-time, the most fulfilling parts of it have been about being able to talk to students who wonder about writing. Often the questions revolve around notions of fear, which automatically go to the presumption of courage: that it is brave to write about things that others wouldn’t write about, or to have a contrary opinion from what dominates the discourse.

Yet it would be delusional to imagine that sitting in front of a computer, in the safety of my own home (or my middle-class spaces), writing about issues that to me are important, is bravery defined. In the provinces, broadcast and community journalists are being killed, activists are being illegally detained and threatened, communities being militarized.

To be trolled or threatened on social media is nothing compared to that. (more…)

The month’s been long and it isn’t even over yet. Much of my mind and heart have been taken over by Lumad stories, ones that we rarely hear about first hand, and so it’s been critical (at least for me) to hear the Lumad themselves speak.

But of course this came with the realization of distance. How far is a land like Mindanao to Luzon, how far is Surigao, Davao, CARAGA, SOCCSKARGEN, from Manila. If the silence that surrounded the Lumad killings are any indication, it could be a continent, a country, a whole world away.

That it is like Paris, that it is not Paris, is precisely the point. (more…)

for most of the year i was writing theater reviews for GMA News Online, which in October came to an end after a good three-year run. the ending was horrid, where my writing was edited to the point of changing what i was saying about Tanghalang Pilipino’s Der Kaufmann and Red Turnip Theater’s Closer – my last two reviews with GMA. these reviews were published after i said that i was resigning as contributor, given other disagreements with the editor of the Lifestyle Section.

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