Tag Archives: plagiarism

komentaryo

Terrible tourism

The Department of Tourism (DoT), under Wanda Tulfo Teo, is a gift that keeps on giving.

We all of course know how Teo tried to deny what she said in an interview on CNN Philippines, where she not only confirmed that the Nickolodeon project would push through in Coron Palawan, she also revealed that she was all for it because she was promised that the corals would not be affected.

Never mind that common sense tells us that any kind of development that will put a floating structure over the waters, or any development on land in fact, would affect the ecology of places like Coron. Never mind that we have seen how developments on land have adversely affected the waters in places like Boracay. Never mind that it only takes a Google search to realize that these planned developments are absolutely nothing to be excited about.

Ah, but Mrs. Teo was excited. Asked about the Nickolodeon project, she said: “They showed us the map.  It’s very big, it’s very big, and they’re also developing that area, in the land area, condos and hotels. It’s very lucky, very nice, it will be a theme park, so many developments.” (CNN Philippines, 1 June)

This was strike one. (more…)

kultura

The portrait of a columnist as plagiarist

It has been confusing to say the least. But also it has been quite fascinating, this whole case of Ducky Paredes versus the broadsheet Malaya.

Because it’s such a public display of what goes through the mind of a man who has been accused of plagiarism, and the kind of defensive stance he’s decided to take. How the decision to turn this story around — in fact get ahead of the story — and claim that one had been oppressed and un-paid, therefore that would explain whatever actions he was to be accused of.

To be accused of. Because in fact we heard about how things went down between Paredes and Malaya only at the point when the paper found the need to defend itself against Paredes’s accusations as posted on Facebook.

That’s the thing: we found out about the story when it was deemed over by Paredes — he was moving on to the next thing. So the loudest voice we’re hearing is his, not at all acknowleding the serious allegation and crime that is plagiarism. (more…)

komentaryo

Pinoy social and online media 2013 (Part 2)

2nd of three installments.

Pol Medina leaves his mainstream pugad. And finds another mainstream pugad really, that thought it wonderful that you could choose-your-own-punchline on comic strips. But that’s getting ahead of the story. First was a Pugad Baboy strip that was submitted by Medina in April of this year, which was rejected by the Philippine Daily Inquirer. It would then be published in June to public social media outcry. (more…)

kultura

plagiarism apology as can of worms

because this is what happened when Krip Yuson apologized for his act of plagiarism: he opened a can of worms about writing in this country, about the hubris of the editor, about the question of writer versus editor, etc. etc. and you know I’m all for letting it all hang out, but given the gravity of an awarded Filipino writer plagiarizing, it just seems like the wrong time for invoking other worms.

Worm #1: Yuson talks about being the editor of the original piece, forgetting that it wasn’t his work pala, mea culpa, honest mistake naman. but where did this statement even come from, when is it acceptable for an editor to invoke his ownership of a text, one that isn’t his at all?

I imagine it comes from what still is the amorphous title of editor at least in these Pinoy shores, one that I learned from mentor(-beyond-death) Luisa Mallari who thought it was an immature profession in this country (addendum: at least in the late 90s, given the ones lording it over as editors versus what Tita K reminds me are the great editors like Joaquin, Locsin, Roces). this is not so much a judgement of current editorship as it is an assessment of its smallness, a smallness that editors themselves impose on the title, on the job, on the profession. because while it is a valid profession, separate from the writer, distinct from being co-author, it rarely seems like such.

Yuson’s apology doesn’t help the cause of the editor any. when he said he had “re-written” the original essay, he was in fact talking about something an editor isn’t expected to do. when he said he thought he was “at the very least part-author” of the piece, he was in fact crossing the line between being editor and being co-writer of the piece. and all these regardless of what the writer Rey Joble thought, or would’ve thought, about his editor claiming his original work?

in fact in the ideal world, no editor would claim a writer’s work as his own. in the world where editors respect writers, and respect themselves, an editor wouldn’t re-write a text so much that he would begin to imagine it as his. instead the editor would comment on the work and ask the writer to do the major revision. if/when the editor does the major revision himself — in Yuson’s case he calls this revision a re-write — then the editor must know as well to let his work go, and give it to the writer, whose work it still is, whose name should still be on that byline, who will take credit for whatever work the editor puts in, regardless. in fact, once the editor wields his power over a text, the writer has a right to say no, that’s not the way I want to say it, no, this is mine, you can’t touch it that way. the editor respects the writer enough to let this happen as well.*

but the only thing we know about Yuson’s relationship with Rey Joble is what Yuson himself talks about in the apology: Joble understands me, we’re still friends. well yes, but what of everything else this silences? I’d love to see Rey Joble’s original work, and look at Yuson’s editing as an exercise in seeing what editing in the form of a re-write means. I would love to hear Rey Joble speak, about his original work, about his original work being plagiarized. I’d love to look into the struggle that necessarily exists between Rey Joble and Yuson, the writer and the editor, and how this is changed by the act of plagiarism that Yuson committed against Joble.

ah, but I don’t know that any of that will ever be possible. and in the meantime there is:

Worm #2: the notion of deadlines, being pressed for time, in the act of writing (and editing) which Yuson invokes. which to me is the strangest — strangest! — excuse he could give, used as it is by college students who fail to beat the deadline for a major paper submission, unacceptable as that is in the world of adults in general, and adults who write for a living in particular.

I’m not saying I’ve never been pressured by a deadline; I’m saying that the pressure is part of this enterprise of writing, deadlines are necessary in this creative life (and I use creativity loosely here, or as broadly as possible).  it was most disheartening to read Yuson invoking deadlines as an excuse for plagiarism, for now any student can say: maam, ang dami kong ibang deadline eh, i was forced to copy and paste na lang from the internet. i agree naman with this site’s opinions eh.

imagine the repercussions for creative writing classes.

but maybe the more dismaying thing about Yuson’s use of the deadline excuse is that it begs this question: why did he say yes to so much, why couldn’t he have said no to one of those deadlines? and maybe the better question, why didn’t he just ask Rey Joble to help him with that Rogue article? why couldn’t it be passed on to Rey Joble altogether? Yuson’s got enough power to anoint someone as worthy of taking his place, especially since he is saddled with so many other deadlines, especially since it’s just one essay after all.

but maybe these questions don’t matter anymore, really. it looks like we’re out to forgive Yuson, complete with but the most chipipay comments thread on facebook (and I say that with love), that only the usual suspects are part of. otherwise, Yuson’s plagiarism seems to be spoken of in whispers, or maybe with heads shaking, or with a dismissal: if the Supreme Court can do it, anyone can.

but even with that we fail to acknowledge the value of the writer, even then it seems like we are wrongly forgiving of Yuson, failing to see that he is famed multi-awarded writer, and that this in itself is important to our cultural identity. as such it would seem right that we don’t forget, that we don’t make excuses for him, seeing as he’s done a pretty bad job at apologizing.

I imagine we’re a wee bit embarrassed for Yuson, maybe because we owe him in some form? maybe because we don’t like seeing one member of the writing and literati community, one so visible and famed, to go down in ashes such as this one? maybe because we know of the deadlines that he speaks of?

yet we also know that in the face of deadlines, the choice is easy: will you plagiarize in the midst of deadlines? or will you admit to being human, tao lang sorry, and say you need an extension? or maybe you’ll just miss the deadline, do a darn good job at the submission anyway, that you’ll be forgiven for being late?

at the very least, I’d like to think that none of us will do a list of excuses for misdemeanors, be they minor or plagiarism, the way Yuson has done. because if we are to learn our lessons here we must see that what this apology inadvertently does, other than opening this can of worms, is to highlight the writer’s / editor’s / literati’s hubris. and given all the stereotyping we already suffer, given our apparent removal from the hoi polloi, this portrayal of ourselves is the last thing we need, a misrepresentation really, that just means too many steps back in the task of demolishing the writer’s ivory tower and everything it represents. sayang naman.

that last bit seems to apply all around.

 

* this is the kind of relationship I have with Howie Severino on gmanewsonline as well, this the kind of respect we accord each other, where a word, a phrase, a sentence, a thought in an article of mine, can be passed back and forth between the two of us until we both agree on a major change.

komentaryo

Why Sorry Ain’t Enough

Plagiarism is a major offense in the Ateneo de Manila University. Penalties range from disciplinary probation to suspension as outlined in your Student Handbook. Plagiarized work will receive a grade of zero.

This section was part of all the syllabi I put together when I was teaching English and literature in the Ateneo de Manila University, most recently from 2005-2008. And this is why it will be very sad if Manny V. Pangilinan’s resignation/retirement isn’t accepted by the Board of Trustees of the University. I have warned students about using other people’s words, have spent enormous amounts of energy at teaching them about proper documentation, have told them time and again that plagiarism is unacceptable, and is a crime. Rejecting MVP’s early retirement would do nothing for the cause of intellectual honesty.

MVP has done the honorable thing in writing what was in effect a resignation letter to the University President. All it takes now is for the Board of Trustees to see that while the apology was appropriate (in Fr. Nebres’ words), it cannot be enough.  Because in fact, this issue is bigger than itself.

This isn’t just about MVP pretending that he wrote his speech, or us all presuming that he had a speechwriter, or his speechwriters committing the act of plagiarism (for whatever reason including that they allegedly wanted to discredit him). This isn’t just about an Ateneo community discerning what it is that must be done here, given all notions of justice and fairness, owing to all the good things MVP has done for the school (yes, he has done plenty). This isn’t just about celebrating MVP’s admirable and manly act of taking full responsibility (it has even been called a gallant act) and owning mistakes that aren’t technically his own. This isn’t just about taking his side, and pointing a finger at his speechwriters.

Ateneo has to realize that its decision on this matter will affect every classroom from here on in within and beyond the Ateneo. It will have an effect on every student who sits in front of every teacher who spends precious time talking about intellectual honesty, and plagiarism, and the value of using one’s own words in telling one’s own stories. This is about whether or not we tolerate plagiarism as (ex-)members of the Ateneo and as part of the bigger academic community.

It is not surprising of course that the reactions haven’t been all about what’s right and wrong here. Because in mababaw-ang-kaligayahan Philippines, many are already happy with an apology. In kampihan Philippines, we demand that somebody else be reprimanded. In utang-na-loob Philippines, we will condone a mistake because we have benefited from it or from the man who admits to it.

We will focus on the fact that since MVP didn’t write the essay, he therefore didn’t plagiarize, forgetting that he was passing this off as his own speech, no speechwriters in sight. We will forget that someone like MVP should be writing his own speeches, or at least enough of it to know when the thought and sentiment of an essay aren’t his at all. We will make excuses and say he’s a busy man who still agreed to do the commencement speech for two graduation ceremonies, when in fact the right thing to do was for him to say no if he didn’t have enough time and energy to spend on writing a speech.

We will find a way to say it’s ok, you don’t have to go, even when that person has already said goodbye out of shame and embarrassment.

In fact, at this point, the kinder thing to do would be to accept MVP’s resignation and retirement. Maybe strip him of the honorary doctorate degrees, too. And know that he doesn’t have to be part of the Board of Trustees to continue to give to the University – in fact, wouldn’t that be the greatest judge of his character, if he continued to give? We know he has the capacity to do just that, tax cuts on donations to schools notwithstanding.

MVP, after all, is no small man. Which is the reason why he was able to admit to this mistake, but most importantly why we can’t just let him off the hook. Plagiarism is no small thing, and when it happens to such a big man, it becomes larger than (his) life.

It isn’t so much that we want MVP’s head on a plate. It’s the fact that if it weren’t him, that head would already be rolling. Most importantly, it’s the fact that if he gets away with this, no other head could ever be on that plate again.