At the heart of Time Stands Still (written by Donald Margulies) is the crisis of capture, the kind that’s familiar to anyone who engages with more difficult, more violent, more painful current events in order to present these as honestly as possible, without intervening in its story, and in order to do justice to its telling.
Photo-journalist Sarah (Ana Abad Santos) and journalist James (Nonie Buencamino) have gained acclaim and credibility for doing work on conflict-torn territories in the Middle East. Working as individuals together, they find themselves victims of the stories that they follow. James had gone home ahead of Sarah, traumatized by having witnessed a bomb explosion before his eyes. He would soon enough find himself picking Sarah up from a hospital in Germany after she falls victim to a bombing herself. She is in a coma for weeks, and wakes up to a broken leg and scarred face.
The couple comes home to their staid apartment in America, the war they came from now the backdrop of their story, as it is the context of the relationship that is in the throes of individual trauma. It is a relationship that can now be viewed without the urgency of elsewhere. Or so they think.