Tag Archives: Yuchengco Museum

kultura

declared absences in nothing to declare

What might not have occurred to anyone who saw the call for submissions for the project “Nothing to Declare” was how big it could be. And when I say big, I mean huge; I mean in terms of the kind of space it would require, in terms of the kind of curatorial agency it would be premised on.

Across the two museums and one gallery that carried the exhibit, the one that’s still running is at Yuchengco Museum—a good thing too, if we are to consider the kind of context it necessarily has there: in the company of the Botong Franciscos and the Juan Lunas, given too the ceiling to floor installation of falling paper rocks “Suspended Garden” by Tony Gonzales and Tes Pasola, that the museum has kept from an exhibit in 2010. (more…)

kultura

Rizal as someone who lived

It might be out of the way, and painfully in the middle of the corporate hustle and bustle of Makati, but Rizalizing the Future was a good enough reason to leave anti-corporatism in the car and step into the Yuchengco Museum.

The hook, and one of the more powerful things in this exhibit, is the inclusion of Team Manila’s contemporary renderings on wood of Jose Rizal in shades (and later on their other Pepe products), in colors too vivid you forget he’s national hero. In “Rizal in Shades” one can only thank the heavens for Team Manila’s reconfiguration of history into interesting and viable images that comes from a stable and consistent sense of popular nationalism. Let me forget, of course, that I have yet to be able to afford one of their products.

Truth to tell, in the context of the museum, this was a feat in itself; in the context of the exhibit it would be the portent of the diversity that’s here, only united by notions of Rizal. Contradictions are welcome! Hear! Hear! Your telling of this story is as good as mine!

As it turns out, this works infinitely well with the Rizal heirs’ exhibition of things / correspondence / lives equated with our national hero. At first glance the collection seems too trivial for comfort, but in reality, it is more inspiring than we’d like to admit. Art as inspiration to do better in our lives seems cliché, never mind that it has as market the younger students among us, yet there is an amount of greatness in Rizal that’s difficult to ignore, or not be inspired by, the jaded among us notwithstanding.

At the very least, you must get goose bumps looking at the pencil sketches of portraits Rizal did himself.

the rest is here!

kultura

when art and music collide

a version of this was published in the Philippine Daily Inquirer, September 14 2009.

It was on two seemingly disparate occasions that the interweaving of art and music came to life for this writer. The first one involved the unfinished and unfulfilled CD project of the arts organization CANVAS and Ambient Media, where local musicians collaborate with visual artists on the theme of Filipino identity. The second was what seemed to be a run-of-the-mill album launch of Grace Nono, in a genre all her own, singing her versions of various Visayan-Cebuano love songs.

In the end, both experiences meant a letting go of the ways in which I view art in itself, or listen to music by itself, as both collide into an intertexuality that’s both of the moment, but is entirely universal as well. (more…)