boiling over: Kulo

there is no excuse — no excuse — for a President who not only presumes that 85% of this country are the same kind of Catholic; he also then thinks that this is a valid enough reason to gauge public anger. no excuse for a President who is as bad as Vic de Leon Lima. let me not begin with the fact that his own father died for democracy and freedom, the same things that this President has sacrificed here. and you are wrong, Ser Noy, this is not a question of whether or not freedom is absolute; it’s a question of you folding to the CBCP and Pinoy conservatives, who in this country have proven themselves as bad as the kukluxklan. this is about you — and everybody else who sacrificed critical thinking in this case — revealing whose got the balls. and it is apparently all them priests and conservatives who could only zero in on those penises, because that’s all that was in that exhibit as far as they were concerned.

except that there were these works:

Alfredo Esquillo Jr.'s Mama Kinley II
Alfredo Esquillo Jr.'s Mama Kinley II
Ronald Ventura's Untitled
Ronald Ventura's Untitled
Jose Tence Ruiz's CSI Chimoy Si Imbisibol
Jose Tence Ruiz's CSI Chimoy Si Imbisibol
Jose Tence Ruiz's CSI Chimoy Si Imbisibol
Jose Tence Ruiz's CSI Chimoy Si Imbisibol
Con Cabrera's Kompo
Con Cabrera's Kompo

 

Andres Barrioquinto's Alam ng Dios
Andres Barrioquinto's Alam ng Dios
Rai Cruz's Salinlahi
Rai Cruz's Salinlahi
Constantino Zicarelli's Vandalism
Constantino Zicarelli's Vandalism
Iggy Rodriguez's Pagbabanta
Iggy Rodriguez's Pagbabanta
Joseph de Luna Saguid's Kulo (excerpt)
Joseph de Luna Saguid's Kulo (excerpt)
Mark Salvatus' Empire
Mark Salvatus' Empire

all of the exhibit Kulo is here.

 

 

Comments

  • […] i’m this close to that man’s elbow because he was practically standing over the girl beside me. we were facing the front of the room where National Artist Bienvenido Lumbera, Karen Flores-Ocampo, Myra Beltran, etal., were making their statements about freedom of expression, which should’ve matter to all of us in the audience. except that these men weren’t interested in who was talking, nor did they want to gain a better sense of what’s actually going on here, complicit as they’ve been in the manner in which freedom of expression has been compromised given media’s treatment of the exhibit Kulo. […]