Category Archive for: iconography

the Charice challenge is on!

This isn’t so much about Charice Pempengco herself, as it is about an audience in this country that’s overly critical of her by default, that obviously doesn’t care much for her. And it has to be said that it’s class, social and otherwise, that allows for this double standard when it comes to national pride, which disallows Charice from being properly celebrated as a high point in Philippine popular culture history.

Even when she’s had the song “Pyramid” on the Billboard charts for a while now. Behind her she’s got David Foster, American icon, music producer and star, who has put her onstage with international superstars. She has Oprah Winfrey as manager and modern fairy godmother. She’s got Hollywood contracts for singing and acting, has done duets with Celine Dion and Andreas Bocelli, and will be in the second season of Glee.

You’d have to be in denial to think all these to be unimportant; you’d be wrong to think that just because there’s little of Charice on TV and in the papers, she isn’t as big a star as Oprah imagines. Because whether we like it or not, Charice’s international stardom doesn’t seem like a one-time deal. In fact, it looks like she’s in it for the long haul. The world has got Charice Mania to prove it. It’s also a response to you, critical Pinoy non-fan.

via GMANews online, the rest of it is here!

Cherie Gil, world class

<…> as with many women, Callas also just wanted love. And this apparently, was her failing. Seeing her teach this master class though, is a testament as well to her spirit. She was stereotype, yes, she was diva, as expected. But too, she’s a woman who knows not to rest on her laurels, and instead actually wants to share it. That soft spot is what’s startlingly overwhelming about her persona.

Cherie portrays Marie

One realizes two things in watching Master Class. First, that the struggles of woman, image and otherwise, public figure or private, are the same in many ways, and that as you empathize with Callas’ story, you realize how sisterhood lives, beyond death, across races, despite differences. Second, that you do not know a world class Filipino performance until you watch Cherie Gil do this play.

read all of it here!

cheche lazaro retires

It is rare to meet a woman you would trust with your life, but here was Cheche Lazaro, telling me about why she was retiring, what it is she’s most proud of, and where she will go from here—it was difficult not to be overwhelmed. After all, Cheche’s Probe Productions has so many awards tucked under its belt, and even more achievements that are invisible and non-material.

One such intangible honor is this: for my generation (I was born in the ‘70s), The Probe Team was a crucial touchstone for journalism, known for going the extra mile, crossing that roaring river, and taking a free fall off of a cliff—all for the possibility of a story, something the Philippines has always had in abundance, with too few tellers to tell them. Journalism was (and in some ways still is) a battlefield, fraught with danger and opponents, with the possibility of things exploding just under one’s feet an ever-present companion. As a truthsayer, Cheche Lazaro has been a hero in this field for a long time, so her retirement in many ways marks the end of an era.

click this for the rest of it!

and no, this isn’t about hayden kho, at this point staying in bad relationships and publicizing them seems more stupid than it is unacceptable. but really, the way this woman has crossed that line between selling beauty and making it an ideology, even a religion, as if beauty is the end all and be all of our lives, and no do not tell me about artistas.

because there are plenty of artistas who don’t have, and will choose not, to go through medical and dermatological procedures to be “perfect”, plenty artistas who in fact refuse perfect and say, well, i’m talented, and what are  you?  we grew up seeing Judy Ann Santos’ big cheeks, and what did she do? when it was time she lost weight and lost it, too. Iza Calzado was a big girl on television, and yes with fuller cheeks, and the next this we knew she had lost weight and was being healthy about her diet.

there was no Belo to do an injection here, a tuck there, no Belo to tell them, well, this is what you need to be pretty. because what is this pretty that Belo sells? plumper lips? less of a chin? pointed noses? deep-set eyes?

botox on those cheeks para “mawala ang bulge”? thermage on the face para “lumiit ang mukha”? good lord, Vicky Belo, when does it stop? and at what age,  praytell?

because to have even allowed Charice Pempengco to go through that botox procedure, one that’s suppose to bring back how the international singer looked three years ago! is just sick. three years ago she was 15! tell me, show me, how important it is that an 18 year old girl look like she’s 15. tell me how this is all important, the enterprise of the cheeks, let’s all get smaller faces people, this is what’s deemed important by the best-looking woman on the face of this third world planet.

and please, read up on the order of events, and realize that this whole TMJ ailment that they now say Charice had, ergo the botox and thermage? it happens after the fact. and really, if there was an ailment, why not go to a real doctor? Belo meanwhile had what seemed to her a perfectly rationale, albeit shallow, explanation for why she herself recommended these procedures to this young girl. Charice herself would go on to say that she wanted to look “fresh” for her Glee role.

well honey, that show has a guy in a wheelchair, an overweight girl, a chinky-eyed pale teenager, and big-mouthed wide-eyed lead star. the whole point of Glee is that these highschool nobodys, these stereotypical outcasts, find their voices and selves in the glee club through sheer acceptance of their flaws, as it is the realization of their talents. and i say to your supporters, google it and read up.

looking “fresh” is farthest from Glee’s repertoire. and so are smaller cheeks. elsewhere in the world, it is not a Vicky Belo aesthetic or ideology that rules. now Charice appears in websites like famousplastic.com and awfulplasticsurgery.com. how can that be a good thing?

As with all year-ender lists, this is necessarily full of itself, and can be accused of having a false sense of power, imagining itself to be comprehensive and truthful and correct. Unlike many of those Best of 2009! lists though, this is conscious of itself and its limitations, and is willing to be shot in the foot for missing the point entirely. Too, this isn’t really a Best Of list (haha!); this is really just a list of my top 10/11/12? spectacular (-ly negative, positive, happy, disappointing) things that did happen in our shores as far as popular, alternative, online, indie culture was concerned, as distinct from what have been termed notables of the year in books, theater, art and music. All these terms of course are highly arguable, but then again, culture is highly arguable, and is in process, as with everything that is lived. So maybe this is really just a way of reckoning with the past year, looking at what we did, where we are, what else is there to do, given the good the bad, the sad the happy, the almost-there-but-not-quite, that happened for and to culture in 2009. The hope is that we will continue to argue in the year 2010, over and above – and more importantly because of – the relationships we hold dear, the interests we treasure, and well, where we clearly stand about real and relevant change.

1. Uniting Against the Book Blockade. In the summer of 2009, poet and teacher Chingbee Cruz blogged about being taxed at the Post Office for books that she had ordered online. This would begin the fight against the taxation of imported books which, according to U.P. Law School Dean Marvic Leonen is against the law: books are tax-exempt, no ifs and buts about it. And yes, the last we heard, we are going to court on this one. (more…)