Tag Archives: Cherie Gil

Cherie Gil, world class

<…> as with many women, Callas also just wanted love. And this apparently, was her failing. Seeing her teach this master class though, is a testament as well to her spirit. She was stereotype, yes, she was diva, as expected. But too, she’s a woman who knows not to rest on her laurels, and instead actually wants to share it. That soft spot is what’s startlingly overwhelming about her persona.

Cherie portrays Marie

One realizes two things in watching Master Class. First, that the struggles of woman, image and otherwise, public figure or private, are the same in many ways, and that as you empathize with Callas’ story, you realize how sisterhood lives, beyond death, across races, despite differences. Second, that you do not know a world class Filipino performance until you watch Cherie Gil do this play.

read all of it here!

Where does one begin with a good movie – the kind that resonates a day after watching it, the kind that you gush about? Maybe with this: for the first time in my life, I had the daring to watch a movie alone. Even when this theater in particular, my gay friend had warned, was a pick-up place; even when as I entered the theater, there were only two other guys, in separate ends of the theater, and I had no choice but to be nervous. Goodness, the things I do for Pinoy indie films.

But soon enough, three different couples walk in, and so does Jackie Lou Blanco with her kids – hooray! for intelligent viewers who chose Peque Gallaga over Angels and Demons! Having seen the first two of the Sine Direk project’s movies – Fuschia and Ded Na Si Lolo! – and missing Litsonero by Lore Reyes (because they pulled it out after two fluggin’ days!), I crossed my fingers for Agaton and Mindy. Oh, please please make my heart flutter, jaded as I am about love?

Thankfully, Gallaga outdoes himself here. I had imagined Baby Love (from the 90s) on the one hand, and Pinoy Blonde (from recent years) on the other. Agaton and Mindy is neither. Because it is informed by the contemporary and the current, which is to say that it also highlights an urgency that isn’t just for the young. It in fact goes beyond the notions of puppy love, and becomes more of a love story than any of those commercial romances. (more…)