Category Archive for: kawomenan

kultura

Superstar High

My entry point to Nora Aunor’s icon was borne of the women around me as a child. First my mother, who is a Noranian—the kind that watched her critically-acclaimed films, was happy to hear Nora expanding her repertoire with Richard Merck, even if in 1980 she got the chance to do an interview with the Superstar, and was made to wait for so long and was limited to so few questions, confirming—and writing about—the urban legend that was the Superstar’s diva behavior.

The other woman was my first yaya. I have few memories of her, save for two: she was a lesbian, and she was a Noranian. Mama would buy her all the fan magazines with Nora on the cover, she would watch Nora’s movies on her days-off, and she treated Superstar on RPN 9 like weekly mass she needed to attend. For a stretch, she would constantly re-read these tiny pocketbooks that were Nora’s biographies.

Yet, I was no second-generation Noranian. As I told an audience of Noranians during a forum to discuss President Noynoy Aquino’s refusal to confer her the National Artist Award in 2014, I am of a generation that grew up choosing between the taray of Maricel Soriano and the pa-tweetums of Sharon Cuneta. The taray queen (of course) was my icon.

Now I realize that much of who Maricel (and later on Judy Ann Santos) could be as a popular icon was borne of Nora.  The non-conforming, non-people-pleasing, real and truthful, complicated and complex woman, of a different shape, size, and tenor, with diverse inclinations—this was a path paved by Nora.

Growing up with Nora politics

Born in the mid-70s, I grew up knowing Nora Aunor as Superstar. My awareness of her was about the weekly TV show, where she sang, danced, and bantered with Kuya Germs and Jograd dela Torre. This version of her seemed more real, like she was free to be herself here, speaking in her signature quiet Tagalog, humble if not self-deprecating, enjoying the diverse songs she was being made to sing, throwing punchlines with the best of them when needed.

As I grew into socio-political awareness, Nora was a constant. She was Marcos loyalist who in 1986 appeared at the gates of Camp Aguinaldo for the EDSA Revolution, taking part in people power when it was time to kick Marcos out. We know of her loyalty to Erap, sure, as she would have it for FPJ—these are invisible showbiz ties that bind. Yet we also saw Nora cut those ties in 2001at EDSA Dos, when she came and stood with us as we kicked Erap out of office.

Popular politics has always had Nora, which is to say that my sensing of her as Superstar was as much about local pop culture as it was about the socio-political. Nora was one to appear at protests specific to issues, from higher wages for teachers to justice for victims of State violence, as she would endorse a diverse set of political aspirants every election (and even hope to win an election or two herself). This public persona is one that is heavily criticized, judged as being balimbing, with all its inconsistent political convictions.

Yet Nora might have been on to something.

Read the rest on Vera Files.

komentaryo

Llamas, Heydarian, Esguerra: the post-Duterte macho punditry

The thing with six years of a fascist leadership like Duterte’s, built on fragile masculinity and misogyny and violent rhetoric and male chauvinism is that it changes us culturally. Women and the LGBTQIA+ community are more sensitive, and therefore angrier, and rightfully so. We are also exhausted.

But the men. Oh the men.

It’s one thing to have had to deal with the likes of Banat By and Jeffrey Celis during Duterte years and the first years or so of Marcos governance when SMNI continued to give them a platform. It’s another thing altogether to find that even men who should know better, ones who claim they are better, media personalities even, can use exactly the same tone and tenor, the arrogance, the same machismo, as that which the six years of Duterte had enabled and encouraged.

And of course this could only surface at scale when they are talking about a woman like Sara Duterte. Because there is nothing like a woman in rage to get men frothing at the mouth. (more…)

kultura

Run Barbi(e) Run*

But of course she can’t, not with those feet on tiptoes, ready for stilettos. In fact, with those big boobs, she might not be able to run at all. Barbie might be the most impossible and horrifying model for any young girl, who sees the big boobs and tiny waist, sleek long hair and made-up face, and think ah, that’s how I want to look.  And since Barbie apparently now represents the modern woman who has graduated from college and can keep every job possible, earning enough to have her own house (townhouse, 3-story dream house, Malibu dream house, take your pick) with fancy appliances and to party like there’s no tomorrow, then she does become a perfect aspiration, doesn’t she?

Except that Barbie is false, her whole lifestyle is. And even when there are seemingly more powerful images of her as career woman (most recent careers? News Anchor and Computer Engineer!), she has remained the same in many ways: she’s still as thin, regardless of how her hair or skin color have evolved; she still has the same features, the same particular body type, the same… uh… impossibilities. Yes, even when she has already run as Presidential Candidate Barbie (in African-American and White skin colors!).

Because Barbie cannot run, she has no knees for it. Yet as I began to run to get that endorphin high (over the more obvious need to lose weight), I found that much of it was about Barbie. And no, it isn’t about the body, for I got over that (im)possibility long ago, instead it’s about what Barbie does continue to stand for, over and above those jobs she can now have: it’s about being fashionista. (more…)

komentaryo

23 Days: Words, class, final push #Halalan2022

On repeat: I do not think misogyny and the patriarchy are those big ideas that have made this electoral race an uphill climb for VP Leni. That has no basis if one considers the kind of very feminine, very female, very woman empowerment frames that have been created for the women on the Marcos-Duterte side—from Manang Imee to Tita Irene, to Sara Duterte herself. Let me not begin about Liza Araneta, or even their female supporters like Dawn Zulueta. It has even less basis if we consider that throughout the past two years in this pandemic, it is the women in communities that have risen quickly, worked on survival and recovery efforts, taken on more than they usually do. Yes, patriarchy is here. No, it isn’t as simplistic as saying “majority of voters are patriarchal”—like that dictates the numbers we shade on our ballots.

Let’s be clear: there are many reasons why the Robredo-Pangilinan campaign has failed to capture the imagination of the 90% of voters we need to convert. No, the reasons are not as simple as so many 280-character tweets insist it is. This is not about the campaign being “feminine,” nor about the campaign being middle class.

And certainly, the solution is not to make it “more masculine.” These assertions are borne of terrible oversimplifications, i.e., that since Duterte has high-approval ratings, therefore what we need is more masculinity, more military, on VP Leni’s campaign. That fails to consider that the past four years a majority of us—and yes, that cuts across social classes—have grown tired of the militarized governance of Duterte. No, people are not tired of Duterte, but they are at the receiving end of his military and police, so emboldened by having a President who will forgive them anything. To even imagine that any campaign would benefit from being seen with military and police officials at this point, is failing to read the room. (more…)

komentaryo

26 days: Kawomenan sa #Halalan2022 #LetLeniSpeak

I was asked in a women’s month forum about what to do with comments on women being weak leaders, the kind that we encounter on social media when we talk about being on the side of Robredo-Pangilinan in this heavily polarized electoral exercise. The context of course is the notion that we remain a heavily patriarchal society, and as such, there is a basic, illogical, refusal to even consider a woman leader.

My answer was simple: I do not think that VP Leni’s womanhood is what’s being attacked, as much as it is her person. And yes, those can be one and the same, but in this particular case, given propaganda against her that’s run its course the past six years, and has escalated across this campaign, hindi ito tungkol sa pagiging anti-woman, tungkol ito sa pagiging anti-Leni.

This is the same VP Leni that’s been called Leni Lugaw for years, na nag-evolve to Leni Lutang, at nag-evolve to Lenlen nitong nakaraang ilang buwan. These three things are interconnected, and are part of a bigger narrative against VP Leni that the other side has galvanized into massive black propaganda. And sure, Leni Lugaw started with Duterte supporters and propagandists, pero ang matindi sa social media, wala naman nang tumitingin saan nagsimula. Ang lagi lang natin nakikita ay kung ano ang nasa harap natin. Ibig sabihin, sa iba man nagmula ang Leni Lugaw at bagama’t simpleng paninira lang ito noon, iba ang gamit nito sa kasalukuyan ng kampanya. That the other side has been able to evolve it into two different things based solely on the exercise of spreading spliced videos and fake news that frame the vice president as  incompetent and un-presidential—is the success of its campaign strat. They didn’t rest on the laurels of Lugaw, and as that was being turned into a positive, i.e., they shifted quickly to Lutang.  (more…)