Category Archive for: media

I have personally taken to ignoring Patricia Evangelista. now that she has gone up the ladder of media empire ABS-CBN as creator and producer of Storyline (which does romanticize tragedy in its writing, camerawork, conceptualization), there seems to be no stopping this girl. yes, even when half the time what she does in her Philippine Daily Inquirer opinion column is rehash what it is that has come out in her TV show. signs of these media times? there’s is no explanation for cheap thrills. or notions of credibility.

but it is precisely because she is in these positions of “credibility” that sometimesit is just difficult to ignore Patricia, lest she be under the illusion that she’s getting away with saying things that limn over the bigger issues of the day, as she passes her opinions off as political and correct and valid. at the very least, she passes them off as well-informed and well thought out, when really, they are far from it.

in her last column “Chiz Escudero 2010” Patricia spent most of her space rehashing what Chiz Escudero said at his press con announcing his defection from NPC, then she summarized it by saying that all Chiz did was to say that “a man running for president must not belong to a party, because to belong to a party is to give up independence of action”.

that this conclusion glosses over the other things that Chiz did say at the press con in relation to being freed from party politics is just so un-journalistic, and goodness, just downright uncritical.  this is a grave simplification of what it is that went on in that press con, an unacceptable display of an inability to see beyond one’s own biases – one that is for Noynoy Aquino (which we will get to in a bit).

so in the process of dissing Chiz, Patricia reveals that she can’t even respond to the more important things that he had raised: a brave stance versus contractualization and the oil deregulation law, versus the oligarchy’s ways of demeaning the jobs of those in the lower rungs of government service, versus the pork barrel, versus corrupt government officials. this is more than any of the presidentiables have dared say about their platform, about what it is that ails current politics, about what is all wrong here. an intelligent and critical reading of what went on at that press con would’ve meant looking not just at what Chiz announced, but at what else he did say.

and then Patricia reveals her simplistic analysis of Chiz’s defection: that since Chiz said that he has never been dictated upon by the NPC, this defection is meaningless. really now. to say that he has never been dictated by his party, doesn’t mean that there has never been any pressure to go with the party’s political flow and flaws. that Chiz has remained as part of the opposition despite NPC politics is a good thing, not a bad thing. that he now decided that he wants out, out of Danding country, out of party politics, is a good thing.

that in the process Chiz reveals the evils that exist in, the limitations of being part of, a party like the NPC is a fantastic thing.

was this all about him? absolutely. is it possibly about us too, as an electorate intelligently looking for options and wanting change? absolutely.

does Patricia know this? obviously not. in the end, she only revealed herself to be part of the youth who are closet-conservatives, unable to see the value of revolt, the importance of an ability to rebel, to break through the boxes that define who we are. these members of the middle to upper class youth are the scariest kind because they imagine themselves as intelligent voters, they imagine themselves critical, and the future of the nation. and yet when they are faced with the choice between revolt and compromise, change and the status quo, they will weigh things according to their own personal stakes: will i be able to keep my job, will i be able to keep my friends, will i be able to keep my reputation? and in the end they will choose the happy comforts of their old lives, stay where they are, blindly criticize those who shout based on the mere fact that they are shouting.

Patricia ends her tirade againstChiz’s defection from the NPC with

Mostly, I write this because, very frankly, I cannot trust a man whose mouth says one thing, and his eyes another.

now frankly, I wonder what it is that’s in Chiz’s eyes. or in Noynoy’s for that matter – he who is obviously Patricia’s candidate because, as she says, Chiz’s decision to defect is sold as

another touchstone of national change on the heels of Noynoy Aquino’s rise as the nation’s moral, if less articulate choice.

in the guise of being objective, i.e., acknowledging how Chiz’s defection is being seen, Patricia only reveals her own biases: that Noynoy is only a “less articulate” choice, and nothing else.

I wonder if she realizes that in the process of assessing Noynoy as such she has put her foot in her mouth, proving to us all that she has yet to even assess Noynoy as her candidate, over and above what he says.

oh, but wait, maybe that is the point: Noynoy has yet to have anything to say. At the rate the Aquino campaign is going, we’re hearing more of Kris. or is Patricia happy enough listening to her? and pray tell, what do Kris’ eyes tell her? and while she’s at it, since when were people’s eyes the reason for endorsing a candidate? this is not naiveté. this is carelessness. and irresponsibility.

go for it young media practitioner. there’s nowhere to go but up.

a wonder

how does ABS-CBN do it? of course we know it’s a capialist enterprise, an empire almost, that has us all bound in its cultural products and basic services. but the way in which the News and Public Affairs arm has kept mostly quiet, save for its guard dogs and mouthpieces online who have poo-pooed the plagiarism charge of stuartsantiago, reeks of yabang and hubris.

because if their head Maria Ressa were smart, she would’ve already apologized about the plagiarism. because anyone who’s serious about writing absolutely anything would know that a paraphrase is STILL plagiarism unless its source is acknowledged with: “according to…”. because even if they have exactly the same sources that were used for Himagsikan sa EDSA, as kbc says in her comment over at stuartsantiago, there would still only be 1 chance in 1,000,000,000,000,000 (one quadrillian) that two people would use a sample of the 1,000 most common words of a language in exactly the same order, exactly the same way.

when i was teaching at the Ateneo and i’d catch plagiarized work, i would announce it to the class and give each student the chance to see me and admit that they had gone online and used information that isn’t theirs. no fail, if i caught two students plagiarizing, at least 10 would admit that they might have plagiarized.

MIGHT HAVE plagiarized.

in truth, ABS-CBN should’ve already apologized for the mere possibility that their creative team DID plagiarize. because otherwise, i watch their news and public affairs shows and i wonder: how much of what i hear is original? how much of what their reporters mouth are truly theirs?

and what is it that they teach viewers when they in a sense dismiss a plagiarism charge? what is it that they prove? that they are high and mighty? that they refuse to be corrected, refuse to admit faults?

this is no different from keeping Willie Revillame on the air, even when his crassness and kabastusan just go against everything they say the network stands for. it’s like saying: the buck stops with us. we have the power to decide. we might have committed a crime, but our voice will prevail. we are invincible.

well, as stuartsantiago will prove, not anymore.

plagiarism and karen davila

i say plagiarism, at the very least, is a shameful display of one’s inability to write. and think. my nanay speaks:

while it was great that upon cory’s death pinoy tv was swamped with docus that revisited her exalted place in philippine history, one docu, Laban ni Cory,  produced and aired many times by ABS-CBN 2 from august 2 onward, raised my ire and my eyebrows.

my ire because some of karen davila’s narrative spiels covering the period of the snap elections through to EDSA sounded oh so familiar, so very close to, if not my very own words in, Himagsikan sa EDSA — Walang Himala! and yet there was no attribution, as though karen davila herself researched and wrote the stuff (wow ang galing), something that took me all of twelve years, lol.

I
KAREN DAVILA:

(010) Sa paniniwalang sila ang tunay na nanalo sa eleksiyon, isang victory rally ang inilunsad sa Luneta nina Cory at Doy, na dinumog naman ng mahigit isang milyong tao.

(013) At bilang tugon sa malawakang dayaan sa eleksiyon, inilunsd nina Cory Aquino at Doy Laurel ang civil disobedience campaign, Himinok ang taong bayan na huwag magbayad ng koryente, tubig, at iboykot ang media, bangko at iba pang kompanyang pagaari ng mga tuta ni Marcos. Marami ang sumangayon at sumunod sa panawagang ito. Wala pang isang linggo mula nang unang manawagan ng boycott si Cory nameligro ang ekonomiya ng bansa at nataranta ang mga negosyante.

HIMAGSIKAN SA EDSA–Walang Himala! page 40 last paragraph

Ika-16 ng Pebrero, sa isang “victory rally” sa Luneta na dinumog ng mahigit isang milyong tao, inilunsad nina Cory Aquino at Doy Laurel ang kanilang civil disobedience campaign. Nagpilit si Cory na siya ang nagwagi sa eleksiyon at nangakong pupuwersahin niya si Marcos na magbitiw, sabay hinimok ang taong-bayan na sabayan siya sa pagsuway sa mga utos ng diktador — huwag magbayad ng koryente at tubig, iboykot ang crony media at crony banks, gayon din ang Rustan’s Department Store, San Miguel Corporation, at iba pang kompanyang pag-aari ng mga tuta at katoto ni Marcos.

page 42 paragraph 2

Wala pang isang linggo mula nang unang manawagan ng boykot si Cory…

page 41 paragraph 1

Nataranta ang malalaking negosyante, gayon din ang multinationals …

II

DAVILA:

(022) Kakaiba na noon ang ihip ng hangin. Palaban na ang taong bayan, sabik sa pagbabago at may natatanaw nang pagasa, salamat sa biyuda ng isang tao …

HIMAGSIKAN page 42 last paragraph

Salamat sa biyuda ni Ninoy, kakaibana noon ang ihip ng hangin. Mapanghimagsik na ang timpla ng taong-bayan, punong-puno bigla ng pag-asa, sabik sa mga naamoy na pagbabago, noong bisperas ng EDSA.

III

DAVILA

(063) Naghudyat si Ver ng all out attack sa riot police, sa marine artillery, sa mga helicopter gunship, at mga jet bomber.

(067) Naririnig din si Marcos sa radyo. Isinusumpang lilipulin ang mga rebelde.

HIMAGSIKAN page 135 paragraph 2

Sa Fort Bonifacio, naghudyat sina Ver at Ramas ng all-out attack sa riot police, sa Marine artillery, sa mga helicopter gunship, at sa mga jet bomber. Naririnig si Marcos sa radyo, isinusumpang lilipulin ang mga rebelde.

IV

DAVILA

(070) Pumosisyon ang mga sundalo at nagkasahan ng mga baril. Subalit walang atakeng nangyari. Lumapag ang mga chopper sa Crame. Isa-isang lumabas ang mga pilot, may hawak na mga puting bandila at naglalaban sign.

HIMAGSIKAN page 138 paragraph 4

Napakagat ng labi ang mga sundalo, nagkasahan ng mga baril, pumosisyon.

page 139 from last paragraph page 138

Isa-isang lumalabas ang mga piloto, may hawak na mga puting bandila at nagla-Laban sign.

V

DAVILA

(076) Ala singko ng hapon, sa kabila ng banta sa kanyang seguridad sumaglit sa EDSA si Cory …

(081) Sa main entrance ng Philippine Overseas Amployment agency o POEA building nagbigay siya ng maikling talumpati sa mga taong nagtipon sa kantong iyon ng Ortigas at EDSA. Pinuri ni Cory ang mapayapang pagkilos ng mga tao…

HIMAGSIKAN page 165 paragraph 1

Bandang 5:00 ng hapon, nagpakita sa wakas sa EDSA/Ortigas si Cory Aquino, na Sabado pa ay hinahanap na ng mga Coryista. Sa main entrance ng Philippine Overseas Employment Agency (POEA) building, sa kanto ng EDSA at Ortigas, siya dumaan kasama ang kanyang pamilya at mga tagapagtaguyod.

paragraph 5

Sa kanyang talumpati sa mga taong nagtipon sa kantong iyon ng Ortigas at EDSA, pinuri ni Cory ang mapayapang pagkilos ng mga tao …

the docu’s closing credits list the writers and researchers.   i expect the researchers cited their sources of info, it’s part of the job, and  if so, who decided not to mention na lang these sources, the writers or the hosts?   na okay lang naman as long as magaling sila and they can write the material in their own words.   but even then, dapat ay mayroon pa ring acknowledgement sa dulo ang sources of information na hindi pa common knowledge.

kung hindi pala sila ganoong kagaling, dapat ay inamin nila by writing-in “ayon kay…  sa librong so-and-so….”    or maybe it was karen davila who couldn’t be bothered with “ayon sa’s”, akala niya ay makakalusot?   whatever, whoever, wittingly or un-, she committed plagiarism by lifting and appropriating my words for her own use without a by-your-leave or a thank-you,  how unprofessional, how dishonest, how disgraceful.

nakakataas ng kilay kasi it doesn’t take much time and effort to cite and acknowledge sources.   unless of course the idea is to give the impression that hosts and writers of ABS-CBN News & Current Affairs productions are all-knowing and sufficient unto themselves?

so, okay, now that i’ve vented, what next?    what do i expect?   well.   iniisip ko nga.   an apology?   too easy to shed crocodile tears.   credits on the docu?   rather too late, unless of course they have plans of selling dvds, in which case, okay, credits, and a share in the profits?

suggests a writer friend:  like a lawyer can be disbarred, a beauty queen forced to abdicate, ask for the head of the plagiarist in the form of dismissal or suspension.   or how about punishing the culprit by having her write a million times in longhand a very long mea culpa — the equivalent of 20 years of keyboarding chores or tendonitis.   oscar lopez could also buy the next edition of your book to give away to all libraries nationwide.

sounds good, all of the above ;)

sex without love*

If there’s any soundbite that I absolutely hated hearing in relation to the Hayden Koh sex videos, it’s from Boy Abunda, saying that sex, whether on video or not, must be about LOVE.

Goodness. Is this the dark ages? How many women have been oppressed precisely by this notion of love? I love you girl, therefore sleep with me. This dialogue is what has brought women to bed, before they are of an age when they can handle it, before they are even aware of their bodies. This is what has allowed for women’s bodies to be made into objects, because they enter the bedroom and think, oh, I love this man and this must be the way to prove it.

Love is what has allowed women to imagine love triangles to be acceptable, precisely what has kept all these women in Hayden’s bed and on his camera, what has allowed for Vicky Belo to imagine that she must stay, to prove she loves him.

Talk of love in relation to these sex videos is an injustice to love.

But maybe this is really just us, as audience, in over our heads about these sex videos, enamored with the ongoing debate, the continued media coverage, the chismis. It really is so juicy, yes? But all of these seems like we are, as audience, unprepared to deal with sex as sex, period. Ill-equipped to deal with the kind of technology that propagates videos of two people getting it on. Unprepared to look at sex in the eye and view it for what it is: two bodies articulating desire.

For who’s to say there was sex but no love or any emotions, and vice versa? This is only obvious when the act is done with no consent, and that would make it rape, no ifs and buts about it. And yet this isn’t porn either, nor your usual sexy movie. Both of these are done for profit, and presume what it is that the audience wants to see, over and above anything else.

But these Hayden videos have more than consent, and just run-of-the-mill movie sex. It has enjoyment. It has desire. It has libog, in the Pinoy sense of lust-desire-passion-tulo-laway-bodies-against-each-other-bahala-na-si-Batman sense. Only real life – not necessarily true love – would allow for that kind of desire. And two bodies acknowledging that desire, acting on it, enjoying it, is difficult to ignore. And maybe shouldn’t be debased to the level of just a sex video.

Or easily, and simply, oppression of one woman, or two or three. In the aftermath of these videos, we are told to see only the woman’s body, and how she had no idea something like this was going to be released to the public. All we’ve seen, in fact, and considered, are the women’s bodies. What about Hayden? Is he not objectified as well in this whole enterprise of sex videos? Yes, he taped these sexcapades, but it is obvious that he was not the one who released them. That makes him a victim, too. And he is twice victimized by the fact that no one has seen him as victim. I’m not saying Katrina and the other girls aren’t victims, too, I’m saying that they are not the only ones.

But again, to us as audience, Hayden is not victim because we imagine that he is the one in power here. He’s the one in a position to enjoy the sex, the videotaping, the different positions. But what of the women? Did they not enjoy it as well?  Isn’t it possible that in this whole enterprise of sex-video-talk, that we are the ones bringing the discussion to the level of shame and embarrassment?

Isn’t it that it is us, as audience and chismosas, who have oppressed Katrina and Maricris and whoever else will come out in these videos, as women whose lives are now over? And aren’t we the ones to actually, and truly, give Hayden an even bigger ego, as we refuse to even acknowledge that he is oppressed too?

In our insistence that only the woman is oppressed here, aren’t we also allowing for Hayden to get away with it? To get away with imagining his power to be more than it actually is, to be something to be proud of? In the age of masculinity studies and hypermasculinity experimentation, this can be turned around in his favor, you know. And after all, despite the threat of losing his license to practice medicine, he will still find himself a career – if only in the eyes that have objectified him through these videos. And maybe if only as Vicky Belo’s constant man, the one she proves her true love through (an absolute craziness in itself, of course).

In the process, what we fail to do is bring this discussion to the level of sex as truth, as real, and as something that we must all – particularly the women – deal with and be responsible about. In the age of technology, yes, but also in the age of sex without love, or at least questionable/ unstable/dishonest love. Here, women are being taught to have the stomach, the mind, the heart, for every other consequence that happens after the sex. We are being told that we will be alone, with no laws to help us, no reproductive health consciousness to bank on. As such, we must all bring this to the level of responsibility, of talking about it beyond the chismis, of making women – and men – realize that in the end, we do pay. For what our body wants, and for heeding its otherwise normal desires, in the face of a society that has yet to be  mature about sex. And love.

Over and above whether it’s on video or not.

*Title taken from Sharon Olds’ poem :

Sex Without Love

How do they do it, the ones who make love
without love? Beautiful as dancers,
gliding over each other like ice-skaters
over the ice, fingers hooked
inside each other’s bodies, faces
red as steak, wine, wet as the
children at birth whose mothers are going to
give them away. How do they come to the
come to the     come to the     God     come to the
still waters, and not love
the one who came there with them, light
rising slowly as steam off their joined
skin? These are the true religious,
the purists, the pros, the ones who will not
accept a false Messiah, love the
priest instead of the God. They do not
mistake the lover for their own pleasure,
they are like great runners: they know they are alone
with the road surface, the cold, the wind,
the fit of their shoes, their over-all cardio-
vascular health–just factors, like the partner
in the bed, and not the truth, which is the
single body alone in the universe
against its own best time.

From Strike Sparks, Selected Poems 1980-2002. U.S.: Alfred A. Knopf, 2004. Page 24.

sugod mga kafatid!

I can’t help but delight in the ManoloQuezonIII-ChipTsao debacle. First came ChipTsao and his satirical take on the Philippines versus China on the Spratlys. Second was the expected general public sentiment that this was racist, unacceptable, and off with ChipTsao’s head! Third, Manolo writes this status on his Twitter and Facebook via Ping.fm: “All the crap …” Fourth, hindi na kinaya ng powers ng bloggers na sina Dona Victorina at Reyna Elena, hindi lang si ChipTsao, kungdi pati na rin si Manolo. (more…)